Today in Madonna History: May 5, 2024

On May 5, 2024, social media and news outlets buzzed with reports of Madonna’s historic concert the previous night. Madonna’s Celebration Tour culminated in a spectacular finale on Saturday night, electrifying Brazil’s Copacabana beach with an unprecedented show destined to carve its place in pop music history. As the sun dipped below Rio de Janeiro’s iconic skyline, an astonishing 1.6 million passionate fans gathered to experience the tour’s grand conclusion, turning the sandy beach into a vibrant wave of enthusiasm and adoration.

From die-hard enthusiasts who had staked their claim for prime viewing spots hours, even days in advance, to affluent aficionados who anchored their boats near the shore, every corner of Copacabana was abuzz with anticipation. Firefighters sprayed cooling mists to alleviate the sweltering heat, ensuring the comfort of the thronging masses as temperatures soared.

At precisely 10:40 p.m., the Queen of Pop herself, Madonna, took to the stage, casting her spell over the ecstatic multitude with an electrifying performance that spanned over two hours. Amidst a cacophony of cheers, she belted out timeless classics like “Like a Prayer,” “Vogue,” and “Express Yourself,” enrapturing the audience with her timeless charisma and boundless energy.

Madonna’s poignant words resonated deeply as she basked in the ethereal beauty of Rio, declaring, “Here we are, in the most beautiful place in the world, with the ocean, the mountains, Jesus. Magic.” Joined by Brazilian luminaries Anitta and Pabllo Vittar, as well as rising talents from local samba schools, Madonna orchestrated a mesmerizing symphony of music and spectacle, transcending boundaries of culture and geography.

As the final notes of “Live to Tell” reverberated into the night sky, accompanied by poignant imagery honoring those lost to AIDS, Madonna’s indelible legacy as the reigning Queen of Pop illuminated the hearts of her audience, serving as a beacon of inspiration for generations past, present, and future.

This historic event not only marked the culmination of Madonna’s monumental Celebration Tour but also etched a new pinnacle in her storied career. With an estimated 1.6 million attendees, surpassing all previous records, the magnitude of her influence and enduring appeal was unequivocally reaffirmed.

In terms of sales, the tour amassed an impressive $225,580,345 in revenue, with an average of $2,819,754 per show. A total of 1,127,658 tickets were sold, averaging 14,096 tickets per show. The average ticket price stood at $200.04, reflecting the demand and excitement surrounding Madonna’s performances. Additionally, all 80 shows reported sold-out crowds, further cementing Madonna’s status as a global icon.

Rio’s preparations for this monumental occasion underscored the economic and cultural significance of the event, with forecasts predicting a substantial boost to the local economy and a surge in tourism. Amidst the logistical challenges akin to New Year’s Eve festivities, stringent security measures ensured the safety of attendees, with a formidable contingent of military and police personnel deployed to maintain order.

Sponsored by Itaú Apresenta, Madonna’s free concert was a heartfelt gesture of gratitude to her legions of fans, a testament to her unwavering commitment to the artistry that has defined her illustrious career spanning four decades.

Full Set List:

Act I

  • It’s a Celebration (with Bob the Drag Queen)
  • Nothing Really Matters
  • Everybody
  • Into the Groove
  • Burning Up
  • Open Your Heart
  • Holiday

Act II

  • The Storm
  • Live to Tell
  • The Ritual (Dancers interlude)
  • Like a Prayer

Act III

  • Living for Love
  • Erotica
  • Justify My Love
  • Hung Up
  • Bad Girl

Act IV

  • Ballroom (Dancers interlude)
  • Vogue (with Anitta)
  • Human Nature (Shortened)
  • Crazy for You (Shortened)

Act V

  • The Beast Within
  • Die Another Day
  • Don’t Tell Me
  • This Little Light of Mine (Acapella snippet)
  • Express Yourself (Acoustic; extended outro)
  • La Isla Bonita
  • Music (with Pabllo Vittar)

Act VI

  • Madonna (video interlude)
  • Bedtime Story
  • Ray of Light
  • Rain

Act VII

  • Billie Jean / Like a Virgin
  • Bitch I’m Madonna
  • Celebration (shortened instrumental outro)

Today In Madonna History: February 13, 1999

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On February 13 1999, Madonna’s music video for Nothing Really Matters premiered on MTV.

The video was directed by Johan Renck and filmed in January 1999 at the Silvercup Studios in Long Island City, New York.

The kimono Madonna wore in the video was created by Jean-Paul Gaultier.  

Madonna stated that the inspiration behind the video was from the 1996 novel Memoirs of a Geisha. Madonna later stated; “The whole idea of a geisha is a straight metaphor for being an [entertainer] because, on one hand you’re privileged to be a geisha, but on the other hand you’re a prisoner.” Madonna also choreographed her own moves on the video, as she stated “I don’t like how other people say how I should move, I’m my own best choreographer.”

Today in Madonna History: January 9, 1999

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On January 9 1999, Madonna began filming the music video for Nothing Really Matters at Silvercup Studios in the Long Island City neighborhood of Queens in NYC.

The imagery in the video was inspired by Arthur Golden’s 1997 bestselling novel, Memoirs Of A Geisha. It marked Madonna’s first collaboration with Swedish director Johan Renck, who had been introduced to Madonna by Ray Of Light video director, Jonas Åkerlund.

Today In Madonna History: March 29, 1999

On March 29 1999, Nothing Really Matters peaked at #7 on the Canadian Top 100 Singles chart (RPM).

Warner Music Canada issued Nothing Really Matters as a CD maxi-single and as a two-track CD single featuring the b-side, To Have And Not Hold. While their U.S. counterparts were housed in “FLP” and “draw pack” sleeves, in Canada standard jewel cases with inserts were used for both configurations.

Today in Madonna History: March 14, 1998

On March 14 1998, Madonna’s Ray of Light album was reviewed in Billboard magazine.

The Ray of Light album would debut at #2 in the U.S. the following week, being held back from the top spot by the blockbuster soundtrack for the film, Titanic.

Meanwhile in Canada, the album would enter the chart at #1, pushing Titanic into the runner-up position.

Today in Madonna History: March 13, 1999

On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.

Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.

The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.

An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.

Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.

Today in Madonna History: February 20, 1999

On February 20 1999, Madonna began rehearsals for her performance of Nothing Really Matters at the Grammys with Donna De Lory and Niki Haris. It marked their first live performance together since The Girlie Show Tour in 1993.