On December 9 1989, Madonna was featured in a two-page spread in Billboard magazine, paid for by her record company and management, congratulating her on being named Artist of the Decade by Musician magazine.
Madonna’s September 1989 performance of Express Yourself at the MTV VMA’s perfectly encapsulates the sentiments expressed in the tribute. As her only live performance that year, it only hinted at Madonna’s next mission: to revolutionize the concert touring industry.
On November 23 1989, Madonna won the Billboard Music Award for Top Adult Contemporary Artist.
![Oh Father [Cassette Single] 550](https://todayinmadonnahistory.files.wordpress.com/2014/11/oh-father-cassette-single-550.png)
On November 11 1989, the music video for Oh Father premiered on MTV in the US. Filmed at Culver Studios, California in late October, 1989 by director David Fincher, the black & white clip drew cinematic influence from the 1941 Orson Welles film, Citizen Kane. Its narrative expanded on darker elements from Madonna’s life – focusing on the death of her mother, her relationship with her father and the recurring effects of childhood trauma in her adult life. The clip’s icily detached symbolism and heavy subject matter are counter-balanced by overarching themes of forgiveness and inner-strength.
In a 2009 interview with The Guardian, Fincher recalled:
“I had kinda talked Madonna into releasing Oh Father as a single and we did this video and were very happy with the video – but nobody ever saw it because the song wasn’t a hit.”
Although the video was put into rotation on MTV, the channel had requested that Madonna remove a scene that displayed a close-up of the deceased mother’s lips sewn shut – a request that she refused to consider. Compounded by a tepid response to the song from radio, where its bleak overtones clashed with playlists of the day, the single stalled at number twenty in the US – her lowest peak on the Hot 100 at the time (excluding her first two singles, neither of which broke into the Hot 100). In Canada the video was put into heavy rotation and the release fared slightly better on the charts, peaking at number fourteen.
Despite its relative lack of commercial appeal, the song and video are frequently cited as a creative triumph for Madonna by fans and critics alike.
On October 24 1989, Oh Father was released in North America as the fourth single from the Like A Prayer album. France, Japan, the Philippines and Australia also opted to issue the single in 1989, while other European markets waited for Madonna’s 1995 ballads compilation, Something To Remember, to promote the song. Oh Father was written and produced by Madonna & Patrick Leonard.
According to the song’s string arranger, Bill Meyers, Oh Father was recorded in a “dingy studio” in New York City’s Garment District while Madonna was appearing in the play, Speed-The-Plow. Since the bulk of the album would be completed in California after the completion of her Broadway run, this would suggest that Oh Father was likely the first song recorded for the project. Leonard recently provided further evidence of this when he shared an image of a demo tape sleeve containing working titles of songs from the latter sessions on his Instagram, noting that Oh Father was not among the tracks listed because it had been completed earlier.
Leonard recalled the recording of the track in a 2014 interview with Billboard Magazine:
My favorite thing that we ever recorded, ever – or wrote – is Oh Father. That to me is the best thing we ever did. So, it didn’t surprise me because we knew when we did it, that there was something about this that was in a way kind of the most real thing.
For that song, the ‘record’ button was only pressed three times. It was pressed to do the track, live, with her singing live. Then we did the orchestra. And then we did a double of her vocal when we were mixing. That’s it. So it’s real. It’s something that I really wanted to do and she was kind enough to say “let’s try this,” and it was not easy.
There’s two or three guitar players playing. I’m playing keyboards. Jai Winding was playing keyboards. There was a percussionist and a drummer – and she’s singing – all at the same time.
These days, people go “wow, that seems crazy.” Those days it wasn’t uncommon for everybody to be playing together even though you’re not a band. But it was one of those things where the arrangement was tricky enough, that it really took some working out to get it all right.
Even all those weird synth overdubs and things – all those things were being done live. We worked out all the parts, had all the sounds. I remember that we cut it live, and then put the orchestra on. You’re not doubling the orchestra, so it’s one pass for the orchestra.
When I say [the ‘record’ button was] pressed three times, it might have gotten pressed 10 times that day, but it was ultimately one that stayed there. If you see what I’m saying. When we were mixing it, [mixer] Bill Bottrell suggested that we double the choruses. I remember even being a little upset about it (laughs). Like, look, “we’ve got an amazing record that we only pressed the record button twice – can’t we leave it?” He said, “three isn’t exactly shameful.” We doubled the lead vocal on the choruses, and that was it.
On October 9 1989, Madonna’s Cherish spent the first of two weeks at #1 on Canada’s Top 100 Singles chart.
On August 19 1989, Cherish entered the Billboard Hot 100 at #37 in the U.S.
On July 1 1989, Express Yourself became Madonna’s sixth number one single on the Eurochart Hot 100 Singles chart in Europe. It remained in the chart’s top position for three weeks.
