Tag Archives: Rolling Stone
Today in Madonna History: March 5, 1992
Today in Madonna History: January 7, 2004
On January 7 2004, Rolling Stone magazine reviewed Madonna’s Remixed & Revisited EP:
Instead of the twenty-year retrospective originally planned for the holiday season, Madonna fans get a measly half-hour of mishmash marginalia. Of the four remixes from American Life, only one clicks: Headcleanr’s rock mix of Love Profusion, which replaces Mirwais’ electrofolk with Strokes-like guitars and drums that flatter an overlooked but fantastic song. The live medley of Like a Virgin and Hollywood, with Britney Spears and Christina Aguilera, falls flat without the infamous kisses, and the Gap commercial with Missy Elliott just sounds cheap and nasty. Your Honesty, an outtake from 1994’s Bedtime Stories, recalls the post-disco funkiness of Madonna’s 1983 debut. Bet it would’ve worked better in a box set. – Barry Walters
Today in Madonna History: October 14, 2009
On October 14 2009, Madonna appeared on the cover of Rolling Stone magazine, with a classic shot by Herb Ritts.
Inside the magazine, Madonna was asked about how she felt when she first heard Material Girl and Like A Virgin:
I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words, I thought they were clever. They’re so geeky, they’re cool.
When asked if she could predict whether a song would be a hit or not:
I’ve never been a good judge of what things are going to be huge or not. The songs that I think are the most retarded songs I’ve written, like Cherish and Sorry, a pretty big hit off my last album, end up being the biggest hits. Into The Groove is another song I feel retarded singing, but everybody seems to like it.
Today in Madonna History: September 21, 1989
On September 21 1989, Madonna was featured on the cover of Rolling Stone magazine for the second time that year (she was also featured on the cover in March 1989).
Herb Ritts took some amazing shots of Madonna for the cover. We’ve shared a few of what we consider to be the best from that shoot. We can’t look at these photos without hearing Cherish in our heads!
Today in Madonna History: September 8, 1986
On September 8 1986, Madonna’s third album, True Blue, was certified double platinum (for shipment of 2 million units) in the USA.
Here’s a snippet of Davitt Sigerson’s review of True Blue from Rolling Stone (July 17, 1986):
Madonna’s sturdy, dependable, lovable new album remains faithful to her past while shamelessly rising above it. True Blue may generate fewer sales and less attention than Like a Virgin, but it sets her up as an artist for the long run. And like every other brainy move from this best of all possible pop madonnas, it sounds as if it comes from the heart.
Today in Madonna History: May 9, 1985
On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.
Here’s a snippet from the interview featured in the magazine:
Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…
“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.
Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”