On August 7 1991, Madonna attended the Paris is Burning premiere in Los Angeles.
According to IMDB, the film is about:
A chronicle of New York’s drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.
On June 15 1991, Madonna’s Holiday was re-released in the UK to promote both The Immaculate Collection and the limited edition EP, The Holiday Collection.
This was the third release for Holiday in the UK:
- January 1984 (reached #6)
- August 1985 (reached #2, while #1 was Madonna’s own Into The Groove)
- June 15 1991 (reached #5)
If Madonna were to release another greatest hits album and decided to re-release a classic hit, which song would you choose?
On June 4 1991, Madonna was featured on the cover of Star Magazine with the caption, “Would you be caught dead in this outfit?”
On April 20 1991, Rescue Me peaked at #3 on the UK Singles Chart after making its debut at #4 the previous week. It slid to #5 in its third week before falling out of the Top 10.
Rescue Me was the third single release from The Immaculate Collection in the UK, where it was issued in between re-releases of Crazy For You and Holiday.
Because the photo on international pressings of Rescue Me had already graced the cover of the Crazy For You reissue, Warner UK chose to market the single using an alternate shot taken from Jean-Baptiste Mondino’s June 1990 spread in Harper’s Bazaar. Ironically, the international Rescue Me cover photo was snapped on the set of the Mondino-directed music video for Justify My Love, although not by Mondino himself. It was instead photographed by another (future) Madonna music video director, Stephane Sednaoui.
On April 15 1991, Madonna and Michael Jackson were featured on the cover of People magazine as The Oddest Couple.
Here’s an excerpt from the article:
It may have been just a one-night stand, but when Pop’s Billion Dollar Boy and the Queen of Steam strutted their stuff at the Oscars, they were, for one brief moment, the brightest star couple of all.
As anyone burdened with stardom knows, finding a date for the Oscars can be an enormo pain. After all, really famous folk simply can’t be seen with some sweet nobody who waves “Hi Mom” at the camera and spends the evening worrying about credit-card approval at Spago.
And so it was, when Madonna and Michael Jackson, Earth’s top pop stars, faced the who-is-famous-enough-to-be-seen-with-me quandary, they hit on the perfect solution. Since they were already planning a duet for Michael’s upcoming album, Dangerous, and since they both happened to be on all Hollywood’s collagen-enhanced lips anyway—he for his ballyhooed “billion-dollar” contract with Sony, she for her upcoming, already controversial self-ploitation film, Truth or Dare-why not date…each other?
Big dates can also become big disasters, however. So a week before the Oscars, the couple met at L.A.’s Ivy restaurant to plan and, perhaps, trade makeup tips. By Oscar night, all was ready. Michael looked positively legendary in gold-tipped cowboy boots, a blinding diamond brooch and—in a dramatic sartorial departure—two gloves. Madonna, awash in peroxide and pluck, diverted at least some of the attention from her low-cut, pearl-encrusted Bob Mackie gown with $20 million in diamonds, on loan from jeweler Harry Winston. They entered L.A.’s Shrine Auditorium and promptly collected their well-deserved Best Seat honors—front row, two on the aisle.