
During the week of March 27 1999, Madonna’s The Power Of Good-Bye spent a final week on Billboard’s Hot Adult Contemporary chart in the USA.

During the week of March 27 1999, Madonna’s The Power Of Good-Bye spent a final week on Billboard’s Hot Adult Contemporary chart in the USA.
On March 13 1999, Madonna’s The Power of Good-Bye, fell to #63 on the Billboard Hot 100 Single Sales chart, spending its final week on the chart (after 22 weeks).
The Power of Good-Bye was written by Madonna and Rick Nowels. The song was produced by Madonna, William Orbit, Patrick Leonard with string arrangements by Craig Armstrong.
Rick said this of the hit song:
“The lyrics to The Power Of Good-Bye are stunning. I love Madonna as an artist and a songwriter… She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer… She doesn’t get the credit she deserves as a writer.”
On February 13 1999, Madonna’s music video for Nothing Really Matters premiered on MTV.
The video was directed by Johan Renck and filmed in January 1999 at the Silvercup Studios in Long Island City, New York.
The kimono Madonna wore in the video was created by Jean-Paul Gaultier.
Madonna stated that the inspiration behind the video was from the 1996 novel Memoirs of a Geisha. Madonna later stated; “The whole idea of a geisha is a straight metaphor for being an [entertainer] because, on one hand you’re privileged to be a geisha, but on the other hand you’re a prisoner.” Madonna also choreographed her own moves on the video, as she stated “I don’t like how other people say how I should move, I’m my own best choreographer.”
On January 9 1999, Madonna began filming the music video for Nothing Really Matters at Silvercup Studios in the Long Island City neighborhood of Queens in NYC.
The imagery in the video was inspired by Arthur Golden’s 1997 bestselling novel, Memoirs Of A Geisha. It marked Madonna’s first collaboration with Swedish director Johan Renck, who had been introduced to Madonna by Ray Of Light video director, Jonas Åkerlund.
On July 24 1999, Beautiful Stranger reached its peak position of #19 on the Billboard Hot 100. This was based on the strength of airplay alone, as Maverick Records opted to boost sales of the Austin Powers: The Spy Who Shagged Me soundtrack album by not releasing the song as a physical single in the US. Had it been issued commercially, it would have easily given Madonna another Top 10 hit. The single was released in most major markets outside the US including Canada, Europe, Australia and Japan.