Today in Madonna History: June 8, 1992

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On June 8 1992, Madonna began recording sessions for the Erotica album at Soundworks, in New York.

While the writing and recording of Madonna’s previous albums had typically unfolded rather quickly, Erotica marked a change of pace in the creation of a Madonna record. Songwriting sessions for the set had occurred sporadically throughout the previous year with Shep Pettibone, Tony Shimkin and Andre Betts, in between movie projects and photo shoots for her upcoming coffee table book, Sex.

In contrast to the slick production qualities of the albums that preceded it, Madonna wanted Erotica to feature a darker, more gritty and less polished sound. This led to the decision to carry over many of the original demo vocals recorded during the songwriting process at Shep’s home studio to the final versions, with mainly lyrical additions/changes, musical overdubs, background vocals and final mixing taking place during the sessions at Soundworks.

One notable change that did occur in these final recording sessions was Madonna’s decision to swap her original lyrics for the song Goodbye To Innocence (which had gone through various incarnations in an attempt to keep the track off the cutting room floor) with the lyrics of the torch classic, Fever.  An earlier arrangement of Goodbye To Innocence with lyrics intact was later featured on the pro-choice compilation album, Just Say Roe, while a dub version of the same arrangement was retitled Up Down Suite when it appeared as a b-side on the Rain maxi-single. Another rough demo of the same track (streaming above), which is referred to as the “Straight Pass” mix on its original submission for copyright registration (which indicates that mixing of the track had not been finalized and that it is not mastered), leaked to file sharing services in February, 2008.

The “Straight Pass” mix bears some similarity to another unreleased track that was discarded early in the recording sessions, You Are The One. Aside from the lyrical paradox (with “You are the one” flipped to “I am the one”), both feature samples from Arabic singer Fairuz that would be reworked into the released version of the Erotica album’s title track and lead single.

Today in Madonna History: April 3, 1993

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On April 3 1993, Fever entered the UK Singles Chart at its peak position of number-six. Without the support of a proper music video at the time of its release (Warner UK instead issued a rarely seen compilation video of previous clips), the single spent only six weeks on the UK charts, dropping to number-seven the following week.

Strangely, Madonna did eventually decide to film a video for the song in late April  – nearly a month after its release in Europe. By the time the video premiered during the second week of May, Fever was spending its final week on the UK Singles Chart.

In North America the remixes for Fever had been issued commercially on Madonna’s previous international single, Bad Girl. Fever was also serviced to clubs as a promotional single in its own right, but it was not promoted to radio despite the video being added to into rotation on MTV and MuchMusic. While the release of the music video managed to coincide with Fever’s single week atop the Hot Dance/Club Play chart, its number-one status had already been confirmed several days prior to the clip’s debut, making the video’s intended purpose and the timing of its release all the more puzzling.

Today in Madonna History: November 15, 1993

On November 15 1993, Madonna’s Bye Bye Baby was released as the sixth and final single from the Erotica album. The single was released to coincide with the start of the Australian leg of The Girlie Show World Tour. In addition to Australia, Bye Bye Baby was also given a limited release in Germany and Japan.

Bye Bye Baby was written by Madonna, Shep Pettibone and Anthony Shimkin and was produced by Madonna and Shep.

Official remixes for Bye Bye Baby include:

  • N.Y. Hip Hop Mix – 3:51
  • California Hip Hop Jazzy – 3:43
  • Madonna’s Night On the Club – 5:16
  • Rick Does Madonna’s Dub – 6:20
  • House Mix – 3:50
  • Madonna Gets Hardcore – 4:24
  • Tallahassee Pop – 3:48

Today in Madonna History: October 19, 1981

On October 19 1981, Madonna performed at Uncle Sam’s Blues Club in Roslyn, NY. Her manager at the time, Camille Barbone, had hired photographer George DuBose to capture Madonna’s two sets that evening.

