Today in Madonna History: December 10, 1992

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On December 10 1992, Madonna’s Erotica single was certified gold in the USA for the shipment of 500,000 units.

In 2011, Slant Magazine listed Erotica at number thirty-four on their list “The 100 Best Singles of the 1990s”, stating that Madonna’s “throaty” delivery throughout the song was effective in making the lyrics “incredibly honest”. The magazine went on to say that Madonna’s “invitation to the dance, a slithering, sinister snake rising from a gaudily ornate chalice. The beats are, by design, hypnotic—at once alluring and devious. With Erotica, Madonna promises to get you off, but not without giving you something”.

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Today in Madonna History: December 9, 2003

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On December 9 2003, Madonna’s Nothing Fails CD maxi-single (featuring remixes of Nobody Knows Me) was released in the USA.

The CD included the following remixes:

  1. Nothing Fails (Peter Rauhofer’s Classic House Mix)
  2. Nothing Fails (Nevins Big Room Rock Mix)
  3. Nothing Fails (Tracy Young’s Underground Mix)
  4. Nothing Fails (Nevins Global Dub)
  5. Nothing Fails (Jackie’s In Love in the Club Mix)
  6. Nobody Knows Me (Peter Rauhofer’s Private Life Part 1)
  7. Nobody Knows Me (Above & Beyond 12″ Mix)
  8. Nobody Knows Me (Mount Sims Italo Kiss Mix)

Were CD single designers on strike when this was released? What happened to cool designs for singles? Lame lame lame ..  

Today in Madonna History: December 8, 2003

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On December 8 2003, Love Profusion was released as the final U.K. single from the American Life album. The track was written and produced by Madonna & Mirwais.

 

Today in Madonna History: December 7, 1990

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On December 7 1990, Madonna’s Justify My Love was released as the first-ever video single, priced at $9.98.

The music video was considered too sexually explicit for MTV and was banned from the network. Madonna responded to the banning: “Why is it that people are willing to go and watch a movie about someone getting blown to bits for no reason at all, and nobody wants to see two girls kissing and two men snuggling?”

On December 3, 1990, ABC’s Nightline played the video in its entirety, then interviewed Madonna live about the video’s sexual content and censorship. When asked whether she stood to make more money selling the video than airing it on MTV, she appeared impatient and answered, “Yeah, so? Lucky me.” She also expressed during the interview that she did not understand why the video was banned, while videos containing violence and degradation to women continued to receive regular airplay. The video was then released on VHS, and became a bestselling “video single” of all time.

The Justify My Love maxi-single was an especially memorable one, featuring remixes by future songwriting collaborators William Orbit and Andre Betts, a Q-Sound mix, a remix by Madonna & Lenny Kravitz titled The Beast Within which featured Madonna reciting passages from the Book of Revelations, and a new Shep Pettibone remix of Express Yourself.

A second Justify My Love remix by Andre Betts, titled The English Mix, was sadly shelved but eventually surfaced on bootlegs and the internet, in varying degrees of quality.

Today in Madonna History: December 6, 1992

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On December 6 1992, Madonna bought a 1920’s mansion on Mulholland Drive overlooking Hollywood for $5 million. The nine-story, 8,000 square foot home with nine bedrooms and six baths was previously owned and used as a gambling den by Bugsy Siegel, the original owner of the Flamingo Casino and Hotel in Las Vegas.

Soon after buying the mansion, called Castillo del Lago, Madonna had it painted with pink and yellow stripes, making it both hated by neighbours and easy to locate by both fans and stalkers. Christopher Ciccone, Madonna’s brother and former interior designer, says the stripes were inspired by a church in Portofino.

The home gave Madonna a 300-degree view of Los Angeles and the ocean. Designed by John De Lario, it was completed in 1926.

Today in Madonna History: December 5, 1996

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On December 5 1996, The Making of Evita book was released.

The introduction was written by Madonna.  Director Alan Parker wrote about the the trials, tribulations and triumphs he and the cast endured to bring the musical to the big screen.

Here’s an excerpt from Alan Parker’s essay on the making of Evita:

For fifteen years I watched as the film of Evita was about to be made, and the various press releases were printed in the media. I have been furnished with the various news clippings from those years, and would first like to mention the stars that would supposedly be starring in the film. They include: Elaine Paige, Patti LuPone, Charo, Raquel Welch, Ann-Margret, Bette Midler, Meryl Streep, Barbra Streisand, Liza Minnelli, Diane Keaton, Olivia Newton-John, Elton John, John Travolta, Pia Zadora, Meat Loaf, Elliott Gould, Sylvester Stallone, Barry Gibb, Cyndi Lauper, Gloria Estefan, Mariah Carey, Jeremy Irons, Raul Julia and Michelle Pfeiffer. And then there were the directors: Ken Russell, Herb Ross, Alan Pakula, Hector Babenco, Francis Coppola, Franco Zeffirelli, Michael Cimino, Richard Attenborough, Glenn Gordon Caron and Oliver Stone.

So why didn’t it get made until now? And with none of the individuals mentioned above? I’m sure I don’t know. All I do know is that all those years, I sort of regretted saying no to Robert in that dusty street. So I was glad that everything came full circle when I was asked to make the film again by Robert Stigwood and Andy Vajna at the end of 1994.

When I began work on the film, the incumbent actress to play Evita was Michelle Pfeiffer. She had waited such a long time to do the film that she had even had a baby in the meantime. I met with Michelle, whom I greatly admire, and it was clear that with two small children she wasn’t about to embark on the long Lewis and Clark journey I had in mind—a long way from the comfort of nearby Hollywood sound stages. While spending Christmas in England in 1994, I received out of the blue a letter from Madonna. (I had developed a remake of The Blue Angel with her some years previously, but it had bitten the Hollywood dust.) Her handwritten, four-page letter was extraordinarily passionate and sincere. As far as she was concerned, no one could play Evita as well as she could, and she said that she would sing, dance and act her heart out, and put everything else on hold to devote all her time to it should I decide to go with her. And that’s exactly what she did do. (Well, she didn’t put everything on hold, as she did get pregnant before we finished filming).

You can watch a making of Evita documentary from Alan Parker’s official website.

Today in Madonna History: December 4, 2011

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On December 4 2011, shoe designer John Fluevog told the Calgary Herald’s Theresa Tayler that he never expected that Madonna would pay her respects by whipping out a pair of shoes he had gifted to her, putting them on during a scene in her infamous, documentary Truth Or Dare.

“Yah like ‘em?!” she said, as she flirted with the camera, showing off the “Munster” platforms.  At the time, it was a massive publicity break for the respected, but still little-known, Canadian designer.

Fluevog told Tayler that he rarely tells the story of how Madge ended up with a pair of his kicks:

“I don’t really like giving away shoes. It’s not what I do. This is a business. One night I was watching Madonna on one of those American talk shows. She was being very naughty, talking about spankings and saying all of these silly things. I thought, this is a game player. Her whole thing is a game. She needs a pair of my shoes.”

Fluevog then sent one of Madonna’s stylists a pair of his shoes and he never heard back.

“Not a thank you, not anything. Then, someone told me she wore them in the movie . . . I didn’t like Madonna’s game. I found it annoying, but I respected what she was doing.  The movie moment was a game-changer for Fluevog.  Things exploded for us. It was all a bit of shock to me.”