Today in Madonna History: May 4, 2022

On May 4 2022, Warner Bros. issued the press release for Finally Enough Love: 50 Number Ones:

Madonna made history once again when she topped the Dance Club Songs chart for the 50th time, making her the first and only recording artist to have 50 #1 hits on any single Billboard chart.

To celebrate this historic milestone, Madonna curated two new collections: FINALLY ENOUGH LOVE: 50 NUMBER ONES, a new 50-track collection that includes her favorite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades, and an abridged 16-track version, simply titled FINALLY ENOUGH LOVE.

These new collections will mark the first album releases to be part of the newly announced partnership between Madonna and Warner Music Group, which will feature an extensive series of catalog releases across her groundbreaking career.

50 NUMBER ONES spans her entire dance club chart reign with dozens of remixes by the world’s top producers. In addition to fan favorites, the collection also includes a selection of rare remix recordings, with more than 20 being officially released for the first time or making their commercial/digital debut. The collection will be available digitally on August 19, along with a 3-CD ($29.98) version. A limited edition, 6-LP version on red and black vinyl ($149.98) will also be available, exclusively at Madonna’s official store and Rhino.com. Pre-order now.

The 16-track version, FINALLY ENOUGH LOVE, will be available for streaming on June 24, with 1-CD ($14.98) and 180-gram 2-LP ($34.98) versions coming on August 19. Pre-order and Pre-save now.

As a first listen to these collections, the “You Can Dance Remix Edit” of “Into The Groove” is available today digitally for the first time. Listen Now.

Boasting more than 220 minutes of remixes, FINALLY ENOUGH LOVE: 50 NUMBER ONES flows in mostly chronological order, showcasing the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time including Shep Pettibone, William Orbit, Honey Dijon, and Avicii.

On several songs, Madonna is joined by other incredible artists, including Britney Spears (“Me Against The Music”); Justin Timberlake and Timbaland (“4 Minutes”); and Nicki Minaj (“Bitch I’m Madonna.”) Each remix was newly remastered for the collection by Mike Dean, who produced Madonna’s two most-recent studio albums, Rebel Heart (2015) and Madame X (2019).

Both of these new collections also highlight You Can Dance, Madonna’s first ever remix collection. Celebrating 35 years this year, You Can Dance has sold more than five million copies worldwide and is still the second best-selling remix album of all time. The collection also pays homage to “Everybody,” Madonna’s first single, celebrating its 40th Anniversary on October 6. Madonna redesigned the album’s chronology by picking three edits from You Can Dance, including “Into The Groove”, “Everybody” and “Physical Attraction,” which reflects the underground club vibes that inspired her first recordings as a Sire artist.

Along with those rarities, these albums also introduce versions that are seeing their first ever official release, including the “Alternate Single Remix” of “Keep It Together,” the “Offer Nissim Promo Mix” of “Living For Love,” and more.

In advance of the debut of FINALLY ENOUGH LOVE in June, one of the 50 chart toppers – “Causing A Commotion” – was spotlighted early as an exclusive release for this year’s Record Store Day on April 23. Three remixes of the track appeared on the limited edition, five-track, red vinyl 12” EP Who’s That Girl Super Club Mix.

Expect more surprises to be revealed later this year around the celebration of Madonna’s 40 years in music.

FINALLY ENOUGH LOVE
16-Track Album
Streaming June 24
1-CD, 2-LP & Digital Download Versions Out August 19

Track Listing

1.    “Everybody” (You Can Dance Remix Edit) +#
2.    “Into The Groove” (You Can Dance Remix Edit) +#
3.    “Like A Prayer” (Remix/Edit)
4.    “Express Yourself” (Remix/Edit)
5.    “Vogue” (Single Version) +
6.    “Deeper And Deeper” (David’s Radio Edit) +#
7.    “Secret” (Junior’s Luscious Single Mix)
8.    “Frozen” (Extended Club Mix Edit)
9.    “Music” (Deep Dish Dot Com Radio Edit)
10.    “Hollywood” (Calderone & Quayle Edit) +#
11.    “Hung Up” (SDP Extended Vocal Edit)
12.    “Give It 2 Me” (Eddie Amador Club 5 Edit) °+
13.    “Girl Gone Wild” (Avicii’s UMF Mix)
14.    “Living For Love” (Offer Nissim Promo Mix) *+
15.    “Medellín” (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
16.    “I Don’t Search I Find” (Honey Dijon Radio Mix)

FINALLY ENOUGH LOVE: 50 NUMBER ONES
50-Track Album
3-CD, 6-LP, Streaming & Digital Download Versions Out August 19

