On August 26 2001, Madonna Live! Drowned World Tour 2001 was broadcast live on HBO and The Movie Network in Canada from The Palace Of Auburn Hills, Auburn Hills, MI. It was seen by 5.7 million viewers – the network’s third highest rated prime-time concert special since 1997.
The broadcast marked the second time Madonna had selected her hometown as a location to record one of her shows, the first being The Virgin Tour home video/laserdisc release, filmed in 1985 at Cobo Arena in Detroit.
With the Drowned World Tour itinerary not including any dates in Canada, many Canadian fans who purchased tickets for one of the two shows in Detroit were pleasantly surprised when it was announced that the second show would be broadcast live in both countries. Madonna’s previous HBO specials for the Blond Ambition and Girlie Show tours did not receive a live broadcast in Canada, although the latter did air on MuchMusic at a later date.
On May 24 2001, U.S. cable network HBO confirmed that it would broadcast Madonna’s Drowned World Tour on August 26th:
Madonna is taking her Music to the masses — HBO masses, that is. The cable network will air a live concert from the pop icon’s latest tour, the first in eight years, called the Drowned World Tour. Airing Aug. 26, the concert will be broadcast from The Palace of Auburn Hills in Detroit, Madonna’s hometown. It’s a thrill for us to have Madonna back because we know it is going to be a spectacular show, with that combination of her amazing talent and extravagant style which only Madonna can bring, says Nancy Gellar, HBO’s senior vice president of original programming. HBO and Madonna last teamed for 1993’s Madonna — Live Down Under: The Girlie Show, which aired live from Sydney, Australia. The program was HBO’s most-watched original program of the year. Madonna’s first special on HBO, 1990’s Madonna — Live! Blond Ambition World Tour, premiered to record numbers and remains one of the highest-rated original programs in HBO history.
Unlike HBO’s previous Madonna tour broadcasts, however, the live airing of the Drowned World Tour was simulcast to Canadian viewers via premium channel, The Movie Network.
A re-edited version of the concert special was later released on VHS & DVD on November 13th, 2001.
On July 12 1986, Madonna’s third album, True Blue, debuted at #1 on the UK Albums Chart.
Here’s the AllMusic review of True Blue by Stephen Thomas Erlewine:
True Blue is the album where Madonna truly became Madonna the Superstar — the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews — and make good music while she’s at it. To complain that True Blue is calculated is to not get Madonna — that’s a large part of what she does, and she is exceptional at it, but she also makes fine music. What’s brilliant about True Blue is that she does both here, using the music to hook in critics just as she’s baiting a mass audience with such masterstrokes as “Papa Don’t Preach,” where she defiantly states she’s keeping her baby. It’s easy to position anti-abortionism as feminism, but what’s tricky is to transcend your status as a dance-pop diva by consciously recalling classic girl-group pop (“True Blue,” “Jimmy Jimmy”) to snag the critics, while deepening the dance grooves (“Open Your Heart,” “Where’s the Party”), touching on Latin rhythms (“La Isla Bonita”), making a plea for world peace (“Love Makes the World Go Round”), and delivering a tremendous ballad that rewrites the rules of adult contemporary crossover (“Live to Tell”). It’s even harder to have the entire album play as an organic, cohesive work. Certainly, there’s some calculation behind the entire thing, but what matters is the end result, one of the great dance-pop albums, a record that demonstrates Madonna’s true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun.
On May 23 1987, La Isla Bonita hit #1 on Billboard’s Hot Adult Contemporary chart where it ruled for a single week.
It was Madonna’s second Hot AC chart topper after Live To Tell‘s three-week stint at #1 the previous year.
Both releases achieved similar longevity on AC radio playlists, with La Isla‘s seventeen-week Hot AC chart run nearly living up to Tell‘s eighteen weeks.