Today in Madonna History: January 28, 1984

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On January 28 1984, Madonna’s single, Holiday hit #16 on the Billboard Hot 100 in the USA.

Holiday was released on September 7, 1983, and became Madonna’s first hit single and remained on the charts from Thanksgiving to Christmas in 1983. It was Madonna’s first song to enter the Billboard Hot 100, at 88 on the issue dated October 29, 1983 and reached a peak of 16 on January 28, 1984 and was on the chart for 21-weeks. The song debuted at eight on the Hot Dance Club Play chart on the issue dated November 2, 1983 and was Madonna’s first number one single on the Hot Dance Club Play chart remaining at the top for five weeks.

In the United Kingdom, Holiday has been released three times as a single; in January 1984, reaching number six, and in August 1985 reaching number 2 (only being kept from number one by her own Into the Groove single). Its third release in 1991 included new artwork to promote The Immaculate Collection with a limited edition EP titled The Holiday Collection, which contained tracks omitted from the compilation; this version peaked at number five.

The photos for this post are from Madonna’s Solid Gold performance of Holiday.

Today in Madonna History: November 12, 1984

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On November 12 1984, Madonna’s Like A Virgin album was released by Sire Records.  The album was re-released worldwide in 1985, to include the bonus track, Into the Groove.

The original track listing for Madonna’s second album included:

Material Girl
Angel
Like A Virgin
Over & Over
Love Don’t Live Here Anymore
Dress You Up
Shoo-Bee-Doo
Pretender
Stay

The cover sleeve and album insert images were shot by Steven Meisel. The first shot in this post was used for the album cover. The rest of the photos in this post are outtakes from the same photo shoot.

Today in Madonna History: October 14, 2009

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On October 14 2009, Madonna appeared on the cover of Rolling Stone magazine, with a classic shot by Herb Ritts.

Inside the magazine, Madonna was asked about how she felt when she first heard Material Girl and Like A Virgin:

I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words, I thought they were clever. They’re so geeky, they’re cool.

When asked if she could predict whether a song would be a hit or not:

I’ve never been a good judge of what things are going to be huge or not. The songs that I think are the most retarded songs I’ve written, like Cherish and Sorry, a pretty big hit off my last album, end up being the biggest hits. Into The Groove is another song I feel retarded singing, but everybody seems to like it.

Today in Madonna History: August 19, 2022

On August 19 2022, Madonna released FINALLY ENOUGH LOVE to celebrate topping the Dance Club Songs chart for the 50th time, making her the first and only recording artist to have 50 #1 hits on any single Billboard chart.

To celebrate this historic milestone, Madonna curated two new collections: FINALLY ENOUGH LOVE: 50 NUMBER ONES, a new 50-track collection that includes her favorite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades, and an abridged 16-track version, simply titled FINALLY ENOUGH LOVE.

These new collections mark the first album releases to be part of the newly announced partnership between Madonna and Warner Music Group, which will feature an extensive series of catalog releases across her groundbreaking career.

50 NUMBER ONES spans her entire dance club chart reign with dozens of remixes by the world’s top producers. In addition to fan favorites, the collection also includes a selection of rare remix recordings, with more than 20 being officially released for the first time or making their commercial/digital debut. The collection is available digitally, along with a 3-CD version. Multiple double disc vinyl versions include black vinyl, clear vinyl, silver vinyl, red vinyl (there may be more exclusives released worldwide) and the sold-out limited edition, 6-LP version on red and black vinyl (exclusive to Madonna’s official store and Rhino.com). #Madonna #FinallyEnoughLove #FinallyEnoughLove50numberOnes @Madonna

The party’s right here… FINALLY ENOUGH LOVE: 50 NUMBER ONES OUT NOW!!!
Stream, download and get the remix collection on CD and vinyl: https://m.lnk.to/FEL50NO
See you on the dance floor!

 

FINALLY ENOUGH LOVE
16-Track Album
1-CD, 2-LP & Digital Download

Track Listing

1.    “Everybody” (You Can Dance Remix Edit) +#
2.    “Into The Groove” (You Can Dance Remix Edit) +#
3.    “Like A Prayer” (Remix/Edit)
4.    “Express Yourself” (Remix/Edit)
5.    “Vogue” (Single Version) +
6.    “Deeper And Deeper” (David’s Radio Edit) +#
7.    “Secret” (Junior’s Luscious Single Mix)
8.    “Frozen” (Extended Club Mix Edit)
9.    “Music” (Deep Dish Dot Com Radio Edit)
10.    “Hollywood” (Calderone & Quayle Edit) +#
11.    “Hung Up” (SDP Extended Vocal Edit)
12.    “Give It 2 Me” (Eddie Amador Club 5 Edit) °+
13.    “Girl Gone Wild” (Avicii’s UMF Mix)
14.    “Living For Love” (Offer Nissim Promo Mix) *+
15.    “Medellín” (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
16.    “I Don’t Search I Find” (Honey Dijon Radio Mix)