Track Listing

1.    “Holiday” (7” Version) +
2.    “Like A Virgin” (7” Version)
3.    “Material Girl” (7” Version)
4.    “Into The Groove” (You Can Dance Remix Edit) +#
5.    “Open Your Heart” (Video Version) +
6.    “Physical Attraction” (You Can Dance Remix Edit) +#
7.    “Everybody” (You Can Dance Remix Edit) +#
8.    “Like A Prayer” (Remix/Edit)
9.    “Express Yourself” (Remix/Edit)
10.    “Keep It Together” (Alternate Single Remix) *+
11.    “Vogue” (Single Version) +
12.    “Justify My Love” (Orbit Edit)
13.    “Erotica” (Underground Club Mix)
14.    “Deeper And Deeper” (David’s Radio Edit) +#
15.    “Fever” (Radio Edit) +
16.    “Secret” (Junior’s Luscious Single Mix)
17.    “Bedtime Story” (Junior’s Single Mix)
18.    “Don’t Cry For Me Argentina” (Miami Mix Edit)
19.    “Frozen” (Extended Club Mix Edit)
20.    “Ray Of Light” (Sasha Ultra Violet Mix Edit) +#
21.    “Nothing Really Matters” (Club 69 Radio Mix) +
22.    “Beautiful Stranger” (Calderone Radio Mix)
23.    “American Pie” (Richard ‘Humpty’ Vission Radio Mix)
24.    “Music” (Deep Dish Dot Com Radio Edit)
25.    “Don’t Tell Me” (Thunderpuss Video Remix) +#
26.    “What It Feels Like For A Girl” (Above And Beyond Club Radio Edit)
27.    “Impressive Instant” (Peter Rauhofer’s Universal Radio Mixshow Mix) +#
28.    “Die Another Day” (Deepsky Radio Edit) +#
29.    “American Life” (Felix Da Housecat’s Devin Dazzle Edit) *+
30.    “Hollywood” (Calderone & Quayle Edit) +#
31.    “Me Against The Music” (Peter Rauhofer Radio Mix) + – Britney Spears feat. Madonna
32.    “Nothing Fails” (Tracy Young’s Underground Radio Edit) *+
33.    “Love Profusion” (Ralphi Rosario House Vocal Edit) +#
34.    “Hung Up” (SDP Extended Vocal Edit)
35.    “Sorry” (PSB Maxi Mix Edit) +#
36.    “Get Together” (Jacques Lu Cont Vocal Edit) +
37.    “Jump” (Axwell Remix Edit)
38.    “4 Minutes” (Bob Sinclar Space Funk Edit) + – feat. Justin Timberlake & Timbaland
39.    “Give It 2 Me” (Eddie Amador Club 5 Edit) +#
40.    “Celebration” (Benny Benassi Remix Edit)
41.    “Give Me All Your Luvin’” (Party Rock Remix) – feat. LMFAO & Nicki Minaj
42.    “Girl Gone Wild” (Avicii’s UMF Mix)
43.    “Turn Up The Radio” (Offer Nissim Remix Edit) *+#
44.    “Living For Love” (Offer Nissim Promo Mix) *+
45.    “Ghosttown” (Dirty Pop Intro Remix)
46.    “Bitch I’m Madonna” (Sander Kleinenberg Video Edit) +# – feat. Nicki Minaj
47.    “Medellín” (Offer Nissim Madame X In The Sphinx Mix) – Madonna and Maluma
48.    “I Rise” (Tracy Young’s Pride Intro Radio Remix)
49.    “Crave” (Tracy Young Dangerous Remix) – feat. Swae Lee
50.    “I Don’t Search I Find” (Honey Dijon Radio Mix)

* previously unreleased
+available digitally for the first time
# available commercially for the first time

Today in Madonna History: March 18, 2005

On March 18 2005, a resolution was reached in a UK copyright lawsuit (Coffey v Warner/Chappell Music Ltd. & Others) which alleged that elements of the Madonna & Patrick Leonard composition, Nothing Really Matters, had infringed on the copyright of claimant Elizabeth Coffey and her song, Forever After, performed by Peter Twomey.

The case took almost four years to reach the court and went under a considerable number of amendments by the plaintiff during that time. Coffey eventually alleged that the recording of Forever After included an original musical work, which consisted of the combination of vocal expression, pitch contour, and syncopation of or around the words “does it really matter,” but did not extend to the melody or lyrics surrounding those words.  She pleaded that the words “does it really matter” comprised the song’s lyrical hook and alleged that the copyright in Forever After was infringed by the defendants’ activities in relation to Nothing Really Matters.

In turn, the defendants moved to have the claim struck out as the method the plaintiff had identified the alleged copied elements was contrary to copyright law in general. Another defense offered was that, in any event, no copying had occurred.

