Today in Madonna History: March 10, 2016

On March 10 2016, Madonna performed the first Tears Of A Clown show at the Forum Theatre in Melbourne, Australia. Since Madonna had not performed in Australia since 1993, she decided to put on a unique show for her Australian fans. The show included some of her lesser performed songs, covers, hits and some fan favourites that were not being performed during the Rebel Heart Tour (which was going on a the same time as the Tears Of A Clown show).

Madonna wanted the show to combine music, comedy and storytelling, with a circus or clown theme in mind.

Only members of Madonna’s official fan club, Icon, were able to acquire tickets.  1500 fans attended the show.

Madonna performed the following songs:

  • Send In The Clowns
  • Drowned World/Substitute For Love
  • X-Static Process
  • Between The Bars (Elliot Smith cover)
  • Nobody’s Perfect
  • Easy Ride
  • Intervention
  • I’m So Stupid
  • Paradise (Not For Me)
  • Joan Of Arc
  • Don’t Tell Me
  • Mer Girl
  • Borderline
  • Take A Bow
  • Holiday

Cameron Adams (News.com.au) had this to say about the show:

“Madonna poured much of her sadness into her intimate two-hour Tears Of A Clown show, peppering emotional renditions of her hits with cheeky jokes and banter. It’s the sort of thing you never thought you’d see a superstar do. The show was fascinating — and difficult — to watch. We’re not used to Madonna on stage doing anything less than a fully rehearsed, slick stage show.”

Today in Madonna History: February 24, 2016

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On February 24 2016, Madonna performed in the Philippines for the very first time. Madonna’s Rebel Heart Tour made a stop at the Mall of Asia Arena in Manila, performing for a sold out crowd of 15,710 fans.

Ticket prices were above average and ranged from $70 to $1300.

Madonna added Like A Prayer to the set during the first show and added Crazy For You during the second show (February 25).

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Today in Madonna History: January 23, 2016

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On January 23 2016, Madonna’s daughter Mercy James was the ceremonial Unapologetic Bitch during the first of two sold-out Rebel Heart Tour shows in Miami.  Ariana Grande was the Unapologetic Bitch at the second Miami show.

Madonna stopped the show to present Mercy with a birthday cupcake.  The crowd of 13,234 joined Madonna in singing Mercy “Happy Birthday”.

 

Today in Madonna History: October 28, 2015

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On October 28 2015, Katy Perry was the Unapologetic Bitch during the Los Angeles Rebel Heart Tour stop. Instead of giving Perry a standard banana, Madonna treated her to a banana flask filled with an alcoholic drink.

Later on Instagram, Madonna declared Katy to be the “Best Unapologetic bitch ever!”

Katy shared her videos of the experience on Instagram saying, “Well, that was unrehearsed but I Love You Madonna my QUEEN.”

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Today in Madonna History: September 21, 2015

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On September 21 2o15, Sal Cinquemani (of Slant) published an article called, “10 Things I Learned at Madonna’s Rebel Heart Tour.”

Here’s Sal’s list:

Over 30 years into her career, Madonna is still acting like a virgin. “I’ve never performed in Brooklyn before,” she coyly told a sold-out crowd at the Barclays Center in Prospect Heights Saturday night. The Rebel Heart Tour, which kicked off in Montreal two weeks ago and landed in the borough for one night after two performances across the river at Madison Square Garden, is the singer’s 10th stage show. While she’s finally warmed up to her ’80s hits after years of ignoring all but a handful, she still insists on challenging her fans, who, I suppose I shouldn’t have been surprised to see, are still dressing up like her. Only now it’s the men. Here are 10 other things I learned at the show:

1. Yes, Madonna can sing.

As her shows have increasingly required her to be hoisted, flung, and swung around in the air for close to two hours every night, Madonna has in recent years relied, perhaps too heavily, on lip-synching. But she can carry a tune far better than she’s typically given credit for. Despite a mouthful of those pesky gold-and-diamond-encrusted grillz, she flawlessly serenaded old pal Debi Mazar, who stood in the audience singing along, with “True Blue,” and delivered an impassioned rendition of the blistering Rebel Heart ballad “HeartBreakCity.” Perched on the edge of a stage platform, playfully swinging her leg, she even belted out “La Vie En Rose” with relative ease.

