On May 6 1996, dance remixes of Love Don’t Live Here Anymore by Markus Schulz & C.L. McSpadden were released to clubs by Maverick Records on promotional twelve-inch vinyl & CD in the U.S.
Additional club remixes of the track by Mark Picchiotti were also issued in the U.K. as a twelve-inch white-label promo.
On May 18 2015, the remix EP for Ghosttown was released by digital retailers. The release followed the news that song had hit the number-one position on Billboard’s Hot Dance/Club chart. It became her 45th song to top the dance chart – the most number-ones for any artist on any Billboard chart.
01 – Ghosttown (Offer Nissim Drama Remix) – 07:17
02 – Ghosttown (Armand Van Helden Remix) – 06:16
03 – Ghosttown (S-Man Mix) – 06:08
04 – Ghosttown (Razor N Guido Remix) – 07:46
05 – Ghosttown (Mindskap Remix) – 05:35
06 – Ghosttown (Don Diablo Remix) – 04:47
07 – Ghosttown (Dirty Pop Intro Remix) – 05:20
08 – Ghosttown (DJ Mike Cruz Mix Show Edit) – 07:05
09 – Ghosttown (THRILL Remix) – 06:27
10 – Ghosttown (DJ Yiannis String Intro Mix) – 01:40
On April 11 2006, Confessions Remixed, a triple 12″ vinyl set compiling Confessions On A Dance Floor remixes by Stuart Price was released by Warner Bros. Records. The limited edition set was issued in the U.S. and in Europe with a reported run of 3,000 copies pressed.
Considering the fact that many record shops still carry new copies of the set, we wouldn’t be surprised if the actual run was 3,000 in the U.S. and another 3,000 in Europe. Or perhaps its lack of any previously unreleased remixes and roughly fifty-dollar price tag simply stirred limited interest.
On February 28 2006, the maxi-single for Sorry, the second single from Confessions on a Dance Floor, was released.
Sorry was one of the first tracks developed for Confessions on a Dance Floor. The songs were developed with a remixed perspective in mind. Madonna commented:
“Whenever I make records, I often like the remixes better than the original ones. So I thought, screw that. I’m going to start from that perspective”.
On January 30 1990, Keep It Together was released in North America as the fifth and final single from Like A Prayer. It also received a commercial release in Japan, Australia, Ecuador and the Philippines, while some European markets opted to include it as the b-side to Madonna’s next single, Vogue.
As fate would ironically have it, Madonna’s soulful ode to remembering ones roots would turn out to be the last Madonna-performed single co-written and co-produced with longtime collaborator Stephen Bray, whom she had befriended (or by some accounts, dated) during her days as a student at the University of Michigan. A final collaboration written by the pair, Get Over – which is speculated to have been written as a potential new track for The Immaculate Collection but was instead given to fellow Warner recording artist Nick Scotti – was released as a single in 1993, after first appearing on the Nothing But Trouble soundtrack in 1991.
Although no music video was produced for Keep It Together, the maxi-single – jam-packed with memorable remixes by Shep Pettibone and DJ Mark “The 45 King” with Stephen Bray – made the single a must-have for fans around the world. And despite its exclusion from her greatest hits releases, Madonna’s show-closing (and show-stopping) performance of the song during her legendary Blond Ambition Tour – and its accompanying documentary Truth Or Dare – has also served to keep the song alive in the hearts and minds of fans.
On September 18 2001, Impressive Instant was released as a promotional club single to DJs in the US. Written and produced by Madonna & Mirwais Ahmadzaï, the track is bright and uplifting in its content and composition. Originally intended to be the fourth single of the Music album, a commercial release was cancelled due to a disagreement between Madonna and her recording company.
Potentially fearing the track as being too experimental to garner significant airplay, Warner had instead showed interest in releasing Amazing as the fourth single. If hopes were that it would replicate the airplay success of her similar-sounding summertime hit Beautiful Stranger several years prior, Madonna was reportedly less enthusiastic about repeating herself. Promotional copies of Amazing were issued in Germany, Spain, Columbia and Israel before Warner seemingly pulled the plug on pushing the song – perhaps at Madonna’s insistence. In the end, the rift reportedly resulted in neither track being released commercially, making Music her first studio album (excluding I’m Breathless) to spawn only three commercial singles.
Remixes that had been commissioned for Impressive Instant by the late Peter Rauhofer were finally released to clubs as a promotional single at the tail end of her successful Drowned World Tour.
Official Peter Rauhofer promotional remixes of Impressive Instant :
- Peter Rauhofer’s Universal Club Mix (aka Remix #1)
- Peter Rauhofer’s Universal Dub
- Peter Rauhofer’s Universal Radio Mixshow Mix
- Peter Rauhofer’s Drowned World Dub
- Peter Rauhofer’s Drowned World Dub Part 2
- Remix #2