The case was dismissed on the legal grounds that, in copyright, one cannot cherry pick the elements of the song that are the most similar in an attempt to build a stronger case. In his findings, the presiding Judge Blackburn, noted:
“The three somewhat elusive features identified by the claimant as her musical work cannot by any stretch of the imagination be said to be sufficiently separable from the remainder of the song as themselves to constitute a musical work. […] What the copyright work is in any given case is not governed by what the claimant alleging copyright infringement chooses to say that it is. Rather, it is a matter for objective determination by the court.”
A summary analysis and MIDI clip of the claimant’s song (which, incidentally, bears no perceivable resemblance to Nothing Really Matters) can be found here. The complete judgement in the lawsuit can be viewed here.

 

Today in Madonna History: March 14, 1998

On March 14 1998, Madonna’s Ray of Light album was reviewed in Billboard magazine.

The Ray of Light album would debut at #2 in the U.S. the following week, being held back from the top spot by the blockbuster soundtrack for the film, Titanic.

Meanwhile in Canada, the album would enter the chart at #1, pushing Titanic into the runner-up position.

Today in Madonna History: March 13, 1999

On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.

Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.

The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.

An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.

Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.

Today in Madonna History: February 1, 1999

On February 1 1999, a geisha-inspired Madonna was featured on the cover of Harper’s Bazaar magazine in the USA, with photos by Patrick Demarchelier.

Today in Madonna History: October 10, 2025

On October 10, 2025, the second pressing of Madonna’s Veronica Electronica companion EP for the Ray of Light album was released — expanded beyond its original vinyl-only run to include a CD edition for the first time ever.

Originally released July 25, 2025, Veronica Electronica first appeared on silver nugget metallic vinyl, exclusive to the original 2025 pressing. Conceived by Madonna in 1998 as a companion remix project under her “Veronica Electronica” alter ego, the long-rumoured collection finally emerged nearly three decades later, featuring newly edited versions of remixes by Peter Rauhofer, William Orbit, Sasha, BT, and Victor Calderone.

Following overwhelming fan demand, the EP returned on October 10 — re-pressed on ultra-clear vinyl in a silver-printed mylar jacket, and newly issued in Deluxe CD format for the first time.

Track List:

  • Drowned World / Substitute for Love (BT & Sasha Bucklodge Ashram New Edit)
  • Ray of Light (Sasha Twilo Mix Edit)
  • Skin (Peter & Victor’s Collaboration Remix Edit)
  • Nothing Really Matters (Club 69 Speed Mix Meets the Dub)
  • Sky Fits Heaven (Victor Calderone New Edit)
  • Frozen (Widescreen Mix and Drums)
  • The Power of Good-Bye (Fabien’s Good God Mix Edit)
  • Gone, Gone, Gone (Original Demo Version)

Today in Madonna History: September 29, 2009

madonna-september-29-a madonna-september-29-b madonna-september-29-c madonna-september-29-d madonna-september-29-e madonna-september-29-f

On September 29 2009, Madonna and Warner Bros. released Celebration: The Video Collection.  The greatest videos DVD collection accompanied the Celebration greatest hits collection.

Celebration: The Video Collection continued on from Madonna’s other video compilations The Immaculate Collection and The Video Collection 93:99.

Celebration: The Video Collection debuted at the top of the Billboard Top Music Videos chart.  It was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies across United States.

The cover for Celebration: The Video Collection was created by street pop artist Mr. Brainwash who is best known for “throwing modern cultural icons into a blender and turning it up to eleven”.

The DVD collection was released in two different versions, both are double disc releases:

  • Keep case — DVD size packaging
  • DVD Digipak — CD size packaging

This video collection received mixed reviews from critics and fans when it was released.  While the inclusion of videos that were left off her previous retrospectives were certainly appreciated, many felt that the set’s exclusion of several notable clips (with Oh Father, Bad Girl, Drowned World/Substitute For Love & Nothing Really Matters among its most glaring omissions) kept it from being the definitive overview it was touted to be.

Another point of contention was the use of cheaper single-layer versus double-layer DVD’s, the latter of which would have allowed for the inclusion of the three additional clips noted above (which would have rounded out the total number of clips to a nice even fifty) and corrected the compression issues that marred the image quality of many videos. Indeed, the varying picture quality from clip to clip and minimal effort given to ensuring overall quality control left the product with a distinctly “budget” feel that had some fans wondering whether the grainy, test-pattern-infused artwork for the set was perhaps a bit too fitting.

Surely, Madonna’s pioneering work in the medium and the perfectionist spirit that helped make these works so compelling deserve a comprehensive retrospective of the highest quality.

Did you feel this release was worthy of celebration or would you have made changes to it? With recent innovations in digital distribution, would you appreciate an official reissue of Madonna’s entire music video catalogue – from her first clip, Everybody, through to her latest, Batuka – as high quality digital downloads? Clips could be sold individually for a few dollars each or bundled into era sets that could be downloaded through Madonna’s official website, with proceeds benefiting one of her charities. Would you support such an initiative if the highest quality control standards were met and no corners were cut? Perhaps this would prove to be an ideal avenue for her to finally market long-requested, definitive versions of her previously unavailable or out-of-print live concert films as well.