Today in Madonna History: August 8, 1992

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On August 8 1992, Madonna’s This Used to Be My Playground (and the theme song for A League of Their Own) hit number-one on the Billboard Hot 100 in the USA, becoming Madonna’s tenth chart-topping single, breaking her tie with Whitney Houston to become the female artist with the most number-one singles at that time.

The song was written and produced by Madonna and Shep Pettibone, and recorded prior to final sessions for Madonna’s 1992 studio album Erotica. Together with Rain and In This Life, This Used To Be My Playground is one of three Pettibone collaborations from the Erotica sessions that was not co-written with Tony Shimkin, according to the ASCAP database.

Today in Madonna History: August 7, 1991

On August 7 1991, Madonna attended the Paris is Burning premiere in Los Angeles.

According to IMDB, the film is about:

A chronicle of New York’s drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.

Today in Madonna History: August 6, 2009

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On August 6 2009, Madonna performed her Sticky & Sweet Tour in Helsinki, Finland.  Madonna performed for a sold-out crowd of 85,354 fans, generating $12,18,455 in ticket sales.

Did you like the changes made to the 2009 version of the tour? 

Today in Madonna History: August 5, 2008

On August 5 2008, Madonna’s Give It 2 Me was released as a CD maxi-single by Warner Bros. Records in the U.S. It included amazing club remixes by Eddie Amador, Paul Oakenfold, Fedde Le Grand, Tong & Spoon, Jody den Broeder, and a ragga mix by Sly & Robbie.

The single was also issued in the U.S. as a double-vinyl 12-inch set, a 12-inch vinyl picture disc and as a double-vinyl 7-inch set coupled with her previous single, 4 Minutes. Though no Canadian pressings of the single were issued, the U.S. CD maxi-single was distributed to Canadian retailers with a Warner Music Canada special import sticker.

Give It 2 Me was the second single from Hard Candy. It was written by Madonna & Pharrell Williams with production by Madonna & The Neptunes. An early demo version of the song with alternate lyrics, titled Infinity, would eventually surface online.

Today in Madonna History: August 4, 2002

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On August 4 2002, Madonna took delivery of a $40,000 Mini Cooper.

Workers at the Cowley car plant in Oxfordshire gave it the personal touch by signing their names on the underside of the chassis. A worker at the Mini Cooper car plant said: “We are all so proud that Madonna is such a big fan of the car. Everyone who worked on it left their signature, either inside or under the bonnet. If anyone doubted this was a classy car before, they can certainly think again now Madonna has bought one.”

A custom Mini Cooper later appeared in the American Life music video, and promotional mini versions (no pun intended) were distributed when the American Life album was released.

Today in Madonna History: August 3, 2012

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On August 3 2012, Madonna’s Turn Up The Radio was released as the third single from the MDNA album in the United Kingdom.

The examiner reviewed the single and noted:

Turn Up the Radio should have been the first single, not the third. The song is light, fun and has a killer hook.

In a world where ageism doesn’t exist, Turn Up the Radio would become one of the biggest pop anthems ever. It certainly competes with Madonna’s other classic songs such as Vogue, Holiday, and Into the Groove. However, we live in a world where a new song from a singer over 40 (particular a female singer) is not welcome at contemporary radio.

Today In Madonna History: August 2, 1985

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On August 2 1985, Madonna lost a court battle against director Stephen Jon Lewicki over the video release of A Certain Sacrifice. The low-budget indie film starring Jeremy Pattnosh and Madonna was shot sporadically over a two-year period in New York City between 1979 and 1981. The film also featured Madonna’s former Breakfast Club bandmate Angie Smit in a minor role.

Madonna was said to have been unhappy with the inclusion of several topless scenes in the film, although it has also been reported that despite instigating the court case, her lawyers did not present much of an argument during the proceedings, leading some to speculate that she had no serious interest in blocking the release of the film. After a limited number of screenings in New York in October 1985, the film was quickly issued on home video and laserdisc in order to capitalize on Madonna’s fame. In more recent years, the film has been reissued on DVD.

Lewicki was not the only person attached to the film who was attempting to hitch a ride on Madonna’s wave of success in the mid 1980’s. While it is unclear whether he was involved as an extra or behind the scenes, top Madonna mooch Otto Von Wernherr is also thanked in the film’s credits. It does not appear that any of his music was used in the film, which for once is actually unfortunate because Von Wernherr’s songs would have sounded right at home alongside the truly bizarre musical selections, including several by Pattnosh, that are showcased throughout A Certain Sacrifice.  Perhaps it was Lewicki’s fringe fetish that ruled out the possibility of using any of Madonna’s pre-Warner tunes in the film?