Tag Archives: Angel
Today in Madonna History: June 15, 1985

On June 15 1985, Madonna’s Angel peaked at #5 on the Canadian Top 100 Singles Chart (RPM magazine).
Angel was written by Madonna and Stephen Bray and produced by Nile Rodgers for the Like A Virgin album.

Today in Madonna History: December 2, 2000

On December 2 2000, Madonna’s Don’t Tell Me single was reviewed by Chuck Taylor in Billboard magazine.
Don’t Tell Me was Madonna’s final single to be released on cassette in the U.S., while Warner Bros. U.K. would issue Madonna’s next two singles in the format, with the last being 2002’s Die Another Day.
In Canada – the first market to consistently issue Madonna’s singles in the format (the cassette maxi-single of Angel was the first in 1985) – her final cassette single was 1995’s Bedtime Story and her last cassette maxi-single was 1994’s I’ll Remember.
Today in Madonna History: July 23, 1985
On July 23 1985, Into The Groove was released as a single in the UK.
Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.
Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.
In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.
Today in Madonna History: June 1, 1985
On June 1 1985, Warner Bros. and Sire Records took out a centerfold ad in Billboard magazine to celebrate the resounding success of Madonna’s first concert trek, The Virgin Tour.
Featuring the cover image from her then-current single, Angel, as a backdrop, the spread cheekily alluded to Madonna’s “virgin” moniker with the caption:
“You were wonderful! We’re proud of you. Congratulations on your first tour.
– Warner Bros. and Sire records.”
Today in Madonna History: July 6, 1985
On July 6 1985, Angel/Into The Groove reached #1 on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.
Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the U.S. club promo 12-inch contained Angel on both sides.
Despite her U.S. label’s apparent attempt to underexpose Into The Groove in order to keep the focus on her Like A Virgin album, its inclusion on the Angel commercial single unquestionably helped to propel the release to the top of the Dance chart. With the video in heavy rotation on MTV, radio DJ’s had to procure the commercial 12″ of Angel in order to appease heavy listener requests for Into The Groove, since radio promo pressings of Angel featured the Remix/Edit on the flip-side instead.






