Today in Madonna History: October 15, 1992

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On October 15 1992, Madonna threw a Sex book pre-release party at New York City’s Industria Super Studio, and signed all the invitations under her alter ego “Dita”.

During the party, Madonna showed up dressed as Little Bo Peep and carried with her a stuffed toy lamb. 

Madonna’s publicist Liz Rosenberg showed concern at first worrying “what the parents of America’s impressionable teens will soon be thinking” but later said that it “all depends on your idea of lovemaking, which in Madonna’s case, should give new meaning to the word erotic.”

Both Walden Books and Barnes & Noble prepared corporate statements that their store managers could share with customers who were offended by Sex. Both statements defended the right of bookstores to provide “diversity and choice” to customers and say censorship is not the role of bookstores.

Bookstore owner David Epstein stated that “The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, they’re not the kind of people who are buying it because it’s smut and dirty pictures. People are interested in it as art.”

Today in Madonna History: October 6, 1992

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On October 6 1992, Madonna was interviewed by Steve Blame in Milan, Italy during the Sex/Erotica promo tour.

Today in Madonna History: September 18, 1993

On September 18 1993, Madonna’s Rain peaked at #2 on the Canadian Top 100 Singles Chart, matching Deeper & Deeper as the highest charting single in Canada from the Erotica album.

Today in Madonna History: September 12, 1992

On September 12 1992, Shep Pettibone left the Soundworks Studio in New York with the completed master of Madonna’s forthcoming Erotica album in his hands.

What is your favourite Madonna / Shep Pettibone collaboration from Erotica? 

Today in Madonna History: August 22, 1992

On August 22 1992, Madonna filmed scenes for the Erotica music video at The Kitchen in New York City with fashion photographer/director/designer Fabien Baron. The scenes filmed consisted of Madonna in the character of her Sex book alter-ego, Dita, miming the lyrics to the song. The remainder of the video consisted of a selection of 8mm footage previously shot by Baron during the making of the Sex book.

Baron also served as art director for the Sex book, the Erotica album and single, and later for the Bedtime Stories album and its singles Secret and Take A Bow. He also directed the commercial for her fragrance, Truth Or Dare by Madonna, in 2012.

“She put that book out at the best moment. She timed it very well. She knows what she’s doing. And such drive. Some people want to lift stones and see what’s under it. She’ll be on a beach with millions of stones and want to lift every one of them.”            – Fabien Baron

Today in Madonna History: July 19, 1994

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On July 19 1994, Madonna contributed Goodbye to Innocence to the Just Say Roe benefit CD.

When Madonna went to record her vocals for Goodbye to Innocence during the recording of the Erotica album , she started singing Little Willie John’s song Fever instead of singing the original words. Shep Pettibone and Madonna decided to record it, as they felt it sounded good. As they did not know the words, Madonna called Seymour Stein from Sire Records, and within an hour, they had the Peggy Lee version, and the original version of the song.  Fever was the last song to be recorded for the album, in August 1992, and it was finished within a month later.

Lyrics:

I don’t wanna say goodbye

There are some who believe that I owe them something
But they’re wrong, I owe nothing to no one but myself
And there are some who say they created me
But only my parents will have that acclaim
I took it from there, I am to blame

Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence

My life is not a game that I play to entertain you
And if you can do it better, then you’re welcome to my fame
I’m not gonna waste my time correcting myths and rumors
You believe what you wanna believe

Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence

I don’t wanna say goodbye
I don’t need a reason to cry
Kinda makes me wanna
Kinda makes me hafta

Stop and think about it
Stop and think about it
Stop and think about it
Do I want to?

I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)

Up-up, d-d-down, up-up-up

I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)

Up-up, d-d-down, up-up-up

Listen up
It always comes down to this
It always comes down to this

Some people have a snake at the base of their spine
That would suck out your life, that would take all your time
They’re called feeders
They’re not believers but you must not fear it
They’re takers

You know you better stop, stop and think about it

Your innocence
Your innocence
Your innocence

I don’t wanna say goodbye to innocence
I don’t need a reason to cry, innocence

Hold on to your innocence
Hold on (hold on, hold on), hold on to innocence
Hold on

Stop and think about it, say goodbye, think about it

Today in Madonna History: July 17, 1993

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On July 17 1993, Rain was released as a single in North America. It was the fourth and final North American single from the Erotica album.

Following a cold reception to Madonna’s previous North American single – the bleak-but-beautiful Bad Girl Rain was given a glossy makeover by French record producer Daniel Abraham to help ensure that it would receive a warmer welcome from radio programmers. The U.S. promotional CD that was serviced to radio by Maverick/Warner offered the choice between the sweetened “Radio Remix” (in full-length and edited form) or an edited album version, which was fittingly used in the song’s gorgeous music video. As her label had correctly predicted, radio indeed favored the smoother sound of the “Radio Remix” over the darker, more dynamic (and in our opinion – more interesting) production-work of the original mix. While not an all-out smash hit, Rain was the first single from the Erotica album to impact Billboard’s Hot AC chart, where it reached the Top 10, and it is generally viewed as an initial recovery step following the backlash Madonna had faced in the wake of the Sex book.

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Written and produced by Madonna & Shep Pettibone (unlike the majority of the tracks from Erotica, Tony Shimkin has not been added as co-writer, according to the Warner-Chappel publishing database), Rain was one of the earliest songs conceived during the Erotica album sessions. It appears as the first track on a two-cassette collection of demos from the album sessions submitted to the U.S. Library Of Congress for copyright registration. The infamously sought-after set is often referred to by fans as The Rain Tapes because of the song’s prominent placement in its sequencing and also due to the likely unintentional visual prominence of the song’s title in the handwritten sleeve notes that accompanied the tapes.

Rain US Cassette Maxi Single Inner Sleeve

The Rain maxi-single was perhaps most notable for its inclusion of a non-album track, Up Down Suite, which was for all intents and purposes a dub remix of album outtake, Goodbye To Innocence (which remained unreleased at the time, aside from some vocal samples used in a promo-only remix of Fever). A new remix (featuring Everlast) of the album track, Waiting, was also included on the North American maxi-single, while its original album version served as the single’s North American b-side.

With its poetically poignant and emotionally charged lyrics, percussive urgency and one of Madonna’s most ambitious uses of layered self-harmonization (not to mention it being accompanied by one of the most beautiful music videos ever created), it isn’t difficult to understand why Rain remains such an enduring fan favorite.

“It’s strange
I feel like I’ve known you before
And I want to understand you
More and more and more
When I’m with you
I feel like a magical child
Everything strange
Everything wild

Waiting is the hardest thing
I tell myself that if I believe in you
In the dream of you
With all my heart and all my soul
That by sheer force of will
I will raise you from the ground
And without a sound you’ll appear
And surrender to me, to love”

 

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