On December 18 2000, Madonna appeared on the cover of People magazine: Madonna and family: A burglar in the house.
In the predawn hours of Dec. 1, the unsettling sounds of an intruder downstairs awoke Madonna and her fiancé, British film director Guy Ritchie, 32, at their rented Victorian mansion in London’s Notting Hill. By the time help arrived, the thief, who police believe had targeted the house at random, had fled with a laptop computer in Ritchie’s year-old black Range Rover. The shock of the invasion aside, little harm was done. The couple’s 4-month-old son, Rocco, and Madonna’s daughter Lourdes, 4, slept right through the excitement, and the SUV was recovered later that day in London.
“On a scale of 1 to 10,” says Ritchie pal and publicist Kris Thykier, “it’s a 1.” Yet security plainly rates a 10 in Madonna’s mind. Though she recently knocked L.A. by announcing “I feel safer” in London, she was burgled in the same house last June. After that theft, the star shelled out $280,000 to tighten security at the three-story house, which came equipped with a 5-ft. stone wall and iron railings.
Contrary to press reports that she purchased a $10.3 million Georgian property in nearby Belgravia, real estate agents say that Madonna—who has made a second career of shopping for London houses—is still on the prowl to buy a residence. Meanwhile, jetting off to Rome 12 hours after the heist to promote her new Music album, Madonna, 42, put aside her burglary fears with a 90-minute shopping spree at the chichi Fendi boutique. Shop manager Mariano Manselli, who declines to confirm reports of a $15,000 tab, demurely labels the haul “Christmas shopping.”
On July 27 1992, Madonna was featured on the cover of People magazine and in a feature article about the previous 50 years of teen idols.
Here’s a snippet of what People had to say about Madonna in 1992:
Not Just a Mirror of the Times, Madonna Is a Hall of Mirrors: Temptress, CEO, Atomic Blonde, Fatal Attraction—She Struts a Multitude of Selves Across the Stage – From Brando to Axl, the boys have always had somebody to act out their fantasies of rebellion and stand in for their forbidden selves. Then, in 1984, the girls got Madonna. So what if she had a Betty Boop voice and a smidgen of fat around her navel? She also had lyrics that would have made a black-and-white cartoon blush scarlet. “Unlike the others, I’ll do anything,” she sang in the video Burning Up: “I’m not the same/ I have no shame.” No wonder the nuns at her Michigan grade school used to tape her smart mouth shut. Top it off with clothes that seemed hijacked entirely from Frederick’s of Hollywood. Madonna was the material girl all right, and the material she paraded was spandex, Lycra and nylon net. For millions of teenagers, Madonna was the girl of their disobedient dreams. She had power; they had none. She was free, while they still needed Mom’s permission to stay out past 10. Madonna could afford to call herself a boy toy. This was one puppet who pulled her own strings. Her ambition had muscles; her will had the glint of chrome. Susan Seidelman, who directed Madonna in her first hit film, Desperately Seeking Susan, understood her appeal: “Funkiness mixed with amazing confidence—that’s a real powerful combination, especially for teenage girls.” For some big boys too. Did Sean Penn give her trouble? She dumped him like a smart cookie shaking off a crumb. Warren Realty was the permanent playboy? A few months with Madonna and he went running for the quieter life of wedded bliss—with another woman. “I’m tough, ambitious, and I know exactly what I want,” Madonna once said. “If that makes me a bitch, OK.”
On July 8 1985, Madonna was featured on the cover of People magazine with the caption: “Can Madonna get Sean to the alter?”
On May 7 1990, Madonna graced the cover of People magazine.
The headline: Madonna’s new tour: her most outrageous act yet
A sample of the article by Montgomery Brower and Todd Gold:
After routinely violating almost every taboo about sex, sacrilege and the public display of underwear, what’s a girl to do for new material? Madonna revealed her answer in Japan, where she kicked off a four-month tour that will no doubt delight fans, fetishists, cross-dressers and topic-starved conservative columnists the world over. Mimed masturbation? Madonna’s got it, during “Like a Virgin.” Topless guys in foot-long pointy brassieres? They pop up a third of the way through the show. A hint of discipline? “You may not know the song, but you all know the pleasures of a good spanking,” Madonna cooed after “Hanky Panky,” an ode to the joy of the slap. Granted, there are quieter moments—Madonna as housewife in curlers, Madonna with fish-tailed mermen—but before you know it, there she goes again, confessing in song to a guy dressed as a priest. The 105-minute hullabaloo is amazing for its breadth of controversy. Perhaps even more remarkable is the fact that, so far as can be determined, not one of the show’s seven dancers has been sidelined with a groin injury.
“She said, ‘Let’s break every rule we can,’ ” says choreographer Vince Paterson. “She wanted to make statements about sexuality, cross-sexuality, the church and the like. But the biggest thing we tried to do is change the shape of concerts. Instead of just presenting songs, we wanted to combine fashion, Broadway, rock and performance art.”
Thanks Logan for the New Jersey video streams!
On January 15 1996, Madonna appeared on the cover of People magazine, with the title: Madonna faces down her stalker in court.
Here’s an excerpt from the issue:
At first glance, it looked like any other Madonna-centric media event, with scrambling news crews and ogling fans swarming around her black limousine. But as soon as she entered courtroom 116 in the L.A. Criminal Courts Building on Jan. 3, it became clear that this was no ordinary Madonna performance. Inside, a jury listened intently as the normally flamboyant singer, 37, dressed with subdued elegance in a black, knee-length suit, soberly delivered testimony against a 38-year-old drifter accused of stalking and threatening to kill her. “He was there to take me away; he wanted me to be his wife,” she said in measured tones. “If he couldn’t have me [he told my secretary], he would slit my throat, from ear to ear.”
Madonna’s hour-long testimony may bring to some kind of conclusion an unsettling series of events that began when Robert Dewey Hoskins was first found hanging around the singer’s Hollywood Hills estate. Hoskins showed up at Madonna’s home last April 7, jumping a security wall before being ejected from the 3.5-acre grounds by a private guard. (Madonna was not home at the time.) Returning from a bike ride with her personal trainer the following day, Madonna encountered Hoskins at her gate. “He looked homeless, dirty; his clothes were wrinkled, and he had a crazy look in his eyes,” she testified. His stare, she said, was “creepy…deranged. It was scary.” Hoskins said nothing but left a note that said, “I love you. You will be my wife for keeps.”
The appearances by Hoskins were unsettling enough, Madonna says, to persuade her to sell the estate, once the home of gangster Bugsy Siegel. Seven weeks later, while Madonna was in Florida, where she also owns a home, Hoskins was back, this time carrying a four-inch wooden heart with the oddly misspelled inscription “Love To My Wife Madnna.”