Today In Madonna History: April 1, 2000

On April 1 2000, Madonna’s cover of American Pie hit #1 on Billboard’s Hot Dance/Club Play chart in the USA.

Today in Madonna History: March 13, 1999

On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.

Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.

The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.

An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.

Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.

Today in Madonna History: February 9, 2002

On February 9 2002, the GHV2 Megamixes peaked at #5 on Billboard’s Hot Dance/Club Play chart in the U.S.

While the Thunderpuss GHV2 Megamix was promoted to mainstream channels, alternate megamixes produced by Tracy Young and Johnny Rocks & Mac Quayle targeted club DJ’s.

Today in Madonna History: February 2, 1985

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On February 2 1985, Sidewalk Talk peaked at #1 on the Billboard Hot Dance/Club Play chart. The song was written by Madonna, who also contributed vocals on the chorus and bridge while the verses were performed by Catherine Buchanan. Madonna gifted the song to producer/remixer/DJ/boyfriend Jellybean Benitez for use on his debut EP, Wotupskii!!?! and it was promoted to clubs by EMI Records in October, 1984. It was eventually issued as a commercial single, peaking at #18 on the Billboard Hot 100 on February 1st, 1986.

Sidewalk Talk was arranged by Stephen Bray & Benitez with vocal arrangement by Madonna, according to the album’s liner notes. Madonna’s lyrics to the song recall her early years in New York and some of the challenges she encountered adjusting to big city life.

Today in Madonna History: December 29, 2001

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On December 29 2001, megamixes issued to promote Madonna’s second greatest hits collection, GHV2, made their debut on Billboard’s Hot Dance Music/Club Play chart in the U.S. at #29.

Several promo-only singles were issued by Maverick/Warner featuring megamixes by Thunderpuss, Tracy Young and Johnny Rocks with Mac Quayle and charted collectively under the title Madonna Megamix.

An additional marketing push to club DJ’s came in the form of GHV2 Remixed: The Best of 1991-2001 – a promo-only companion collection issued on CD and vinyl that compiled full-length remixed versions of songs featured on GHV2.

Today in Madonna History: December 20, 2003

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On December 20, 20 2003, Madonna had three titles on the Hot Dance Music/Club Play chart in the USA: Me Against The Music, Nobody Knows Me and Nothing Fails.

Madonna was the second artist in 18 years to achieve 3 simultaneous entries on the Hot Dance Music/Club Play chart (previously achieved by Bronski Beat in 1985).

Today in Madonna History: November 21, 1992

On November 21 1992, Madonna’s Erotica peaked at #1 on the Billboard Hot Dance Club Songs chart in the USA.

Scott Kearnan (Boston.com) had this to say about the controversial hit single when reflecting on Madonna’s best songs:

“No pop star of her fame has been this sexually transgressive before or since… Rihanna sings about “S&M” like it’s a song about My Little Pony, but Madonna dishes on pain, pleasure, and power with the conviction of a whip crack”.

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