Tag Archives: Music Videos
Today in Madonna History: September 29, 2009
On September 29 2009, Madonna and Warner Bros. released Celebration: The Video Collection. The greatest videos DVD collection accompanied the Celebration greatest hits collection.
Celebration: The Video Collection continued on from Madonna’s other video compilations The Immaculate Collection and The Video Collection 93:99.
Celebration: The Video Collection debuted at the top of the Billboard Top Music Videos chart. It was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies across United States.
The cover for Celebration: The Video Collection was created by street pop artist Mr. Brainwash who is best known for “throwing modern cultural icons into a blender and turning it up to eleven”.
The DVD collection was released in two different versions, both are double disc releases:
- Keep case — DVD size packaging
- DVD Digipak — CD size packaging
This video collection received mixed reviews from critics and fans when it was released. While the inclusion of videos that were left off her previous retrospectives were certainly appreciated, many felt that the set’s exclusion of several notable clips (with Oh Father, Bad Girl, Drowned World/Substitute For Love & Nothing Really Matters among its most glaring omissions) kept it from being the definitive overview it was touted to be.
Another point of contention was the use of cheaper single-layer versus double-layer DVD’s, the latter of which would have allowed for the inclusion of the three additional clips noted above (which would have rounded out the total number of clips to a nice even fifty) and corrected the compression issues that marred the image quality of many videos. Indeed, the varying picture quality from clip to clip and minimal effort given to ensuring overall quality control left the product with a distinctly “budget” feel that had some fans wondering whether the grainy, test-pattern-infused artwork for the set was perhaps a bit too fitting.
Surely, Madonna’s pioneering work in the medium and the perfectionist spirit that helped make these works so compelling deserve a comprehensive retrospective of the highest quality.
Did you feel this release was worthy of celebration or would you have made changes to it? With recent innovations in digital distribution, would you appreciate an official reissue of Madonna’s entire music video catalogue – from her first clip, Everybody, through to her latest, Batuka – as high quality digital downloads? Clips could be sold individually for a few dollars each or bundled into era sets that could be downloaded through Madonna’s official website, with proceeds benefiting one of her charities. Would you support such an initiative if the highest quality control standards were met and no corners were cut? Perhaps this would prove to be an ideal avenue for her to finally market long-requested, definitive versions of her previously unavailable or out-of-print live concert films as well.
Today in Madonna History: September 28, 2005
On September 28 2005, Madonna’s official website confirmed that Johan Renck would direct the music video for Hung Up, the lead single from Confessions On A Dance Floor.
Photographer David LaChapelle had initially signed on to direct but dropped out of the project during pre-production after a disagreement with Madonna over the video’s creative direction.
Renck had previously collaborated with Madonna in 1999 when he directed the video for Nothing Really Matters.
Today in Madonna History: August 20, 1995
On August 20 1995, Human Nature was released in Europe as the final single from the Bedtime Stories album.
In North America, Human Nature had been rush-released two months earlier in an attempt to re-engage radio programmers after a particularly poor reception to the Bedtime Story single – which had been virtually ignored by most stations who instead kept their focus on Madonna’s previous radio smash hit, Take A Bow.
Today in Madonna History: August 19, 1997
On August 19 1997, Buenos Aires (from Evita) was released as a promo-only single to club DJs and radio stations in the USA to promote Evita on video.
Here is a full listing of the different mixes of Buenos Aires:
World Mix Edit
World Mix Edit – Shorter
Te Amo 12″ Extended Vocal Version
Te Amo 12″ Extended Instrumental Version
Te Amo 12″ TV Dub
Te Amo 12″ Acapella Version
Te Amo Single Edit
Te Amo Radio Version
Today in Madonna History: August 15, 1992
On August 15 1992, This Used To Be My Playground spent the first of three weeks at #1 on the RPM Canadian Top 100 Singles chart. In RPM’s year-end tally of the biggest hits of 1992 in Canada, the hit placed at #8.
This Used To Be My Playground was written by Madonna, Shep Pettibone & Tony Shimkin (although he was not originally credited) and produced by Madonna & Pettibone.
In an interview with the fan site MadonnaTribe, Shimkin recalled a last-minute dash to complete the recording of the song’s orchestral parts:
“When we recorded it with Al Schmidt at Ocean Way studio in L.A., we had a 30-piece orchestra and Jeremy Lubbock did the string arrangements, (but) we never included the demo that had the solo string part in it when we had him chart everything out for the orchestra,” revealed Shimkin. “On the day we were recording, we thought we were done and realized we forgot the solo. I quickly sang the part to the copyist, who then charted it out for the violin players, and they got it recorded with one minute to spare on the clock. When you have a thirty piece orchestra, it can be super expensive to roll into a second hour of their time!”
Today in Madonna History: July 25, 1998
On July 25 1998, the music video for Drowned World/Substitute For Love premiered in Europe. The video was directed by Walter Stern and was filmed on June 26 & 27 1998 at London’s famous Claridge’s Hotel and Piccadilly Circus.
The video caused some controversy when the British press reported that it would feature scenes of Madonna’s car being chased by paparazzi on mopeds, concluding that it was a reference to the death of Diana, Princess of Wales, the previous year. Liz Rosenberg responded by denying that the scenes were intended to draw comparison to Diana’s death and insisting that the video was about Madonna’s own relationship with fame.
Sadly the video was not serviced to video channels in North America, and with online steaming and downloadable videos not yet prevalent at the time, most fans outside of Europe were only able to enjoy the video for the first time when it appeared on the 93:99 video collection over a year later.





















