On July 4 2009, the Sticky & Sweet Tour‘s 2009 extension began with the first of two sold out dates at London’s O2 Arena.
In January 2009, following the completion of European, North American and South American legs of the massively successful 2008 Sticky & Sweet Tour, it was confirmed that Madonna would extend the tour during the Summer of 2009 with a second European leg before concluding with two dates in Israel in September. The itinerary for the extension consisted largely of markets where Madonna either hadn’t previously performed or hadn’t visited in many years.
In a January 2009 interview with Billboard.com, Live Nation chairman Arthur Fogel commented on the extended run of the tour:
“It absolutely has not happened in the four tours I’ve been involved with, […] There has been talk [of extending] during each one, but it has never come to be. But with this one, she loves the show, she’s had a great time and she’s excited about playing new markets. […] We went to quite a few markets she has never played or hasn’t been to in 15-plus years. This [extension] is really a continuation of that in the sense of playing new and different markets. [The six-month break] is a long hiatus, but everybody was excited to continue. […] So we basically worked out the arrangements for all the performers, crew and equipment and we’ll be ready to go.”
The extension’s opening night and all subsequent dates featured three song changes to the original setlist: Holiday replaced Heartbeat, a guitar-heavy version of Dress You Up took the place of Borderline, and the non fan-favorite “rock version” of Hung Up was dropped in favour of a much more pleasing, club-ready mash-up of Frozen with I’m Not Alone by Calvin Harris (which also threw in snippets of Open Your Heart).
Madonna also included a special tribute to Michael Jackson during Holiday, as well as a quote attributed to him at the end of Frozen (the lyrics quoted from his song Man In The Mirror were in fact written by Madonna’s occasional backing singer, Siedah Garrett, if you want to get technical). At the time of his passing Jackson had been scheduled to begin a run of comeback concerts at the O2 Arena, beginning the week after Madonna’s shows at the venue.
(Thanks to Michael aka MykillICON for the video footage and pictures!)
On June 15 1991, Madonna’s Holiday was re-released in the UK to promote both The Immaculate Collection and the limited edition EP, The Holiday Collection.
This was the third release for Holiday in the UK:
- January 1984 (reached #6)
- August 1985 (reached #2, while #1 was Madonna’s own Into The Groove)
- June 15 1991 (reached #5)
If Madonna were to release another greatest hits album and decided to re-release a classic hit, which song would you choose?
On June 8 1991, Madonna’s Holiday debuted at #12 in the UK. It was the third time that Holiday was released in the UK, this time to promote The Holiday Collection.
The first time the song was released in the UK it peaked at 6. The second time it was released it peaked at number 2, only to be kept away from number 1 by her own Into the Groove. The 1991 released peaked at number 5 during the week of June 15.
On April 20 1991, Rescue Me peaked at #3 on the UK Singles Chart after making its debut at #4 the previous week. It slid to #5 in its third week before falling out of the Top 10.
Rescue Me was the third single release from The Immaculate Collection in the UK, where it was issued in between re-releases of Crazy For You and Holiday.
Because the photo on international pressings of Rescue Me had already graced the cover of the Crazy For You reissue, Warner UK chose to market the single using an alternate shot taken from Jean-Baptiste Mondino’s June 1990 spread in Harper’s Bazaar. Ironically, the international Rescue Me cover photo was snapped on the set of the Mondino-directed music video for Justify My Love, although not by Mondino himself. It was instead photographed by another (future) Madonna music video director, Stephane Sednaoui.
On January 23 1988, Madonna’s You Can Dance remix album hit #14 (and peaked) on the Billboard 200 chart.
Here is Stephen Thomas Erlewine’s review (from AllMusic.com) of You Can Dance:
Released in 1987 as a stopgap, the remix album You Can Dance reworks material from Madonna’s first three albums. Actually, it keeps the spotlight on her first record, adding non-LP singles like “Into the Groove” for good measure, along with a bonus track of “Where’s the Party.” Since it’s a dance album, it doesn’t matter that “Holiday” and “Into the Groove” are here twice, once each in dub versions, because the essential grooves and music are quite different in each incarnation. It is true that some of this now sounds dated — these are quite clearly extended mixes from the mid-’80s — but that’s part of its charm, and it all holds together quite well. Not essential, but fun.