Today in Madonna History: August 15, 1992

On August 15 1992, This Used To Be My Playground spent the first of three weeks at #1 on the RPM Canadian Top 100 Singles chart. In RPM’s year-end tally of the biggest hits of 1992 in Canada, the hit placed at #8.

This Used To Be My Playground was written by Madonna, Shep Pettibone & Tony Shimkin (although he was not originally credited) and produced by Madonna & Pettibone.

In an interview with the fan site MadonnaTribe, Shimkin recalled a last-minute dash to complete the recording of the song’s orchestral parts:

“When we recorded it with Al Schmidt at Ocean Way studio in L.A., we had a 30-piece orchestra and Jeremy Lubbock did the string arrangements, (but) we never included the demo that had the solo string part in it when we had him chart everything out for the orchestra,” revealed Shimkin. “On the day we were recording, we thought we were done and realized we forgot the solo. I quickly sang the part to the copyist, who then charted it out for the violin players, and they got it recorded with one minute to spare on the clock. When you have a thirty piece orchestra, it can be super expensive to roll into a second hour of their time!”

Today in Madonna History: August 8, 1992

Madonna - This Used To Be My Playground - Front (2-2) Madonna - This Used To Be My Playground - Back (2-2)

On August 8 1992, Madonna’s This Used to Be My Playground (and the theme song for A League of Their Own) hit number-one on the Billboard Hot 100 in the USA, becoming Madonna’s tenth chart-topping single, breaking her tie with Whitney Houston to become the female artist with the most number-one singles at that time.

The song was written and produced by Madonna and Shep Pettibone, and recorded prior to final sessions for Madonna’s 1992 studio album Erotica. Together with Rain and In This Life, This Used To Be My Playground is one of three Pettibone collaborations from the Erotica sessions that was not co-written with Tony Shimkin, according to the ASCAP database.

Today in Madonna History: June 8, 1992

erotica early lyrics 2 erotica diaries 2 erotica diaries 3 erotica diaries 1 erotica diaries 4 erotica diaries 5

On June 8 1992, Madonna began recording sessions for the Erotica album at Soundworks, in New York.

While the writing and recording of Madonna’s previous albums had typically unfolded rather quickly, Erotica marked a change of pace in the creation of a Madonna record. Songwriting sessions for the set had occurred sporadically throughout the previous year with Shep Pettibone, Tony Shimkin and Andre Betts, in between movie projects and photo shoots for her upcoming coffee table book, Sex.

In contrast to the slick production qualities of the albums that preceded it, Madonna wanted Erotica to feature a darker, more gritty and less polished sound. This led to the decision to carry over many of the original demo vocals recorded during the songwriting process at Shep’s home studio to the final versions, with mainly lyrical additions/changes, musical overdubs, background vocals and final mixing taking place during the sessions at Soundworks.

One notable change that did occur in these final recording sessions was Madonna’s decision to swap her original lyrics for the song Goodbye To Innocence (which had gone through various incarnations in an attempt to keep the track off the cutting room floor) with the lyrics of the torch classic, Fever.  An earlier arrangement of Goodbye To Innocence with lyrics intact was later featured on the pro-choice compilation album, Just Say Roe, while a dub version of the same arrangement was retitled Up Down Suite when it appeared as a b-side on the Rain maxi-single. Another rough demo of the same track (streaming above), which is referred to as the “Straight Pass” mix on its original submission for copyright registration (which indicates that mixing of the track had not been finalized and that it is not mastered), leaked to file sharing services in February, 2008.

The “Straight Pass” mix bears some similarity to another unreleased track that was discarded early in the recording sessions, You Are The One. Aside from the lyrical paradox (with “You are the one” flipped to “I am the one”), both feature samples from Arabic singer Fairuz that would be reworked into the released version of the Erotica album’s title track and lead single.

Today in Madonna History: May 16, 1988

On May 16 1988, Madonna’s Spotlight reached a peak of #3 on the Oricon International Singles Chart in Japan. The single was released on 7″ vinyl and 3″ mini CD single by Sire and Warner-Pioneer Japan on April 25 1988.

Spotlight was originally planned to be included on the True Blue album, but was cut from the line-up and eventually appeared on Madonna’s You Can Dance remix album, released on November 17 1988.

The song was written by Madonna, Stephen Bray and Curtis Hudson.  The song was remixed by Shep Pettibone, with additional mixing done by John “Jellybean” Benitez.

Today in Madonna History: April 7, 1990

On April 7 1990, Madonna’s Vogue single was briefly reviewed in Billboard magazine.

Vogue’s early release to radio and the addition of its music video to MTV’s playlist were also noted in the same issue.

Today in Madonna History: December 16, 1989

On December 16 1989, Billboard magazine’s dance music section reported that Madonna had written and recorded a new song with Shep Pettibone titled Vogue. The article noted that the track was set to appear on the b-side of Madonna’s next single, Keep It Together.

These plans would soon change when it was decided that Vogue had too much hit potential to be released as a b-side, and it would instead be issued as a single in its own right once Keep It Together had run its course on the charts. In Europe, where Keep It Together was not promoted as a single, it would in fact be used as the b-side to Vogue.

Vogue would go on to become the best-selling physical single of Madonna’s career.

Today in Madonna History: November 15, 1993

On November 15 1993, Madonna’s Bye Bye Baby was released as the sixth and final single from the Erotica album. The single was released to coincide with the start of the Australian leg of The Girlie Show World Tour. In addition to Australia, Bye Bye Baby was also given a limited release in Germany and Japan.

Bye Bye Baby was written by Madonna, Shep Pettibone and Anthony Shimkin and was produced by Madonna and Shep.

Official remixes for Bye Bye Baby include:

  • N.Y. Hip Hop Mix – 3:51
  • California Hip Hop Jazzy – 3:43
  • Madonna’s Night On the Club – 5:16
  • Rick Does Madonna’s Dub – 6:20
  • House Mix – 3:50
  • Madonna Gets Hardcore – 4:24
  • Tallahassee Pop – 3:48

%d bloggers like this: