Today in Madonna History: April 10, 1985

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On April 10 1985, Madonna’s Virgin Tour opened with 3 sold-out concerts at the Paramount Theatre in Seattle, Washington.

During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas. Madonna replied saying, “That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas,” she told the magazine. “I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings. I was like, ‘This is insane!’ After Seattle, all of the shows were moved to arenas.”

Madonna had three shows in Seattle – April 10, 12 and 13 – and all three were sellouts by the time she took the stage that first night. The Beastie Boys opened for Madonna and they weren’t well received by the pro-Madonna crowd. The show was a year before “Licensed to Ill” was released.

Their 30-minute set got off to a bad start when one of the Beastie Boys declared himself King of the Paramount, and generally made the pro-Madonna audience feel like a swarm of hillbillies, P-I pop music critic Gene Stout wrote in his review.

“Dressed in what looked like a Boy George outfit, she looked reluctant, almost scared, and kept her eyes on the ground as she and her small entourage swept past a modest gathering of fans,” Stout wrote.

Madonna started the show with Dress You Up, followed with Holiday, and performed Borderline for the first time live as her seventh song. Madonna ended by debuting Material Girl as her encore.

Today in Madonna History: March 11, 2015

On March 11 2015, Madonna was interviewed by Howard Stern on SiriusXM.

Here are some tidbits we learned about Madonna during the interview, according to Rolling Stone magazine:

  • Her shocking VMA debut of “Like a Virgin” was an accident. “I had come down the wedding cake and my shoe fell off,” she said. “I was like ‘Oh shit, I can’t dance in one shoe!” The mishap prompted quick decision-making on Madonna’s end as to how to proceed with the performance and led to the controversial stage-humping that took place at the first Video Music Awards. “I didn’t know my skirt was up. I proceeded to sing the song laying down on the ground. I was just making the best of the situation.” She noted that her manager Freddy DeMann told her that her career would be over following the performance.
  • She craves normalcy every once in a while. “Every 3 days I crave it,” she said. “Every three days I go, ‘That’s it. I’m moving to a cabin and living in the forest and no one’s gonna fuck with me anymore.'” Stern probed as to why she thinks she could never give up her career and life in the spotlight. “Because I’m an artist and I’m tortured. I’m a masochist and I like to create. I don’t know. Maybe one day I will.”
  • Madonna’s first year in New York included multiple robberies, an assault and an unreported rape. “I needed money for the payphone and [a stranger] gave it to me,” she said. “He was a very friendly guy, and the phone was ringing. He was like, ‘Oh, I live right across the street if you’d like to make the phone call from my house.” The then 19-year-old Madonna agreed, blaming her “stupid friendliness” from her Midwestern roots. “I trusted everybody. The rest is not worth talking about.”
  • She doesn’t hate David Letterman. Stern acknowledged some early interviews between the pop star and talk show host, noting he could never tell if she liked him or was annoyed. “Oh, that’s how I flirt with people,” she revealed. “One time I was mad at him, when I said the ‘f-word’ a lot, but the rest of the time was good.”
  • She dated Tupac Shakur. The late rapper had actually been the reason Madonna was mad at Letterman. “I was dating Tupac Shakur at the time, and he had gotten me all riled up about life in general,” she said. “When I went on this show, I was feeling very gangster.” Stern revealed his surprise about the little-known past relationship. “I think people know, if you’re in the know,” said Madonna coyly.
  • The misunderstood meaning of “Material Girl” gets on her nerves. “The song that irritated me the most about being associated with me is ‘Material Girl,'” she said. “It was an ironic song because I’m certainly not a materialistic person.” The topic came up as Stern had her clear up a rumor that she detested the success of “Like a Virgin” because other people had written it. The singer declared the rumor false, asserting that she loves the song and appreciates its writers.
  • Upon making her first $1 million, she indulged in buying a Frida Kahlo painting. “That was always my goal,” she said on her art collection. “When I was married to Sean [Penn], I said ‘When I make my first million, I’m going to buy art.'” Madonna had been a huge fan of Frida Kahlo since she was young. “I bought a self-portrait of hers. At the time it was rather inexpensive because people didn’t know who she was.”
  • Jean-Michel Basquiat destroyed all the paintings he had given to her. Madonna and Basquiat had dated when the singer was very young, but his heroin addiction ended up pulling them apart. “He was an amazing man and deeply talented. I loved him,” she said. “When I broke up with him, he made me give all [his paintings] back to him. And then he painted over them black.” She regrets giving the art back, but felt pressured to do so since it was something he had created.
  • She wrote “Vogue” in a few hours. Madonna stands by the idea that her best songs are the ones she wrote in only a couple of hours, “Vogue” included. “I thought it was a very cool dance, very presentational and elegant and all about vanity,” she said about the dance of the same name. The song had been written for Dick Tracy, the film she made with ex-boyfriend Warren Beatty, and was inspired by all the classic movie stars. “[Warren] dated all of Hollywood, basically.” She would ask him questions about what the stars she admired — and he dated — were like, including Natalie Wood and Julie Christie. “I looked up to [these women] and admired them.”

Today in Madonna History: March 5, 1992

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On March 5 1992, Madonna won the title of Best-Dressed Female Artist in Rolling Stone magazine’s 16th annual Readers Poll.

Today in Madonna History: January 7, 2004

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On January 7 2004, Rolling Stone magazine reviewed Madonna’s Remixed & Revisited EP:

Instead of the twenty-year retrospective originally planned for the holiday season, Madonna fans get a measly half-hour of mishmash marginalia. Of the four remixes from American Life, only one clicks: Headcleanr’s rock mix of Love Profusion, which replaces Mirwais’ electrofolk with Strokes-like guitars and drums that flatter an overlooked but fantastic song. The live medley of Like a Virgin and Hollywood, with Britney Spears and Christina Aguilera, falls flat without the infamous kisses, and the Gap commercial with Missy Elliott just sounds cheap and nasty. Your Honesty, an outtake from 1994’s Bedtime Stories, recalls the post-disco funkiness of Madonna’s 1983 debut. Bet it would’ve worked better in a box set. – Barry Walters

Today in Madonna History: September 30, 1999

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On September 30 1999, Madonna’s Blond Ambition Tour was named The Greatest Concert Of The 1990s by Rolling Stone magazine.

Today in Madonna History: September 8, 1986

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On September 8 1986, Madonna’s third album, True Blue, was certified double platinum (for shipment of 2 million units) in the USA.

Here’s a snippet of Davitt Sigerson’s review of True Blue from Rolling Stone (July 17, 1986):

Madonna’s sturdy, dependable, lovable new album remains faithful to her past while shamelessly rising above it. True Blue may generate fewer sales and less attention than Like a Virgin, but it sets her up as an artist for the long run. And like every other brainy move from this best of all possible pop madonnas, it sounds as if it comes from the heart.

Today in Madonna History: June 13, 1991

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On June 13 1991, Madonna was featured on the cover of Rolling Stone magazine.  The feature included a photo spread shot by Steven Meisel.

Madonna has no equal at getting attention. She often seems to behave like someone who has been under severe restraint and can now say and do whatever she likes without fear of reprisal. She delights in being challenged, in telling more than she had planned, in going further than she had intended. And judging from her new film Truth or Dare, there is no “too far” for Madonna.

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