On June 23 1990, Madonna’s I’m Breathless: Music from and Inspired by the Film Dick Tracy hit #2 on the Billboard Top 200 Albums Chart in the USA.
After the filming of Dick Tracy was complete, Madonna began work on the film’s soundrack, with songwriter Stephen Sondheim, producer Patrick Leonard and engineer Bill Bottrell. She also worked with producer Shep Pettibone on the album’s first single, Vogue. The album was recorded within three weeks in California.
On June 7 1986, Madonna’s Live To Tell hit #1 on the Billboard Hot 100 in the USA, giving Madonna her third #1 single.
Written by Madonna and Patrick Leonard, Live To Tell was Madonna’s fourth soundtrack song in two years (Crazy For You, Into The Groove, Gambler + Live To Tell), and it was also the lead single from Madonna’s True Blue album.
What is your favourite Madonna soundtrack song?
On February 25 1987, Madonna’s La Isla Bonita was released as the fifth and final single from the True Blue album.
An instrumental version of the song, written by Bruce Gaitsch, was first offered to Michael Jackson for his Bad album, but Jackson declined to use the track.
While working with Patrick Leonard on the True Blue album, Madonna accepted the instrumental track and then wrote the lyrics and melody, giving her a co-writing credit with Leonard and Gaitsch. The track was also produced by Madonna and Patrick Leonard.
On March 13 1999, Madonna’s The Power of Good-Bye, fell to #63 on the Billboard Hot 100 Single Sales chart, spending its final week on the chart (after 22 weeks).
The Power of Good-Bye was written by Madonna and Rick Nowels. The song was produced by Madonna, William Orbit, Patrick Leonard with string arrangements by Craig Armstrong.
Rick said this of the hit song:
“The lyrics to The Power Of Good-Bye are stunning. I love Madonna as an artist and a songwriter… She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer… She doesn’t get the credit she deserves as a writer.”
On February 23 1998, Frozen was released by Maverick records as the lead single from Madonna’s seventh studio album, Ray of Light. The song was written by Madonna & Patrick Leonard and was produced by Madonna, Leonard & William Orbit.
Madonna has mentioned that she considers Frozen as part of a thematic trilogy with The Power Of Good-Bye and To Have And Not To Hold. In an interview with Barry Walters for Spin magazine, Madonna commented on the inspiration behind the song:
“I was so obsessed with the movie The Sheltering Sky and that whole Moroccan/orchestral/super-romantic/man-carrying-the-woman-he-loves-across-the-desert vibe. So I told [Patrick Leonard] that I wanted something with a tribal feel, something really lush and romantic. When he started playing some music, I just turned the DAT on and started free-associating and came up with the melody.”
Initially unsure of which song should be released as the album’s first single, Madonna was eventually convinced by Warner Bros. executives that Frozen would be a perfect way to bridge the Adult Contemporary leanings of her most recent hits (Take A Bow, You’ll See and the singles from Evita) with the more cutting-edge, electronic sounds of Ray Of Light.
On January 12 1988, Possessive Love, a song written by Madonna, Patrick Leonard & Jai Winding and performed by Marilyn Martin was released as the lead single from Martin’s second album for Atlantic Records, This Is Serious. Martin is perhaps best known for her chart-topping duet with Phil Collins, Separate Lives. Though Possessive Love failed to make any chart impact, Madonna’s involvement in the song has kept it from being completely forgotten.
In an interview by Breathe Cast writer Timothy Yap, Martin was asked about the circumstances surrounding the song:
I met Pat Leonard when I began the search for a producer for my second album. He’s the one who approached Madonna with the idea of writing a song for me and she graciously agreed. Pat called me one day while he was working on her Like a Prayer album and asked if I would like to come and sing backgrounds [on Cherish]. Talk about an ‘Are you kidding?’ moment! That was the only time I met her. She was impressive to say the least. Very in charge. She absolutely knows her mind and insists on her music being true to her vision. She was very focused and a tad intimidating, but that’s not surprising given her amazing success over the years. I thought it was pretty cool that before agreeing to write Possessive Love for me to sing on my album she asked Pat Leonard if I was a nice person.”
Martin’s claim that the song was written specifically for her rather than being a leftover from one of Madonna’s album sessions is likely accurate, given the fact that Winding was never involved in songwriting sessions for any of Madonna’s albums. Winding’s involvement as a musician in the Who’s That Girl Tour suggests that the song may have been written at some point during the 1987 tour.
The sentiments expressed in Possessive Love appear to align with the issues Madonna was reportedly facing in her marriage to Sean Penn at the time, with reports of their initial separation dominating the tabloids in late 1987. Madonna would revisit and further elaborate on her marital woes on the Like A Prayer album track, Til Death Do Us Part, which was written later in 1988.
On December 12 1986, Open Your Heart was released in North America as the fourth single from True Blue. The song was written by Madonna, Gardner Cole & Peter Rafelson and produced by Madonna & Patrick Leonard.
The single’s worldwide b-side, White Heat, an album track from True Blue, developed a relatively high profile due to its inclusion as the flip-side to two of Madonna’s #1 hits–the aforementioned Open Your Heart and 1987’s Who’s That Girl, released only six months apart. Gaining further exposure as a set-list staple during the Who’s That Girl Tour, the live performance of White Heat foreshadowed some of the dramatic elements that Madonna would expand upon in future tours.
White Heat’s original submission for copyright was registered to Madonna & Leonard under the working title Get Up, Stand Tall with a 1985 date of creation. Notes from the registration on file also list the title Dangerous–but it is likely just another working title that was being considered rather than a separate recording. White Heat is thought to have been among the earliest songwriting collaborations between Madonna & Leonard to be completed, coming shortly after their first composition, Love Makes The World Go Round, surfaced during Live Aid in the summer of 1985. The sequence of the registration numbers for the two songs suggests that they may they have been completed within a month or two of each other. Madonna’s version of Open Your Heart (which she revised from the Cole/Rafelson demo) is also thought to have been recorded with Leonard during the same time period.
The liner notes of True Blue dedicated White Heat to actor James Cagney, who in 1949 played ruthless, deranged gang leader Arthur “Cody” Jarrett in the Warner Brothers film, White Heat. Several clips of Cagney’s dialogue from the original motion picture were used in the song for dramatic effect.
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