Today in Madonna History: January 7, 2004

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On January 7 2004, Rolling Stone magazine reviewed Madonna’s Remixed & Revisited EP:

Instead of the twenty-year retrospective originally planned for the holiday season, Madonna fans get a measly half-hour of mishmash marginalia. Of the four remixes from American Life, only one clicks: Headcleanr’s rock mix of Love Profusion, which replaces Mirwais’ electrofolk with Strokes-like guitars and drums that flatter an overlooked but fantastic song. The live medley of Like a Virgin and Hollywood, with Britney Spears and Christina Aguilera, falls flat without the infamous kisses, and the Gap commercial with Missy Elliott just sounds cheap and nasty. Your Honesty, an outtake from 1994’s Bedtime Stories, recalls the post-disco funkiness of Madonna’s 1983 debut. Bet it would’ve worked better in a box set. – Barry Walters

Today in Madonna History: October 14, 2009

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On October 14 2009, Madonna appeared on the cover of Rolling Stone magazine, with a classic shot by Herb Ritts.

Inside the magazine, Madonna was asked about how she felt when she first heard Material Girl and Like A Virgin:

I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words, I thought they were clever. They’re so geeky, they’re cool.

When asked if she could predict whether a song would be a hit or not:

I’ve never been a good judge of what things are going to be huge or not. The songs that I think are the most retarded songs I’ve written, like Cherish and Sorry, a pretty big hit off my last album, end up being the biggest hits. Into The Groove is another song I feel retarded singing, but everybody seems to like it.

Today in Madonna History: September 21, 1989

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On September 21 1989, Madonna was featured on the cover of Rolling Stone magazine for the second time that year (she was also featured on the cover in March 1989).

Herb Ritts took some amazing shots of Madonna for the cover. We’ve shared a few of what we consider to be the best from that shoot. We can’t look at these photos without hearing Cherish in our heads!

Today in Madonna History: September 8, 1986

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On September 8 1986, Madonna’s third album, True Blue, was certified double platinum (for shipment of 2 million units) in the USA.

Here’s a snippet of Davitt Sigerson’s review of True Blue from Rolling Stone (July 17, 1986):

Madonna’s sturdy, dependable, lovable new album remains faithful to her past while shamelessly rising above it. True Blue may generate fewer sales and less attention than Like a Virgin, but it sets her up as an artist for the long run. And like every other brainy move from this best of all possible pop madonnas, it sounds as if it comes from the heart.

Today in Madonna History: May 9, 1985

On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.

Here’s a snippet from the interview featured in the magazine:

Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…

“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.

Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”

Today in Madonna History: March 11, 2015

On March 11 2015, Madonna was interviewed by Howard Stern on SiriusXM.

Here are some tidbits we learned about Madonna during the interview, according to Rolling Stone magazine:

  • Her shocking VMA debut of “Like a Virgin” was an accident. “I had come down the wedding cake and my shoe fell off,” she said. “I was like ‘Oh shit, I can’t dance in one shoe!” The mishap prompted quick decision-making on Madonna’s end as to how to proceed with the performance and led to the controversial stage-humping that took place at the first Video Music Awards. “I didn’t know my skirt was up. I proceeded to sing the song laying down on the ground. I was just making the best of the situation.” She noted that her manager Freddy DeMann told her that her career would be over following the performance.
  • She craves normalcy every once in a while. “Every 3 days I crave it,” she said. “Every three days I go, ‘That’s it. I’m moving to a cabin and living in the forest and no one’s gonna fuck with me anymore.'” Stern probed as to why she thinks she could never give up her career and life in the spotlight. “Because I’m an artist and I’m tortured. I’m a masochist and I like to create. I don’t know. Maybe one day I will.”
  • Madonna’s first year in New York included multiple robberies, an assault and an unreported rape. “I needed money for the payphone and [a stranger] gave it to me,” she said. “He was a very friendly guy, and the phone was ringing. He was like, ‘Oh, I live right across the street if you’d like to make the phone call from my house.” The then 19-year-old Madonna agreed, blaming her “stupid friendliness” from her Midwestern roots. “I trusted everybody. The rest is not worth talking about.”
  • She doesn’t hate David Letterman. Stern acknowledged some early interviews between the pop star and talk show host, noting he could never tell if she liked him or was annoyed. “Oh, that’s how I flirt with people,” she revealed. “One time I was mad at him, when I said the ‘f-word’ a lot, but the rest of the time was good.”
  • She dated Tupac Shakur. The late rapper had actually been the reason Madonna was mad at Letterman. “I was dating Tupac Shakur at the time, and he had gotten me all riled up about life in general,” she said. “When I went on this show, I was feeling very gangster.” Stern revealed his surprise about the little-known past relationship. “I think people know, if you’re in the know,” said Madonna coyly.
  • The misunderstood meaning of “Material Girl” gets on her nerves. “The song that irritated me the most about being associated with me is ‘Material Girl,'” she said. “It was an ironic song because I’m certainly not a materialistic person.” The topic came up as Stern had her clear up a rumor that she detested the success of “Like a Virgin” because other people had written it. The singer declared the rumor false, asserting that she loves the song and appreciates its writers.
  • Upon making her first $1 million, she indulged in buying a Frida Kahlo painting. “That was always my goal,” she said on her art collection. “When I was married to Sean [Penn], I said ‘When I make my first million, I’m going to buy art.'” Madonna had been a huge fan of Frida Kahlo since she was young. “I bought a self-portrait of hers. At the time it was rather inexpensive because people didn’t know who she was.”
  • Jean-Michel Basquiat destroyed all the paintings he had given to her. Madonna and Basquiat had dated when the singer was very young, but his heroin addiction ended up pulling them apart. “He was an amazing man and deeply talented. I loved him,” she said. “When I broke up with him, he made me give all [his paintings] back to him. And then he painted over them black.” She regrets giving the art back, but felt pressured to do so since it was something he had created.
  • She wrote “Vogue” in a few hours. Madonna stands by the idea that her best songs are the ones she wrote in only a couple of hours, “Vogue” included. “I thought it was a very cool dance, very presentational and elegant and all about vanity,” she said about the dance of the same name. The song had been written for Dick Tracy, the film she made with ex-boyfriend Warren Beatty, and was inspired by all the classic movie stars. “[Warren] dated all of Hollywood, basically.” She would ask him questions about what the stars she admired — and he dated — were like, including Natalie Wood and Julie Christie. “I looked up to [these women] and admired them.”

Today in Madonna History: February 26, 1987

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On February 26 1987, Madonna won Best Female Singer and Sexiest Female Artist in Rolling Stone magazine’s 11th annual Readers Poll.

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