On December 5 1996, The Making of Evita book was released.
The introduction was written by Madonna. Director Alan Parker wrote about the the trials, tribulations and triumphs he and the cast endured to bring the musical to the big screen.
Here’s an excerpt from Alan Parker’s essay on the making of Evita:
For fifteen years I watched as the film of Evita was about to be made, and the various press releases were printed in the media. I have been furnished with the various news clippings from those years, and would first like to mention the stars that would supposedly be starring in the film. They include: Elaine Paige, Patti LuPone, Charo, Raquel Welch, Ann-Margret, Bette Midler, Meryl Streep, Barbra Streisand, Liza Minnelli, Diane Keaton, Olivia Newton-John, Elton John, John Travolta, Pia Zadora, Meat Loaf, Elliott Gould, Sylvester Stallone, Barry Gibb, Cyndi Lauper, Gloria Estefan, Mariah Carey, Jeremy Irons, Raul Julia and Michelle Pfeiffer. And then there were the directors: Ken Russell, Herb Ross, Alan Pakula, Hector Babenco, Francis Coppola, Franco Zeffirelli, Michael Cimino, Richard Attenborough, Glenn Gordon Caron and Oliver Stone.
So why didn’t it get made until now? And with none of the individuals mentioned above? I’m sure I don’t know. All I do know is that all those years, I sort of regretted saying no to Robert in that dusty street. So I was glad that everything came full circle when I was asked to make the film again by Robert Stigwood and Andy Vajna at the end of 1994.
When I began work on the film, the incumbent actress to play Evita was Michelle Pfeiffer. She had waited such a long time to do the film that she had even had a baby in the meantime. I met with Michelle, whom I greatly admire, and it was clear that with two small children she wasn’t about to embark on the long Lewis and Clark journey I had in mind—a long way from the comfort of nearby Hollywood sound stages. While spending Christmas in England in 1994, I received out of the blue a letter from Madonna. (I had developed a remake of The Blue Angel with her some years previously, but it had bitten the Hollywood dust.) Her handwritten, four-page letter was extraordinarily passionate and sincere. As far as she was concerned, no one could play Evita as well as she could, and she said that she would sing, dance and act her heart out, and put everything else on hold to devote all her time to it should I decide to go with her. And that’s exactly what she did do. (Well, she didn’t put everything on hold, as she did get pregnant before we finished filming).
You can watch a making of Evita documentary from Alan Parker’s official website.
Today In Madonna History 
The Making of Evita is a brilliant Madonna book-and Evita is a brilliant Madonna movie!
Madonna made a horrible choice when she stopped acting. She may have had a couple of bad films like Shanghai Surprise and A Certain Sacrifice, but she was very good in Evita, Snake Eyes and Swept Away. I think the critics brainwashed everyone when a Madonna film came out because they already labeled it bad. Her music from the films was even better, and since 2011 we haven’t had another film song. After Madonna left Warner her career has we stagnant. I don’t see her touring, filming or making much music as the new decade dawns.
It’s too bad The Blue Angel was never remade with Madonna. She would have played the Marlene Dietrich role well. There’s still time! Madonna looks younger now than she did 20 years ago, and with all those blood transfusions she’s having these days, she’ll look even younger when she goes onstage again soon.