Today in Madonna History: April 7 1990

On April 7 1990, Keep It Together peaked at #8 on the Canadian Top 100 Singles chart (RPM).

Today in Madonna History: April 11, 1990

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On April 11 1990, Madonna’s Keep It Together single was certified Gold by the RIAA for shipment of over 500,000 units in the U.S.

Keep It Together was Madonna’s last 7-inch single to be issued with a picture sleeve by Warner Bros. Records in the U.S. until the release of a 4 Minutes/Give It 2 Me double 7-inch set eighteen years later.

Today in Madonna History: March 20, 1990

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On March 20 1990, the lead single from Madonna’s I’m Breathless album, Vogue, was released.

Vogue was written and produced by Madonna and Shep Pettibone in December 1989.  The song was recorded with the intention of being the b-side to the upcoming (and last single for the Like A Prayer album), Keep It Together (released on January 30 1990).

The finished product was too good to be a single b-side, so it was decided that Vogue would be a stand-alone single on Madonna’s forthcoming album, I’m Breathless (even though the song had nothing to do with Dick Tracy).

Today in Madonna History: March 31, 1990

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On March 31 1990, Keep It Together hit its peak position of number-eight on the Billboard Hot 100.

While it is possible that it reached its natural peak on the charts, some have speculated that the single’s ascent may have been prematurely interrupted by the sudden release of Madonna’s next single, Vogue.

Today in Madonna History: February 24, 1991

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On February 24 1991, Madonna’s Crazy For You was re-released to promote The Immaculate Collection in the UK.

The song was originally released in the United Kingdom on June 8, 1985, it debuted at number 25 and peaked at number two. The re-release again reached a peak of number two.

The CD single included remixed versions of Crazy For You, Keep It Together and Into The Groove.

Today in Madonna History: January 30, 1990

Keep It Together CD Cover 550

On January 30 1990, Keep It Together was released in North America as the fifth and final single from Like A Prayer. It also received a commercial release in Japan, Australia, Ecuador and the Philippines, while some European markets opted to include it as the b-side to Madonna’s next single, Vogue.

As fate would ironically have it, Madonna’s soulful ode to remembering ones roots would turn out to be the last Madonna-performed single co-written and co-produced with longtime collaborator Stephen Bray, whom she had befriended (or by some accounts, dated) during her days as a student at the University of Michigan. A final collaboration written by the pair, Get Over – which is speculated to have been written as a potential new track for The Immaculate Collection but was instead given to fellow Warner recording artist Nick Scotti – was released as a single in 1993, after first appearing on the Nothing But Trouble soundtrack in 1991.

Although no music video was produced for Keep It Together, the maxi-single – jam-packed with memorable remixes by Shep Pettibone and DJ Mark “The 45 King” with Stephen Bray – made the single a must-have for fans around the world. And despite its exclusion from her greatest hits releases, Madonna’s show-closing (and show-stopping) performance of the song during her legendary Blond Ambition Tour – and its accompanying documentary Truth Or Dare – has also served to keep the song alive in the hearts and minds of fans.

Today in Madonna History: December 13, 1990

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On December 13 1990, Blond Ambition World Tour Live was released exclusively on laserdisc by Pioneer Artists. It featured the final tour date, recorded on August 5th in Nice, France, which had been previously broadcast live on HBO.

The release was part of a special arrangement with Blond Ambition Tour sponsors Pioneer Artists as a means of promoting their struggling laserdisc format. The laserdisc went on to win a Grammy for Best Music Video – Long Form at the 34th Grammy Awards, which is notable for being Madonna’s first-ever Grammy win.

With the eventual demise of the laserdisc format, this landmark tour has never received a proper release on DVD or Blu-ray. Although widely bootlegged (in varying degrees of quality), it is currently unavailable to purchase in its entirety in any official form, much to the disappointment and frustration of fans. A 2012 Blu-ray release of the accompanying tour documentary Truth or Dare – which features a select number of performances from the tour filmed in stunning technicolour during her shows in Paris – failed to offer up any additional performances not already included within the documentary (a previous VHS release of Truth or Dare had included bonus performances of Hanky Panky and Like A Prayer).

Madonna’s current manager, Guy Oseary, and even Madonna herself, have acknowledged fans’ very vocal requests that the tour be properly released on an accessible format. Guy confirmed through his Twitter account in 2011 that a recent meeting with Warner had taken place concerning the reissuing of Madonna’s tours on DVD and that the talks were “a start”, but he also noted that the process would take time, as they did not know what footage remained available for a potential release, nor its condition. During a 2013 fan chat on Reddit when Madonna was asked about the possibility of a Blond Ambition Tour DVD release, she offered the terse response: “when I can find the tapes in the archives.”

Meanwhile, seemingly remastered audio/video footage of the Nice show mysteriously turned up on YouTube in 2013, along with the caption “Master submitted to Reliance Mediaworks in 2011. Full digital remaster, error correction, frame by frame color grading (RELM.NS) DTS-HD master audio from original stems (Nasdaq:DTSI).” The user uploading the footage appears to have created a YouTube account for the sole purpose of streaming the tour and does not reply to comments requesting further information on the source of the footage, making it difficult to ascertain its legitimacy. While there are noticeable signs of improvement in the audio mix, the video quality is inconsistent, with some shots showing improved colour grading and others appearing excessively dark and overly filtered. Whether the quality issues are the result of a highly compressed upload file or if they are evidence of its possible inauthenticity as an officially commissioned remaster are a matter of speculation.

Incidentally, Reliance MediaWorks’ parent company, Indian conglomorate Reliance ADA Group, is the major shareholder of IM Global, which provided financial backing and acquired international distribution rights for Madonna’s film W.E. in 2011.

The saga continues…

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