Today in Madonna History: July 3, 1987

Canadian Diamond Award True Blue 1987 (2)Canadian Diamond Award True Blue 1987 (1)

On July 3, 1987, Madonna accepted a rare Canadian Diamond Award at a press conference in Toronto on the eve of her sold-out concert at CNE Stadium. The certification award was presented by WEA Music Canada president Stan Kulin to mark over one million units sold of the True Blue album in Canada.

Today in Madonna History: June 30, 1986

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On June 30 1986, Madonna’s True Blue album was released by Sire Records. She worked with Stephen Bray and Patrick Leonard on the album while co-writing and co-producing all the songs.

True Blue was an immediate global success, reaching number one in then record-breaking 28 countries across the world, including Australia, Canada, France, Germany, the United Kingdom and the United States. It spent 34 consecutive weeks at the top of the European Top 100 Albums chart, longer than any other album in history. It became the world’s top-selling album of 1986, as well the biggest selling album of the 1980s by a woman and remains one of the best-selling albums of all time with sales of more than 25 million copies worldwide. All five singles released from the album reached the top five on the Billboard Hot 100, with Live to Tell, Papa Don’t Preach, and Open Your Heart peaking at number one.

Today in Madonna History: June 28, 1986


On June 28 1986, Billboard magazine reported that Madonna made a surprise appearance at WEA International’s annual manager’s meeting with Seymour Stein in New York earlier that month where she previewed tracks from her forthcoming album, True Blue.

Today in Madonna History: December 27, 1986

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On December 27 1986, Billboard’s year-end issue hit newsstands with Madonna appearing on the following 1986 chart rankings:

  • Top Pop Artist: #2
  • Top Pop Album: “True Blue” #37
  • Top Pop Album: “Like A Virgin” #52
  • Top Pop Album Artist: #6
  • Top Pop Album Artist – Female: #3
  • Top Pop Singles Artist: #3
  • Top Pop Singles Artist – Female: #2
  • Top Pop Single: “Papa Don’t Preach” #29
  • Top Pop Single: “Live To Tell” #35
  • Top Pop Single: “True Blue” #76
  • Top Pop Compact Disc: “True Blue” #25
  • Top Adult Contemporary Artist: #9
  • Top Adult Contemporary Single: “Live To Tell” #12
  • Top Dance Club Play Single: “Papa Don’t Preach” #43
  • Top Dance Sales Artist: #3
  • Top Dance Sales 12-Inch Single: “Papa Don’t Preach” #29
  • Top Dance Sales 12-Inch Single: “Live To Tell” #37
  • Top Music Video: “Madonna Live: The Virgin Tour” #1

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Today in Madonna History: October 18, 1986

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On October 18 1986, Madonna’s True Blue debuted at #27 on the Billboard Hot 100 Single Sales chart. True Blue spent 10 weeks on the chart, eventually peaking at #4 on November 15.

Today in Madonna History: July 19, 1986

On July 19 1986, Billboard dance music columnist Brian Chin profiled Madonna’s recently released True Blue album, highlighting his choices for potential singles with the strongest club/remix potential.

Today in Madonna History: July 12, 1986

On July 12 1986, Madonna’s third album, True Blue, debuted at #1 on the UK Albums Chart.

Here’s the AllMusic review of True Blue by Stephen Thomas Erlewine:

True Blue is the album where Madonna truly became Madonna the Superstar — the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews — and make good music while she’s at it. To complain that True Blue is calculated is to not get Madonna — that’s a large part of what she does, and she is exceptional at it, but she also makes fine music. What’s brilliant about True Blue is that she does both here, using the music to hook in critics just as she’s baiting a mass audience with such masterstrokes as “Papa Don’t Preach,” where she defiantly states she’s keeping her baby. It’s easy to position anti-abortionism as feminism, but what’s tricky is to transcend your status as a dance-pop diva by consciously recalling classic girl-group pop (“True Blue,” “Jimmy Jimmy”) to snag the critics, while deepening the dance grooves (“Open Your Heart,” “Where’s the Party”), touching on Latin rhythms (“La Isla Bonita”), making a plea for world peace (“Love Makes the World Go Round”), and delivering a tremendous ballad that rewrites the rules of adult contemporary crossover (“Live to Tell”). It’s even harder to have the entire album play as an organic, cohesive work. Certainly, there’s some calculation behind the entire thing, but what matters is the end result, one of the great dance-pop albums, a record that demonstrates Madonna’s true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun.

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