Today in Madonna History: May 30, 1987

On May 30th 1987, Breakfast Club scored their biggest hit as Right On Track peaked at #7 on the Billboard Hot 100.

Madonna became a member of Breakfast Club in late 1979, first as a drummer before branching out to keyboards and guitar, all the while sharing vocal duties (and living quarters) with her boyfriend, Dan Gilroy, and his brother Ed.

Bassist Gary Burke left Breakfast Club with Madonna and Mike Monahan to form Emmy with Stephen Bray in early 1981.

As Madonna was achieving success as a solo artist, Burke and Bray rejoined the Gilroy brothers for Breakfast Club’s 1984 single, Rico Mambo, on ZE Records, followed by a self-titled LP for MCA Records in 1987.

In yet another Madonna connection, Re-Invention Tour back-up singer/dancer Siedah Garrett makes an appearance in the video for Right On Track and also provided backing vocals for the song.

 

Today In Madonna History: August 2, 1985

A Certain Sacrifice (1985)Madonna & Pattnoshmadonna - bruna

On August 2 1985, Madonna lost a court battle against director Stephen Jon Lewicki over the video release of A Certain Sacrifice. The low-budget indie film starring Jeremy Pattnosh and Madonna was shot sporadically over a two-year period in New York City between 1979 and 1981. The film also featured Madonna’s former Breakfast Club bandmate Angie Smit in a minor role.

Madonna was said to have been unhappy with the inclusion of several topless scenes in the film, although it has also been reported that despite instigating the court case, her lawyers did not present much of an argument during the proceedings, leading some to speculate that she had no serious interest in blocking the release of the film. After a limited number of screenings in New York in October 1985, the film was quickly issued on home video and laserdisc in order to capitalize on Madonna’s fame. In more recent years, the film has been reissued on DVD.

Lewicki was not the only person attached to the film who was attempting to hitch a ride on Madonna’s wave of success in the mid 1980’s. While it is unclear whether he was involved as an extra or behind the scenes, top Madonna mooch Otto Von Wernherr is also thanked in the film’s credits. It does not appear that any of his music was used in the film, which for once is actually unfortunate because Von Wernherr’s songs would have sounded right at home alongside the truly bizarre musical selections, including several by Pattnosh, that are showcased throughout A Certain Sacrifice.  Perhaps it was Lewicki’s fringe fetish that ruled out the possibility of using any of Madonna’s pre-Warner tunes in the film?

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