2. Fifty-seven is the new 27.

At one point, Madonna dabbed her forehead with a towel and joked that sitting down to strum a ukulele was her favorite part of the show, but she barely missed a beat or broke a sweat throughout the 21-song setlist. With her dirty-blond extensions cascading around her shoulders, dark roots exposed, fingerless gloves, and jewel-encrusted blazer and ankle boots, she was the spitting image of the title character from Desperately Seeking Susan, in which she made her big-screen debut an astonishing three decades ago.

3. “Deeper and Deeper” belongs among Madonna’s classics.

With a catalogue as deep and wide as Madonna’s, it would be easy for gems like Erotica’s “Deeper and Deeper” to get lost to pop history. So it was a pleasant surprise to spot this one on the setlist and, aside from some amped-up EDM beats and a simplified flamenco guitar solo, hear it performed so faithfully.

4. Being Madonna (and working for her) is dangerous business.

As they say in Texas, everything is bigger on a Madonna tour…including the liability and personal injury insurance policy. Coverage must include, but isn’t limited to, performers being thrown off spiral staircases and tossed down giant LED screens, scaling and hanging precariously from poles, swinging back and forth from 10-foot stilts, and wearing capes with a recent history of violently yanking superstars to the ground from behind in front of an audience of millions.

5. Madonna really likes “Candy Shop.”

Though the Hard Candy opener was never released as a single, Madonna has a peculiar fondness for the track, having performed it during all of her last three tours. The singer’s tenacity and obvious enthusiasm for the song has practically willed it into becoming a staple, fitting inconspicuously between her signature hits “Music” and “Material Girl.”

6. Madonna really hates “Take a Bow.”

Madge dusted off her ’80s hits “True Blue” and “Who’s That Girl” for the first time in 28 years. But some of her biggest ’90s ballads, from “This Used to Be My Playground” to “I’ll Remember” to “Take a Bow” (her longest running #1 hit ever), have still, to this day, never been performed on tour. Sure, they don’t fit obviously into the pop star’s latter-day dance-floor-driven output, but if the queen of reinvention isn’t willing to find a way to put a new spin on these old chestnuts, there must be a good reason. With songs as timeless as these, it’s just hard to imagine what that could possibly be.

7. You’re never too old to take a “Holiday.”

The only song to be performed during all or part of every Madonna tour aside from one, “Holiday” reclaimed its rightful place as the closing number during the Rebel Heart Tour. Over the years, Madonna’s first bona fide smash has been reimagined as everything from a disco bauble to an ironic military march to an EDM banger, but while a Latin-style medley of “Dress You Up,” “Into the Groove,” and “Lucky Star” proves she isn’t exactly becoming a purist, she refreshingly played it straight for her perennial call for a little celebration.

8. Madonna is more comfortable on stage than ever.

Madonna is a self-proclaimed showgirl, but despite a show clearly choreographed down to each flick of a wrist, she’s never seemed more unscripted. From the call-and-response exchanges with the audience during an acoustic version of “Who’s That Girl” to the addition of a new song to the setlist (a stirring, if pitchy, rendition of shoulda-been-a-sleeper-hit “Ghosttown,” which brought seemingly genuine tears to her eyes, a development that seemed to surprise even her), the Queen of Pop never looked so unguarded and at ease.

9. Madonna might be running out of ideas.

You’d be forgiven for thinking Madonna had already staged a show with scantily clad nuns twerking on cross-shaped stripper poles. From that perhaps too on-the-nose provocation to the multimedia prologue and guitar-wielding riot-grrrl shtick, Madonna seems to be recycling themes and concepts in ways that, while her contemporaries remained dogged in their adherence to formula, she managed to successfully avoid for the first few decades of her career.

10. …But she’s still the greatest performer of our time.

“It’s lonely at the top, but it ain’t crowded,” Madonna quipped, tongue in cheek, during a jazz-infused version of “Music.” As far back as 1990’s iconic, game-changing Blond Ambition Tour, her shows have always been theatrical, blending traditional rock-concert tropes with narrative storytelling; Rebel Heart, though, takes it to another level, equal parts Cirque du Soleil, Broadway musical, and burlesque—an immersive experience that redefines the meaning of maximalism.