On March 13 1999, Madonna’s The Power of Good-Bye, fell to #63 on the Billboard Hot 100 Single Sales chart, spending its final week on the chart (after 22 weeks).
The Power of Good-Bye was written by Madonna and Rick Nowels. The song was produced by Madonna, William Orbit, Patrick Leonard with string arrangements by Craig Armstrong.
Rick said this of the hit song:
“The lyrics to The Power Of Good-Bye are stunning. I love Madonna as an artist and a songwriter… She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer… She doesn’t get the credit she deserves as a writer.”
On September 22 1998, The Power of Good-Bye was released as the third North American single from the Ray Of Light album. It was the fourth single in international markets that opted to release Drowned World/Substitute For Love as the album’s third single.
In the UK, the release was promoted as a double A-side single with Little Star.
The Power Of Good-Bye was written by Madonna & Rick Nowels and was produced by Madonna, William Orbit & Patrick Leonard. An earlier demo version of the track, believed to have been produced by Madonna & Leonard prior to Orbit’s involvement in the project, leaked in 2002.
During the week of March 27 1999, Madonna’s The Power Of Good-Bye spent a final week on Billboard’s Hot Adult Contemporary chart in the USA.
On January 2 1999, Madonna’s The Power Of Good-Bye single peaked at #14 on the Billboard Adult Contemporary chart in the USA.
Your heart is not open so I must go
The spell has been broken, I loved you so
Freedom comes when you learn to let go
Creation comes when you learn to say no
You were my lesson I had to learn
I was your fortress you had to burn
Pain is a warning that something’s wrong
I pray to God that it won’t be long
Do ya wanna go higher?
On November 7 1998, The Power of Good-Bye advanced one position to #13 in what would be its final bulleted week on the Billboard Hot 100 in the U.S. The single would nonetheless manage to sneak its way up to #11 on November 28th, sans bullet. It is worth noting that one of the most significant changes to eligibility rules in the Hot 100’s history at the time took effect during the single’s initially rapid ascent, causing an immediate rush of non-commercially released radio hits to storm the chart and seemingly disrupt the ballad’s momentum.
A decision by Warner Bros. to withhold a maxi-single release for The Power Of Good-Bye in the U.S., compounded by the lack of any non-album content on the standard single despite earlier reports, suggests that the changes to the Hot 100 may have created a larger ripple than Warner had anticipated. Including the Oprah performance of Little Star, as previously reported in Billboard, or even the Dallas Austin remix of The Power Of Good-Bye on the b-side certainly would have given fans more incentive to pick up the 2-track single in the U.S.
It’s difficult to fully frown on Warner’s seemingly uncontainable enthusiasm for the brilliant remixes of Ray Of Light‘s fourth single, Nothing Really Matters, however, despite its unconventional timing.