On April 1, 2003, Madonna pulled the American Life video and released a statement explaining why:
“I have decided not to release my new video. It was filmed before the war started and I do not believe it is appropriate to air it at this time. Due to the volatile state of the world and out of sensitivity and respect to the armed forces, who I support and pray for, I do not want to risk offending anyone who might misinterpret the meaning of this video.”
The video was directed by Jonas Åkerlund.
On March 25 1995, Madonna’s Bedtime Story music video was featured in an article in Billboard magazine.
The article focused on Warner’s decision of previewing the video in movie theaters, which was a new marketing strategy that had not been attempted previously.
On March 17 1999, Madonna won Best Dance Artist – Solo and Best Dance Video (Ray Of Light) at the 14th annual International Dance Music Awards at the Winter Music Conference in Miami, Florida.
On March 8 1988, Papa Don’t Preach was released in the CD Video format in the U.S.
The CD Video format, introduced in Japan in 1987, combined the technologies of the standard audio compact disc with LaserDisc video on a 5″ gold-coloured disc.
The Papa Don’t Preach CD Video (which was also released in Japan and in the U.K.) included the song’s 1986 music video together with the 7″ Version, 12″ Version and the U.S. b-side Pretender on the audio portion of the disc. It was Madonna’s only commercial release in the short-lived format.
On January 3 2003, Madonna.com announced: “Madonna’s next album is scheduled to be released in April, and there is no title as of yet. The video for the first single will be shot in February and will be directed by Jonas Akerlund. The album cover will be shot next week by Craig McDean (he also did the Vanity Fair Madonna cover).”
On December 24 1995, Oh Father was released as the second UK single from Madonna’s ballads retrospective, Something To Remember.
Warner had initially declined the option to release Oh Father in most European markets when it became the fourth North American single from Like A Prayer in late 1989, instead opting for a more by-the-numbers portrait of childhood innocence with the release of Dear Jessie. Why it was determined to be a better idea in 1995, following its poor showing on the U.S. charts, is anyone’s guess. One possibility is that Oh Father‘s brilliant preexisting music video provided an easy, cost-free means of promoting the song while Madonna remained unavailable due to her recording commitments for the Evita soundtrack.
While I would personally rank Oh Father among Madonna’s very best musical and lyrical efforts, and its music video an underrated classic – it never had the makings of a commercial hit. And history repeated itself when the song’s dark subject matter once again stunted its ability to gain momentum on radio for its British release. It became only her third UK single at the time to peak outside the top-ten when it stalled at #16 in its first charting week. It fared better in Finland and Italy, however, reaching #6 in both countries.
On December 20 2005, Madonna’s official website confirmed that Jamie King would direct the music video for Sorry, the second single from Confessions On A Dance Floor.
The video was conceived as a sequel to the album’s first single, Hung Up.
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