Today in Madonna History: May 27, 2017

On May 27 2017, the long-running and highly respected authority on record collecting, Goldmine Magazine, inducted Patrick Leonard into the Goldmine Hall Of Fame for his contributions to the music industry as a songwriter, producer and musician. His work with Madonna in particular was highlighted in his induction bio.

Madonna was one of the earliest inductees into the Goldmine Hall Of Fame, having secured her place in the second round of inductions. Leonard was inducted in the 95th round, which is impressive nonetheless for an artist who has always kept a relatively low profile despite working with some of the biggest names in the music business, including Michael Jackson and Leonard Cohen, and is certainly well-deserved.

As Madonna fans, we respect that she is a forward-thinking artist and our hope is that she will always continue to follow any creative path that inspires her. While we do not discount the many other brilliant songwriters Madonna has collaborated with, nor do we deny Madonna’s own gifts of writing brilliant melodic hooks and conveying universal truths through her words, the proof that Madonna and Leonard bring out the very best in each other’s craft is right there in their songs. Whether destiny holds future collaborations between Madonna & Leonard is entirely their decision to make, but should the pair find themselves inspired to work together again, it would certainly be to the delight of most Madonna fans, and potentially to fans of great music in general.

Our view is that when strong chemistry exists in a songwriting partnership, especially one that has produced such varied output as Madonna & Leonard’s, there is always an opportunity to reconnect and create something fresh and relevant. This was proven when the pair reunited for 1998’s Ray of Light, an album which, promotional tactics aside, owes as much in substance to Madonna/Leonard as it does in style to Madonna/Orbit.

The bottom line is – great songs are great songs. You can restyle a great song to make it fit with the production trends of the day, but if a song is all style with little substance it won’t stay fresh for long. The songwriting partnership of Madonna & Leonard has yielded a body of work that has consistently proven itself to be timeless. And is this not the ultimate goal of any forward-thinking artist – to produce work that is substantial and transcendent enough to remain relevant well into the future?

Today in Madonna History: May 12, 1998

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On May 12 1998, Madonna’s Ray of Light music video premiered on MTV Live.

The video was directed by Jonas Åkerlund. Madonna’s scenes were shot in early April 1998 at MTV’s Times Square studios in New York and Los Angeles. The background images were shot in various cities, such as Los Angeles, New York, London, Las Vegas, and Stockholm.

Today in Madonna History: April 6, 1998

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On April 6 1998, an exclusive studio performance of Frozen was broadcast during the Hey! Music Awards II on Fuji-TV in Japan. Madonna was also honoured with an award during the ceremony, and offered the taped performance and acceptance speech in lieu of attendance.

Today in Madonna History: March 15, 1999

On March 15 1999, Madonna’s publicist, Liz Rosenberg, confirmed to MTV News that a tour in support of Ray Of Light had been canceled.  Instead, Madonna would be working on a number of other projects including:

  • A new song with Ricky Martin for his next album
  • A new song for the Austin Powers 2 soundtrack
  • Assembling a new greatest hits album (Liz called it “The Immaculate Collection 2“) with a few new songs
  • Starring in a new film, The Next Best Thing, with Rupert Everett

Liz had this to say:

“The starting date of the movie was postponed, and it created such a small window to turn things around and get into total tour mode and put together the kind of show Madonna does, with no stone unturned, that she thought it would be better to wait until 2000.”

Today in Madonna History: March 14, 1998

On March 14 1998, Madonna’s Ray of Light album was reviewed in Billboard magazine.

The Ray of Light album would debut at #2 in the U.S. the following week, being held back from the top spot by the blockbuster soundtrack for the film, Titanic.

Meanwhile in Canada, the album would enter the chart at #1, pushing Titanic into the runner-up position.

Today in Madonna History: March 13, 1999

On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.

Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.

The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.

An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.

Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.

Today in Madonna History: March 6, 1998

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On March 6 1998, Madonna spent the day in Toronto, Canada conducting a press conference and various print interviews to promote her new album, Ray Of Light, released earlier that week. She ended the day with a live, hour-long interview on Much Music hosted by VJ’s Master T (personally selected by Madonna herself after viewing reels of the station’s on-air personalities) and Geneviève Borne (a self-proclaimed Madonna fan and VJ from Much Music’s French-language sister station, Musique Plus).

The much-hyped event, which marked Madonna’s first and only visit to the Much Music studios, was prefaced by the Canadian music video channel’s second Madonnathon – a day of all-Madonna programming. The first, which featured her 1992 interview with Jonathan Ross and a then-recent press junket interview with The New Music’s Jana Lynne White (and all of her music videos), aired in January of 1993 at the height of the Sex/Erotica/Body Of Evidence backlash.

After the appearance was announced, fans seeking a limited hot spot inside the studio for the interview were asked to call in and were queried a series of Madonna-related trivia questions to prove their worthiness, while others who didn’t make it inside lined the streets of the Queen St W studios on the day of the event to welcome the Queen of Pop to Toronto.

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