Today in Madonna History: December 22, 1986

On December 22 1986, an exclusive interview with Madonna conducted by Simon Bates was broadcast on BBC Radio 1 in the U.K.

Madonna discussed her upbringing, her formative years as an artist, her work ethic, her marriage with Sean Penn, the press, Shanghai Surprise and more.

Listen to the full broadcast interview here:

Today in Madonna History: December 21, 2014

On December 21 2014, Madonna hit #1 on iTunes in 36 countries around the world with the release of six songs from her forthcoming album, Rebel Heart. In virtually every country the songs were released, they held six of the ten slots on the iTunes Top 10 chart. In seven of those countries, she had multiple #1’s across various iTunes charts. The lead single Living for Love topped the iTunes chart in twenty counties.

The other tracks made available for immediate download were: Ghosttown, Devil Pray, Unapologetic Bitch, Illuminati & Bitch I’m Madonna.

News of the surprise drop came when Madonna posted a link on Instagram late the previous night announcing the release as “an early Christmas gift” to those who pre-ordered the album. Fans immediately went to iTunes and drove the songs to the top of iTunes charts around the globe. Instantaneously Rebel Heart exploded on social media with the album topping the Billboard Trending 140 chart.

The early release of six songs from Rebel Heart came on the heels of a series of leaks which forced Madonna and her team to quickly devise a new marketing plan for the album.

Today in Madonna History: December 16, 1989

On December 16 1989, Billboard magazine’s dance music section reported that Madonna had written and recorded a new song with Shep Pettibone titled Vogue. The article noted that the track was set to appear on the b-side of Madonna’s next single, Keep It Together.

These plans would soon change when it was decided that Vogue had too much hit potential to be released as a b-side, and it would instead be issued as a single in its own right once Keep It Together had run its course on the charts. In Europe, where Keep It Together was not promoted as a single, it would in fact be used as the b-side to Vogue.

Vogue would go on to become the best-selling physical single of Madonna’s career.

Today in Madonna History: December 10, 1983

On December 10 1983, Madonna was featured on the back cover of Billboard magazine with the caption: “A Star Is Born!”

Very perceptive, Billboard! Bravo!

Today in Madonna History: December 9, 1989

On December 9 1989, Madonna was featured in a two-page spread in Billboard magazine, paid for by her record company and management, congratulating her on being named Artist of the Decade by Musician magazine.

Madonna’s September 1989 performance of Express Yourself at the MTV VMA’s perfectly encapsulates the sentiments expressed in the tribute. As her only live performance that year, it only hinted at Madonna’s next mission: to revolutionize the concert touring industry.

Today in Madonna History: November 30, 1980

On November 30 1980, Madonna’s band, Emmy, recorded a four-song studio demo which was later distributed on TDK cassettes around New York City.

Band member and songwriting partner, Stephen Bray, was asked to describe what he remembered from these songs in a 1998 interview with Bruce Baron for Goldmine magazine, and he commented on each this way:

  • (I Like) Love For Tender – “Sort of our Byrds thing. Nice song, arrangement was too long though.”
  • No Time – “This was a giddy, up-tempo romp with drums and rhythm section stuff inspired by the fast playing Police and XTC attitude, but with a pop top.”
  • Bells Ringing – “Our most psychedelic number I recall, too long again. It had a definite Stones-ish attitude.”
  • Drowning – “The best tune of the moment, I always thought.”

Today in Madonna History: November 29, 1986

On November 29 1986, Billboard’s dance music editor Brian Chin reported on the postponed Madonna remix project, You Can Dance.

While a release the following spring would also come to pass, the accuracy of details regarding the album’s content would suggest it was already in the can a year ahead of its eventual release.

An early preview would be granted for one of the remixes, albeit in live form, when Madonna’s Who’s That Girl World Tour performance of Into The Groove the following summer would borrow heavily from Shep Pettibone’s remix for You Can Dance.