On December 12 2001, Madonna participated in a MSN Live Chat, to promote GHV2 (Greatest Hits Volume 2), which was released on November 12.
Here are some GHV2 related questions from Madonna’s fans and her answers from the live chat:
Do you think that the journey that the Immaculate Collection covers is greater than GHV2?
No, actually the opposite. I experienced a much greater journey later, and I was paying attention more.
Which song do you wish was on GHV2 but was left off?
I don’t. At the end of the day, if people want to hear a song, they can go get the record it was on. I don’t regret not having anything else on it (GHV2).
I am really pleased to have a new greatest hits collection from you but why aren’t there any new songs in GHV2?
Because they are my greatest hits. New songs would be false advertising because if it’s a new song, it wouldn’t be considered a greatest hit. That’s a little presumptuous isn’t it?
I found some Japanese expression in the cover of your GHV2. That reads “mo-dzi-ji-ra-mi-mi-dzi” (this is how we pronounce it). What does it mean?
It’s supposed to be my name in Japanese.
Madonna, thank you for joining us today to talk with your fans from around the world. Continued success with GHV2 and from all your fans and from all of us here on MSN, happiest of holidays.
Thank you! I enjoyed it immensely, happy holidays!
On November 30 2011, Kylie Minogue talked to Billboard magazine about Madonna, an artist she’s a huge fan of:
“I’m a massive Madonna fan, absolutely. I’ve only met her briefly. We have some friends in common and a message will go back and forth. ‘She says hi,’ or ‘I say hi.’ But, obviously how can you not love Madonna?”
On November 29 1994, Madonna: Innocence Lost, the made-for-TV movie based on Christopher Andersen’s 1991 book Madonna Unauthorized, premiered on Fox-TV. Madonna was played by 26-year-old newcomer Terumi Matthews.
Pop Matters had this to say about the TV movie:
Based on Christopher Andersen’s 1991 biography Madonna Unauthorized, the film’s introduction borrows verbatim from a three-page letter Madonna wrote to Stephen Jon Lewicki to appear in his 1979 underground feature A Certain Sacrifice. In it (and in the voiceover by Matthews), she writes, “I was born and raised in Detroit, Michigan where I began my childhood in petulance and precociousness. By the time I was in the fifth grade, I knew I wanted to be a nun or a movie star. Nine months in a convent cured me of the first disease. During high school I became slightly schizophrenic as I couldn’t choose between class virgin or the other kind. Both of them had their values as far as I could see.” It’s through quotes such as these that we are given the veracious-feeling lens of Madonna’s early days pre-New York and, subsequently, pre-fame.
On November 28 1993, Madonna’s Bye Bye Baby single was released in Japan to coincide with the Japanese leg of her Girlie Show world tour.
The 3″ CD snap pack included 2 tracks:
- Bye Bye Baby
- Rain (Radio Remix)
On November 27 2005, Confessions Of Madonna – a one-hour interview conducted by Dermot O’Leary which focused mainly on promoting the television broadcast of I’m Going To Tell You A Secret – aired on Channel 4 in the UK.
On November 26 1992, a Paris Catholic group called Avenir de la Culture (The Future Of Culture) filed 2 lawsuits against Madonna and her publisher for corrupting the French youth with pornography and to have all copies of the SEX book destroyed.
The lawyer representing the group had this to say about SEX:
“The book is part of a destructive trend which shocks the morals of young people.”
On November 25 1995, Madonna’s greatest ballads collection, Something To Remember, hit #6 on the Billboard Top 200 albums chart in the USA.
Madonna worked with David Foster on two of the three new songs for the collection: You’ll See and One More Chance.
Foster had this to say about working with Madonna:
“She had an amazing work ethic. She was on time every day and was really co-producing the songs with me. A lot of artists want to produce just because they can, and they don’t do a thing for the credit, which I really hate. But Madonna worked as hard as any producer I know … I liked the whole experience of working with her—the punctuality, the professionalism, and the sexiness.”