On October 30 1995, You’ll See was released as the first single from the ballads compilation, Something To Remember. It was one of three tracks written and produced by Madonna with Canadian songwriter David Foster during a marathon writing/recording session in late September 1995, with One More Chance also making the album’s final cut. A shelved collaboration entitled I Can’t Forget was recorded by British electronic group Tilt (retitled Come Closer) in 2006 and later by Canadian vocalist Angelica Di Castro. Madonna’s original unreleased demo leaked to the internet in 2010.
A Spanish version of You’ll See entitled Verás (featuring lyrics by Paz Martinez) was recorded during a brief promotional push for the album and was included on the North American maxi-single alongside an instrumental version and a live recording of Live To Tell (taken from 1987’s Ciao Italia! concert release). An alternate version of the You’ll See video was serviced to Latin markets to promote Verás featuring in-studio footage of Madonna recording its vocals.
On March 19 1996, Madonna’s cover of Rose Royce’s Love Don’t Live Here Anymore was released as the fourth single from her Something To Remember greatest ballads collection.
The song originally appeared on the Like A Virgin album.
The idea to cover the song was Michael Ostin’s (head of the A&R department at Warner Bros. Records).
In author Warren Zane’s book Revolutions in Sound: Warner Bros. Records, the First 50 Years, he recalled:
“I had the good fortune of finding material that Madonna really responded to, Love Don’t Live Here Anymore for instance, which was the old Rose Royce record. I was driving into work one day and heard it on the radio, I called producer Nile Rodgers and Madonna, they were in the studio. I said, ‘I have an idea, you know the old Rose Royce record, ‘Love Don’t Live Here Anymore‘? Why don’t you try and record a version of it for Like a Virgin?” Initially both Rodgers and Madonna were apprehensive of tackling an already well-known ballad, but in the last minute they decided that if Madonna wanted to bring diversity to the album, there could be no better song than ‘Love Don’t Live Here Anymore’.
On December 2 1995, Madonna appeared on the cover of NME (New Music Express) magazine. The cover/interview was part of the Something To Remember promotional plan.
Here are a few questions from the interview:
Is ‘You’ll See’ about revenge?
“No, It’s about empowering yourself. As much as I like a song like ‘Take A Bow’, lyrically it only reflects one side of my personality. I have that side which in completely masochistic and willing to, literally, do anything for love. But there’s another side too which is – ‘Don’t f*** with me, I don’t need anybody. I can do what I want’ and ‘You’ll See’ reflects that.”
Are you getting harder as you get older?
“No, just wiser. I’ve read a couple of reviews that say I’m getting harder in my old age but I don’t think that’s true at all. I think that you can’t help but become a little cynical about life and love but I’m still a romantic, I’m still an idealist. I fall in love quite easily so I don’t think I’ve gotten harder at all. It’s just another thing for people to mention when they want to undermine who I am and what I say. Some people have a really hard time resisting thinking in a one-dimensional way in general.”
For a woman whose first hit was a song about holidays, Madonna implies that she is singularly bad at taking them.
“I despise anyone who looks at me and my lifestyle and thinks – ‘Oh God! Her life is so easy!’ Like I was born into it and it happened overnight. Bullshit! I work so f**ing hard.”
Nor is she deluded about her commercial ranking. Though still one of the most famous women in the world – most people have forgotten more about Madonna than they achieve in their entire lives – her record sales don’t always reflect this.
“I’ve gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I’ve always had a core of fans who’ve stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.”
Does this bother you?
“No. I may not be as popular as I once was but people are starting to pay attention to my music and respect me as an artist more.”
Have you lost your nerve at any point over the years?
“Absolutely!” she laughs. “I panic every time I put out a record. I think every artist does. Every time you have a Number One record you think., ‘Well that was great but I’ll probably never be able to do it again’. It’s never-ending.”