Today in Madonna History: July 12, 1986

On July 12 1986, Madonna’s third album, True Blue, debuted at #1 on the UK Albums Chart.

Here’s the AllMusic review of True Blue by Stephen Thomas Erlewine:

True Blue is the album where Madonna truly became Madonna the Superstar — the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews — and make good music while she’s at it. To complain that True Blue is calculated is to not get Madonna — that’s a large part of what she does, and she is exceptional at it, but she also makes fine music. What’s brilliant about True Blue is that she does both here, using the music to hook in critics just as she’s baiting a mass audience with such masterstrokes as “Papa Don’t Preach,” where she defiantly states she’s keeping her baby. It’s easy to position anti-abortionism as feminism, but what’s tricky is to transcend your status as a dance-pop diva by consciously recalling classic girl-group pop (“True Blue,” “Jimmy Jimmy”) to snag the critics, while deepening the dance grooves (“Open Your Heart,” “Where’s the Party”), touching on Latin rhythms (“La Isla Bonita”), making a plea for world peace (“Love Makes the World Go Round”), and delivering a tremendous ballad that rewrites the rules of adult contemporary crossover (“Live to Tell”). It’s even harder to have the entire album play as an organic, cohesive work. Certainly, there’s some calculation behind the entire thing, but what matters is the end result, one of the great dance-pop albums, a record that demonstrates Madonna’s true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun.

Today in Madonna History: November 18, 1986

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On November 18 1986, Madonna’s True Blue album was certified 3x platinum, for sales of 3 million units in the United States.  The album was released on June 30 1986.

Here’s what Madonna had to say about the album track, Where’s The Party?

“It’s my ultimate statement about what it’s like to be in the middle of this Press stuff with everybody on my back, my world about to cave in. Whenever I feel like that – and it does get to me sometimes – I say ‘Wait a minute, I’m supposed to be having a good time here, so where’s the party?’ It doesn’t have to be this way. I can still enjoy life.”

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Today in Madonna History: November 17, 1987

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On November 17 1987, Madonna’s first remix collection, You Can Dance, was released by Sire Records.

The LP version included the following tracks:

Spotlight
Holiday
Everybody
Physical Attraction
Over and Over
Into the Groove
Where’s the Party

The CD release included the following bonus tracks:

Holiday (Dub Version)
Into the Groove (Dub Version)
Where’s the Party (Dub Version)

The cassette release included this track listing:

Spotlight
Holiday
Everybody
Physical Attraction
Spotlight (Dub Version)
Holiday (Dub Version)
Over and Over
Into the Groove
Where’s the Party
Over and Over (Dub Version)
Into the Groove (Dub Version)

Patrick Leonard had this to say about working on You Can Dance:

“Remixing is a form of secondary creativity. Dance music elevates the DJ and the mixer to being almost on a level with the musician. In my opinion this is false. Manipulation of pre-recorded sound sources may be creative in a secondary sense, and may be valid in its own field, but it is pseudo musicianship. That’s why we tried to have a fresh approach to the songs for You Can Dance, as if we were developing and composing them for the first time.”

Today in Madonna History: January 23, 1988

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On January 23 1988, Madonna’s You Can Dance remix album hit #14 (and peaked) on the Billboard 200 chart.

Here is Stephen Thomas Erlewine’s review (from AllMusic.com) of You Can Dance:

Released in 1987 as a stopgap, the remix album You Can Dance reworks material from Madonna’s first three albums. Actually, it keeps the spotlight on her first record, adding non-LP singles like “Into the Groove” for good measure, along with a bonus track of “Where’s the Party.” Since it’s a dance album, it doesn’t matter that “Holiday” and “Into the Groove” are here twice, once each in dub versions, because the essential grooves and music are quite different in each incarnation. It is true that some of this now sounds dated — these are quite clearly extended mixes from the mid-’80s — but that’s part of its charm, and it all holds together quite well. Not essential, but fun.

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