Madonna’s band during the show consisted of Bob Riley on drums (later replaced by Steve Bray), John Kumnick on bass, Jon Gordon on guitar (later replaced by Paul Pesco) & David Frank on keyboards. When Madonna terminated her management agreement with Barbone in early 1982, she continued her working relationship with Bray, Pesco & Frank.

Steve Bray would co-write tracks that would appear on Madonna’s demo tape which landed her a recording contract with Sire Records later that year, and their collaboration remained successful throughout the 80’s.

Paul Pesco played guitar (along with Madonna herself) on the aforementioned demo and would also appear on Madonna’s self-titled debut album and her first concert tour, The Virgin Tour. Years later, he played on the Erotica album and joined Madonna’s touring band again for The Girlie Show in 1993.

David Frank, who soon found success as half of the electronic music duo The System, co-wrote an early version of Crimes Of Passion with Madonna before she decided to rewrite the music with Bray. The System’s hit In Times Of Passion is based on his ideas for the song but feature new lyrics from The System’s vocalist, Mic Murphy. Frank was also involved with the mysterious Otto Von Wernherr demos, believed to have been recorded in early 1982 prior Madonna’s deal with Sire, as he is credited for arrangement on the 1986 Japanese 12-inch release of Cosmic Climb (his name was subsequently omitted from Wernherr’s later releases).

Interestingly, The System’s other half, Mic Murphy, co-wrote the unreleased Erotica-era demo Dear Father with Madonna in the early 90’s. Pesco, who may have played guitar on this demo given his involvement during the album sessions, was also the guitarist for The System.

Today in Madonna History: September 24, 1992

This is a Madonna blog so it’s generally understood that some content related to the subject is not safe for work. The following photos are definitely NSFW.  And as we enter October .. the wonderful month filled with Erotica related releases and events, you’ll only see more of it.  Enjoy!  

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On September 24 1992, Madonna exposed her breasts in front of 6,000 people at a Jean-Paul Gaultier fashion show benefit at the Shrine Auditorium in Los Angeles, California.  The show raised $750,000 for the American Foundation For AIDS Research (AMFAR).

Today in Madonna History: June 21, 1993

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On June 21 1993, Madonna’s Rain video premiered on MTV.  The video was directed by Mark Romanek, and filmed from May 16 – 19 at an airport hanger in Santa Monica, California.  Romanek and Madonna set the video to look like Ryuichi Sakamoto was directing it, giving it a backstage feel. It was entirely shot in black and white and then hand-painted with blue tones.

It’s strange
I feel like I’ve known you before
I want to understand you
More and more
And more
When I’m with you
I feel like a magical child
Everything is strange
Everything is wild

Today in Madonna History: April 30, 2020

On April 30 2020, Madonna’s 1994 Bedtime Stories album topped the U.S. iTunes Albums Chart after her fans kicked of th #JusticeForBedtimeStories campaign.

This is how the Daily Mail reported it:

More than 25 years after its initial release, one of Madonna’s most under-appreciated albums is getting some love.

Bedtime Stories, the Material Girl’s sixth studio album released in 1994, shot to the top position of the U.S. iTunes chart on Thursday, thanks to a fan-led hashtag campaign ‘#JusticeForBedtimeStories’.

The campaign follows in the footsteps of #JusticeForEMC2, a similar move made by the Mariah Carey fandom in support of her 2008 album, as well as an effort on behalf of Janet Jackson’s 1986 record Control.

Madonna’s Bedtime Stories marked a transitional time in the career of the now 61-year-old performer, after she pushed the envelope with 1992’s salacious Erotica album and the publication of her Sex book, and before her Golden Globe-winning role as buttoned-up Evita Peron in 1996’s musical film Evita.

And while Bedtime Stories‘ final track, Take A Bow, spent seven weeks at number one on the Billboard Hot 100 – to date her longest-running number-one single – only one of the album’s other singles, Secret, managed to break the top 10.

Still, Bedtime Stories remains to this day one of Madge’s most cohesive and melodic albums, containing one of her best songs of all time – the brazen and unapologetic anthem Human Nature.

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