On July 31 1993, the fifth single from Madonna’s Erotica album, Rain, debuted at #7 on the UK Singles Chart.
In Japan, a ten track Rain mini album or EP was later released to celebrate the single and the upcoming Girlie Show concerts. As usual, Australia copied the release, but eliminated the obi-strip from their pressing.
The EP included the following tracks:
Rain (Radio Remix)
Up Down Suite
Rain (Album Version)
Bad Girl (Extended Mix)
Fever (Extended 12″)
Fever (Shep’s Remedy Dub)
Fever (Murk Boys Miami Dub)
Fever (Oscar G’s Dope Mix)
Rain (Video Edit)
On July 30 1990, Madonna’s I’m Breathless album was certified double platinum (for shipment of two million units) in the USA.
“I want people to think of me as a musical comedy actress. That’s what this album is about for me. It’s a stretch. Not just pop music, but songs that have a different feel to them, a theatrical feel.” – Madonna talking about I’m Breathless
On July 29 1985, Madonna and many of the performers from Live Aid appeared on the cover of People Magazine.
Music that moved the world sixteen years after Woodstock, Rock’s best and brightest gather on two continents to set new standards of good work—and good works.
Sequestered by location, security personnel and a multilayered credential system, the stars were free to enjoy one another’s company without too much interference from fans and other mortals. Madonna, looking a bit frightened despite a phalanx of guards, clung to the hand of her intended, the surly Sean Penn. Penn spent most of the concert either inside Madonna’s trailer or gazing at a video monitor in front of trailers being used by Robert Plant and Tom Petty. Madonna later relaxed enough to drape an arm around the shoulder of Bob Dylan, no slouch himself in the surly department. Hey, the lady knows what she likes.
On July 28 1990, Hanky Panky hit its peak position of number-ten on the Billboard Hot 100 in the U.S.
The rarely seen official video for Hanky Panky was recorded at the May 27th 1990 concert in Toronto, Canada. Rather than use live audio from the tour, Warner opted to overdub the live performance with the album version. The video was broadcast for a few weeks and then withdrawn from rotation in most countries. Although no official reason was given, it is assumed that due to the low-budget nature of the video, it was only ever intended to serve as an initial promotional push for the song, with its subsequent withdrawal from rotation being part of the plan.
On July 27 1983, Madonna’s eponymous debut album was released by Sire Records. The record was renamed Madonna: The First Album for the 1985 international re-release of the album.
The album was released with 8 tracks (produced by John “Jellybean” Benitez, Mark Kamins and Reggie Lucas):
- Lucky Star
- Burning Up
- I Know It
- Think of Me
- Physical Attraction
Five singles were released from The First Album:
- Everybody (October 6 1982)
- Burning Up (March 9 1983)
- Holiday (September 7 1983 – UK)
- Lucky Star (September 8 1983)
- Borderline (February 15 1984)
“Madonna was unhappy with the whole album, so I went in and sweetened up a lot of music for her, adding some guitars to ‘Lucky Star’, some voices, some magic… I just wanted to do the best job I could do for her. When we would playback ‘Holiday’ or ‘Lucky Star’, you could see that she was overwhelmed by how great it all sounded. You wanted to help her, you know? As much as she could be a bitch, when you were in a groove with her, it was very cool, very creative.”
— John “Jellybean” Benitez talking about Madonna and the album.
On July 26 1986, the second single from Madonna’s True Blue album, Papa Don’t Preach, climbed from #12 to #6 on the Billboard Hot 100.
On July 25 1990, Blond Ambition Japan Tour 90 was released on VHS and LaserDisc by Warner-Pioneer, exclusively to the Japanese market.
Recorded in Yokohama, Japan on April 26 1990, the show had originally aired as a live television special in Japan. Due to high winds impacting the outdoor stadium during the concert, no stage curtains were used in the performance, allowing viewers the ability to see some of the normally hidden set changes in the darkened background.
It was the only official VHS release of the tour worldwide due to a sponsorship contract which granted Pioneer rights to issue the tour exclusively on LaserDisc in other regions. For this reason, copies of the Japanese VHS were in high demand from fans in other countries that shared the Japanese NTSC video format, with imported copies selling for approximately $100 USD.