FINALLY ENOUGH LOVE: 50 NUMBER ONES
50-Track Album
3-CD, 6-LP, Streaming & Digital Download

Track Listing

1.    “Holiday” (7” Version) +
2.    “Like A Virgin” (7” Version)
3.    “Material Girl” (7” Version)
4.    “Into The Groove” (You Can Dance Remix Edit) +#
5.    “Open Your Heart” (Video Version) +
6.    “Physical Attraction” (You Can Dance Remix Edit) +#
7.    “Everybody” (You Can Dance Remix Edit) +#
8.    “Like A Prayer” (Remix/Edit)
9.    “Express Yourself” (Remix/Edit)
10.    “Keep It Together” (Alternate Single Remix) *+
11.    “Vogue” (Single Version) +
12.    “Justify My Love” (Orbit Edit)
13.    “Erotica” (Underground Club Mix)
14.    “Deeper And Deeper” (David’s Radio Edit) +#
15.    “Fever” (Radio Edit) +
16.    “Secret” (Junior’s Luscious Single Mix)
17.    “Bedtime Story” (Junior’s Single Mix)
18.    “Don’t Cry For Me Argentina” (Miami Mix Edit)
19.    “Frozen” (Extended Club Mix Edit)
20.    “Ray Of Light” (Sasha Ultra Violet Mix Edit) +#
21.    “Nothing Really Matters” (Club 69 Radio Mix) +
22.    “Beautiful Stranger” (Calderone Radio Mix)
23.    “American Pie” (Richard ‘Humpty’ Vission Radio Mix)
24.    “Music” (Deep Dish Dot Com Radio Edit)
25.    “Don’t Tell Me” (Thunderpuss Video Remix) +#
26.    “What It Feels Like For A Girl” (Above And Beyond Club Radio Edit)
27.    “Impressive Instant” (Peter Rauhofer’s Universal Radio Mixshow Mix) +#
28.    “Die Another Day” (Deepsky Radio Edit) +#
29.    “American Life” (Felix Da Housecat’s Devin Dazzle Edit) *+
30.    “Hollywood” (Calderone & Quayle Edit) +#
31.    “Me Against The Music” (Peter Rauhofer Radio Mix) + – Britney Spears feat. Madonna
32.    “Nothing Fails” (Tracy Young’s Underground Radio Edit) *+
33.    “Love Profusion” (Ralphi Rosario House Vocal Edit) +#
34.    “Hung Up” (SDP Extended Vocal Edit)
35.    “Sorry” (PSB Maxi Mix Edit) +#
36.    “Get Together” (Jacques Lu Cont Vocal Edit) +
37.    “Jump” (Axwell Remix Edit)
38.    “4 Minutes” (Bob Sinclar Space Funk Edit) + – feat. Justin Timberlake & Timbaland
39.    “Give It 2 Me” (Eddie Amador Club 5 Edit) +#
40.    “Celebration” (Benny Benassi Remix Edit)
41.    “Give Me All Your Luvin’” (Party Rock Remix) – feat. LMFAO & Nicki Minaj
42.    “Girl Gone Wild” (Avicii’s UMF Mix)
43.    “Turn Up The Radio” (Offer Nissim Remix Edit) *+#
44.    “Living For Love” (Offer Nissim Promo Mix) *+
45.    “Ghosttown” (Dirty Pop Intro Remix)
46.    “Bitch I’m Madonna” (Sander Kleinenberg Video Edit) +# – feat. Nicki Minaj
47.    “Medellín” (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
48.    “I Rise” (Tracy Young’s Pride Intro Radio Remix)
49.    “Crave” (Tracy Young Dangerous Remix) – feat. Swae Lee
50.    “I Don’t Search I Find” (Honey Dijon Radio Mix)

* previously unreleased
+available digitally for the first time
# available commercially for the first time

Today in Madonna History: July 23, 1985

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On July 23 1985, Into The Groove was released as a single in the UK.

Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.

Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.

In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.

Today in Madonna History: July 13, 1985

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On July 13 1985, Madonna performed at the Live Aid benefit concert at JFK Stadium, Philadelphia, PA.

Madonna’s set included Into The Groove, Holiday, and a brand new song that she had written with Patrick Leonard during The Virgin Tour, Love Makes The World Go Round. The latter song marked the first known songwriting collaboration in a partnership with Leonard that would prove to be long lasting and especially fruitful. The track would resurface, among other songs co-produced by the pair, on Madonna’s True Blue album a year later.

Madonna also joined the Thompson Twins on stage for a cover The Beatles’ Revolution.

Today in Madonna History: May 9, 1985

On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.

Here’s a snippet from the interview featured in the magazine:

Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…

“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.

Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”

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