On March 14 1998, Madonna’s Ray of Light album was reviewed in Billboard magazine.
The Ray of Light album would debut at #2 in the U.S. the following week, being held back from the top spot by the blockbuster soundtrack for the film, Titanic.
Meanwhile in Canada, the album would enter the chart at #1, pushing Titanic into the runner-up position.
On January 20 2001, Madonna’s Don’t Tell Me hit #1 on Billboard’s Hot Dance/Club Play chart in the U.S.
The following week the song would slide to #2 in Club Play while the maxi-single would debut at #20 on the Maxi-Single Sales chart.
On December 21 2014, Madonna hit #1 on iTunes in 36 countries around the world with the release of six songs from her forthcoming album, Rebel Heart. In virtually every country the songs were released, they held six of the ten slots on the iTunes Top 10 chart. In seven of those countries, she had multiple #1’s across various iTunes charts. The lead single Living for Love topped the iTunes chart in twenty counties.
The other tracks made available for immediate download were: Ghosttown, Devil Pray, Unapologetic Bitch, Illuminati & Bitch I’m Madonna.
News of the surprise drop came when Madonna posted a link on Instagram late the previous night announcing the release as “an early Christmas gift” to those who pre-ordered the album. Fans immediately went to iTunes and drove the songs to the top of iTunes charts around the globe. Instantaneously Rebel Heart exploded on social media with the album topping the Billboard Trending 140 chart.
The early release of six songs from Rebel Heart came on the heels of a series of leaks which forced Madonna and her team to quickly devise a new marketing plan for the album.
On December 2 2000, Madonna’s Don’t Tell Me single was reviewed by Chuck Taylor in Billboard magazine.
Don’t Tell Me was Madonna’s final single to be released on cassette in the U.S. In the U.K., Warner Bros. issued Madonna’s next two singles in the format, with the last being 2002’s Die Another Day. In Canada – the first market to regularly issue Madonna’s singles on cassette (beginning with the cassette maxi-single for Angel in 1985) – her final cassette single was 1995’s Bedtime Story, while her final cassette maxi-single was 1994’s I’ll Remember.
On November 24 1984, Madonna’s Like A Virgin album was reviewed in Billboard magazine.
Check out Malcolm Middleton’s excellent cover of Stay, a pre-fame Madonna & Stephen Bray collaboration that later became the closing track on Like A Virgin:
On October 29 1983, Madonna’s Holiday entered the Billboard Hot 100 US singles chart at #88.
Holiday was released on September 7, 1983, and became Madonna’s first hit single, reaching a peak of #16 on January 18, 1984.
Since arriving on the Hot 100 with Holiday, Madonna has earned a total of 56 chart hits (so far), including a record 38 top 10 singles. Madonna has more top 10 hits than any other artist in the 55-year history of the chart. The Beatles are in second place, with 34 top 10 hits.
Lyrics:
Holiday
Celebrate
Holiday
Celebrate
If we took a holiday
Took some time to celebrate
Just one day out of life
It would be, it would be so nice
Everybody spread the word
We’re gonna have a celebration
All across the world
In every nation
It’s time for the good times
Forget about the bad times, oh yeah
One day to come together to release the pressure
We need a holiday
If we took a holiday
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Holiday)
It would be, it would be so nice
If we took a holiday
(Oo yeah, oo yeah)
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Just one day out of life)
It would be, it would be so nice
You can turn this world around
And bring back all of those happy days
Put your troubles down
It’s time to celebrate
Let love shine
And we will find
A way to come together
Can make things better
We need a holiday
If we took a holiday
(Holiday)
Took some time to celebrate
(Come on let’s celebrate)
Just one day out of life
(Just one day out of life)
It would be, it would be so nice
Oo yeah, oo yeah
Come on, lets celebrate
We have got to get together
Holiday
Celebrate
Holiday
Celebrate
If we took a holiday
(Oh yeah, oh yeah)
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Holiday)
It would be, it would be so nice
Holiday
(Oo yeah, oo yeah)
Celebrate
(Come on, let’s celebrate)
Holiday
(Just one day out of life)
Celebrate
(It would be so nice)
Holiday
(Holiday, celebration)
Celebrate
(Come together in every nation)
Celebrate
(Holiday, celebration)
Holiday
(Come together in every nation)
Holiday
Celebrate
Holiday
Celebrate
Holiday
(We got to get together)
Celebrate
(Take some time to celebrate)
Holiday
(Just one day out of life)
Celebrate
(It would be so nice)
Holiday
(Holiday, celebration)
Celebrate
(Come together in every nation)
Holiday
(Holiday, celebration)
On October 17 1987, Billboard magazine featured a two-page spread taken out by Madonna’s manager, Freddy DeMann, thanking everyone involved with Madonna’s massively successful Who’s That Girl World Tour, which had wrapped up in Europe the month before.
In the same issue of Billboard, Chart Beat columnist Paul Grein marked Madonna’s 13th consecutive top-5 hit as Causing A Commotion moved into the #5 position on the Hot 100. Speculating on how long Madonna’s winning streak could last, he warned of the dangers of over-exposure and artistic complacency. Without the benefit of hindsight, the back-handed compliment and slightly patronizing advice is not altogether unreasonable, and is certainly not unusual for the time.
Less reasonable, however, is his summation that the severity of Madonna’s potential fall from grace would be compounded by the abundance of female singers of the era who “sound like Madonna”.
Because you know, all female singers are only that – female singers. Even though you’re co-writing and co-producing your own songs and radio can’t get enough, neither can your audience or even your peers, you’re breaking records set by top male and female artists alike, you’re selling out stadiums around the world and earning high praise as a live performer – don’t think any of these things should afford you any respect. You may not have entered the business through the back door and you may have paid your dues and then some, but you’ve still just been lucky, that’s all. You couldn’t possibly possess the talent or the drive to evolve or the insight to be able to stay in the game once your luck runs out. Even though you are the one that everyone is copying – you’re still just another female singer, and they’re a dime a dozen.
While we no longer need hindsight to spot the glaring absurdity and blatant sexism of such an argument today, would it be as obvious if Madonna hadn’t stuck around to dispel it?
Today In Madonna History 