Today in Madonna History: December 8, 1992

Deeper & Deeper CDMS 1 Deeper & Deeper CDMS 2 Deeper & Deeper CDMS 3

On December 8 1992, Deeper and Deeper was released by Maverick Records as the second single from Erotica.  The song was written by Madonna, Shep Pettibone & Anthony Shimkin and was produced by Madonna & Pettibone.

“Someone said that romance was dead
And I believed it instead of remembering
What my mama told me
Let my father mold me
Then you tried to hold me
You remind me what they said
This feeling inside
I can’t explain
But my love is alive
And I’m never gonna hide it again”

Today in Madonna History: October 13, 1992

Erotica US CD Single 550Erotica US CD Single Back Sleeve 550Erotica US CD Single Disc 550Erotica Canadian CS FrontErotica Canadian CS Back

On October 13 1992, the Erotica single was released. Originally credited to Madonna & Shep Pettibone, Pettibone’s partner Tony Shimkin was later granted co-writing credit for nearly all of the Pettibone collaborations on the album, including Erotica. The debut release to feature the imprint of Maverick Records, the song was produced by Madonna & Pettibone.

As several leaked demo versions of the song can now attest, the track had gone through numerous incarnations before Madonna settled on lyrics that positioned her in the perspective of Dita – the alter-ego she had created for her Sex book. The song’s original chorus (“You thrill me…”) was reincorporated into the song when Madonna performed it during her 2006 Confessions Tour. Alternate verses were also used to create the track Erotic, which was included with the Sex book – these lyrics were also featured in a William Orbit remix that was included on the Erotica maxi-single.

French art director and photographer Fabien Baron designed the artwork for the single, the album and the Sex book. He also directed the Erotica music video, which included footage he had shot on Super 8mm during the making of the book. Baron recalled his first meeting with Madonna to discuss their potential collaboration in a 2009 interview with Hint Fashion Magazine:

“I met Madonna at her home on Central Park West to talk about working on her Sex book. It was very comfortable but very uncomfortable at the same time, which is a very interesting feeling. She’s very imposing and knows what she wants. She’s very informed and opinionated, which makes her genius. She takes you in and swallows you up — and you don’t mind it –  you actually enjoy it. There’s an unspoken seduction that goes on. I was young…she was young, too – and beautiful. That was an unforgettable era. She put that book out at the best moment. She timed it very well…she knows what she’s doing. And such drive. Some people want to lift stones to see what’s under them. She’ll be on a beach with millions of stones and want to lift every one of them.”

Today in Madonna History: September 12, 1992

On September 12 1992, Shep Pettibone left the Soundworks Studio in New York with the completed master of Madonna’s forthcoming Erotica album in his hands.

What is your favourite Madonna / Shep Pettibone collaboration from Erotica? 

Today in Madonna History: August 15, 1992

On August 15 1992, This Used To Be My Playground spent the first of three weeks at #1 on the RPM Canadian Top 100 Singles chart. In RPM’s year-end tally of the biggest hits of 1992 in Canada, the hit placed at #8.

This Used To Be My Playground was written by Madonna, Shep Pettibone & Tony Shimkin (although he was not originally credited) and produced by Madonna & Pettibone.

In an interview with the fan site MadonnaTribe, Shimkin recalled a last-minute dash to complete the recording of the song’s orchestral parts:

“When we recorded it with Al Schmidt at Ocean Way studio in L.A., we had a 30-piece orchestra and Jeremy Lubbock did the string arrangements, (but) we never included the demo that had the solo string part in it when we had him chart everything out for the orchestra,” revealed Shimkin. “On the day we were recording, we thought we were done and realized we forgot the solo. I quickly sang the part to the copyist, who then charted it out for the violin players, and they got it recorded with one minute to spare on the clock. When you have a thirty piece orchestra, it can be super expensive to roll into a second hour of their time!”

Today in Madonna History: August 8, 1992

Madonna - This Used To Be My Playground - Front (2-2) Madonna - This Used To Be My Playground - Back (2-2)

On August 8 1992, Madonna’s This Used to Be My Playground (and the theme song for A League of Their Own) hit number-one on the Billboard Hot 100 in the USA, becoming Madonna’s tenth chart-topping single, breaking her tie with Whitney Houston to become the female artist with the most number-one singles at that time.

The song was written and produced by Madonna and Shep Pettibone, and recorded prior to final sessions for Madonna’s 1992 studio album Erotica. As with most of Pettibone’s songwriting collaborations with Madonna, Tony Shimkin was later added as co-writer of the song.

Today in Madonna History: July 19, 1994

just_say_roe

On July 19 1994, Madonna contributed Goodbye to Innocence to the Just Say Roe benefit CD.

When Madonna went to record her vocals for Goodbye to Innocence during the recording of the Erotica album , she started singing Little Willie John’s song Fever instead of singing the original words. Shep Pettibone and Madonna decided to record it, as they felt it sounded good. As they did not know the words, Madonna called Seymour Stein from Sire Records, and within an hour, they had the Peggy Lee version, and the original version of the song.  Fever was the last song to be recorded for the album, in August 1992, and it was finished within a month later.

Lyrics:

I don’t wanna say goodbye

There are some who believe that I owe them something
But they’re wrong, I owe nothing to no one but myself
And there are some who say they created me
But only my parents will have that acclaim
I took it from there, I am to blame

Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence

My life is not a game that I play to entertain you
And if you can do it better, then you’re welcome to my fame
I’m not gonna waste my time correcting myths and rumors
You believe what you wanna believe

Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence

I don’t wanna say goodbye
I don’t need a reason to cry
Kinda makes me wanna
Kinda makes me hafta

Stop and think about it
Stop and think about it
Stop and think about it
Do I want to?

I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)

Up-up, d-d-down, up-up-up

I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)

Up-up, d-d-down, up-up-up

Listen up
It always comes down to this
It always comes down to this

Some people have a snake at the base of their spine
That would suck out your life, that would take all your time
They’re called feeders
They’re not believers but you must not fear it
They’re takers

You know you better stop, stop and think about it

Your innocence
Your innocence
Your innocence

I don’t wanna say goodbye to innocence
I don’t need a reason to cry, innocence

Hold on to your innocence
Hold on (hold on, hold on), hold on to innocence
Hold on

Stop and think about it, say goodbye, think about it

Today in Madonna History: June 8, 1992

erotica early lyrics 2 erotica diaries 2 erotica diaries 3 erotica diaries 1 erotica diaries 4 erotica diaries 5

On June 8 1992, Madonna began recording sessions for the Erotica album at Soundworks, in New York.

While the writing and recording of Madonna’s previous albums had typically unfolded rather quickly, Erotica marked a change of pace in the creation of a Madonna record. Songwriting sessions for the set had occurred sporadically throughout the previous year with Shep Pettibone, Tony Shimkin and Andre Betts, in between movie projects and photo shoots for her upcoming coffee table book, Sex.

In contrast to the slick production qualities of the albums that preceded it, Madonna wanted Erotica to feature a darker, more gritty and less polished sound. This led to the decision to carry over many of the original demo vocals recorded during the songwriting process at Shep’s home studio to the final versions, with mainly lyrical additions/changes, musical overdubs, background vocals and final mixing taking place during the sessions at Soundworks.

One notable change that did occur in these final recording sessions was Madonna’s decision to swap her original lyrics for the song Goodbye To Innocence (which had gone through various incarnations in an attempt to keep the track off the cutting room floor) with the lyrics of the torch classic, Fever.  An earlier arrangement of Goodbye To Innocence with lyrics intact was later featured on the pro-choice compilation album, Just Say Roe, while a dub version of the same arrangement was retitled Up Down Suite when it appeared as a b-side on the Rain maxi-single. Another rough demo of the same track (streaming above), which is referred to as the “Straight Pass” mix on its original submission for copyright registration, leaked to file sharing services in February, 2008.

%d bloggers like this: