Today in Madonna History: May 9, 1985

On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.

Here’s a snippet from the interview featured in the magazine:

Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…

“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.

Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”

Today in Madonna History: July 23, 1985

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On July 23 1985, Into The Groove was released as a single in the UK.

Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.

Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.

In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.

Today in Madonna History: July 13, 1985

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On July 13 1985, Bette Midler introduced Madonna at Live Aid’s charity concert in Philadelphia:

“I want you to know I have no idea why I was asked to introduce this next act — because you all know, I am the soul of good taste and decorum.  However we are thrilled to be able to introduce to you today a woman whose name has been on everyone’s lips for the last six months. A woman who pulled herself up by her bra straps and has been known to let them down occasionally.”

Madonna was happy to tell the global audience of 1.9 billion viewers: “I ain’t taking off shit today.”

Today in Madonna History: November 17, 1987

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On November 17 1987, Madonna’s first remix collection, You Can Dance, was released by Sire Records.

The LP version included the following tracks:

Spotlight
Holiday
Everybody
Physical Attraction
Over and Over
Into the Groove
Where’s the Party

The CD release included the following bonus tracks:

Holiday (Dub Version)
Into the Groove (Dub Version)
Where’s the Party (Dub Version)

The cassette release included this track listing:

Spotlight
Holiday
Everybody
Physical Attraction
Spotlight (Dub Version)
Holiday (Dub Version)
Over and Over
Into the Groove
Where’s the Party
Over and Over (Dub Version)
Into the Groove (Dub Version)

Patrick Leonard had this to say about working on You Can Dance:

“Remixing is a form of secondary creativity. Dance music elevates the DJ and the mixer to being almost on a level with the musician. In my opinion this is false. Manipulation of pre-recorded sound sources may be creative in a secondary sense, and may be valid in its own field, but it is pseudo musicianship. That’s why we tried to have a fresh approach to the songs for You Can Dance, as if we were developing and composing them for the first time.”

Today in Madonna History: October 14, 2009

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On October 14 2009, Madonna appeared on the cover of Rolling Stone magazine, with a classic shot by Herb Ritts.

Inside the magazine, Madonna was asked about how she felt when she first heard Material Girl and Like A Virgin:

I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words, I thought they were clever. They’re so geeky, they’re cool.

When asked if she could predict whether a song would be a hit or not:

I’ve never been a good judge of what things are going to be huge or not. The songs that I think are the most retarded songs I’ve written, like Cherish and Sorry, a pretty big hit off my last album, end up being the biggest hits. Into The Groove is another song I feel retarded singing, but everybody seems to like it.

Today in Madonna History: August 10, 1985

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On August 10 1985, Into The Groove spent the first of two weeks in the number-one position on the UK Singles Chart. It was Madonna’s first chart-topping single in the UK, where she has collected a total of thirteen number-one hits to date.

As an added validation, Into the Groove was Madonna’s first attempt at co-producing a song. While artists co-producing their own work is common today, it was relatively unusual at the time, particularly for female artists. The immense success of the single undoubtedly helped convince the powers at Sire/Warner to grant Madonna the artistic freedom to co-produce her next album, True Blue, together with her collaborators Stephen Bray and Patrick Leonard.