Today in Madonna History: May 9, 2020

On May 9 2020, Stephen Bray posted this message in celebration of the 31st anniversary of Madonna’s Express Yourself single:

So many great memories — from recording the demo tracks and vocals at the home studio in Sherman Oaks to all the great players (Pat Leonard, Randy Jackson, and many others) at Pat’s studio in Burbank. Thank you Madonna for bringing so much spirited fire to the lead — and for forcing me to sing the bass part I’d earmarked for Levi Stubbs! The genius of Bill Bottrell raised the ante and it just kept getting better with Shep Pettibone’s amazing remix and David Fincher’s Metropolis music video. Happy 31st Birthday, Express Yourself!

Today in Madonna History: March 17, 1994

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On March 17 1994, the music video for I’ll Remember (Theme From With Honors) premiered on BBC1-TV’s Top Of The Pops in the UK.

I’ll Remember began as a collaboration between Richard Page (of 80’s band Mister Mister) and Patrick Leonard. Leonard had been asked by Madonna to score Alek Keshishian’s film With Honors, and had also been collaborating with Page on an upcoming Toy Matinee album. When Leonard played an early demo of I’ll Remember for Madonna, she loved it and decided to record it with new lyrics she had written. The song was produced by Madonna & Patrick Leonard, with Page providing additional backing vocals.

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Madonna had previously crossed paths with Richard Page when he presented her with a trophy at the 1987 American Music Awards (pictured above).

Today in Madonna History: March 13, 1999

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On March 13 1999, Madonna’s The Power of Good-Bye, fell to #63 on the Billboard Hot 100 Single Sales chart, spending its final week on the chart (after 22 weeks).

The Power of Good-Bye was written by Madonna and Rick Nowels.  The song was produced by Madonna, William Orbit, Patrick Leonard with string arrangements by Craig Armstrong.

Rick said this of the hit song:

“The lyrics to The Power Of Good-Bye are stunning. I love Madonna as an artist and a songwriter… She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer… She doesn’t get the credit she deserves as a writer.”

Today In Madonna History: March 8, 1994

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On March 8 1994, Madonna’s I’ll Remember (Theme From The Motion Picture With Honors) single was released.

I’ll Remember was written by Madonna, Patrick Leonard, and Richard Page.

It later appeared on Madonna’s ballads collection, Something to Remember.

Today in Madonna History: February 25, 1987

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On February 25 1987, Madonna’s La Isla Bonita was released as the fifth and final single from the True Blue album.

An instrumental version of the song, written by Bruce Gaitsch, was first offered to Michael Jackson for his Bad album, but Jackson declined to use the track.

While working with Patrick Leonard on the True Blue album, Madonna accepted the instrumental track and then wrote the lyrics and melody, giving her a co-writing credit with Leonard and Gaitsch. The track was also produced by Madonna and Patrick Leonard.

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Today in Madonna History: February 20, 1986

On February 20 1986, Madonna and Sean Penn attended the premiere of his film At Close Range at the Berlin Film Festival in Berlin, Germany.

Madonna contributed Live To Tell to the At Close Range soundtrack. Live To Tell was written by Patrick Leonard and Madonna, and was released as the first single from her True Blue album in March 1986.

Today in Madonna History: January 12, 1988

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On January 12 1988, Possessive Love, a song written by Madonna, Patrick Leonard & Jai Winding and performed by Marilyn Martin was released as the lead single from Martin’s second album for Atlantic Records, This Is Serious. Martin is perhaps best known for her chart-topping duet with Phil Collins, Separate Lives. Though Possessive Love failed to make any chart impact, Madonna’s involvement in the song has kept it from being completely forgotten.

In an interview by Breathe Cast writer Timothy Yap, Martin was asked about the circumstances surrounding the song:

I met Pat Leonard when I began the search for a producer for my second album. He’s the one who approached Madonna with the idea of writing a song for me and she graciously agreed. Pat called me one day while he was working on her Like a Prayer album and asked if I would like to come and sing backgrounds [on Cherish]. Talk about an ‘Are you kidding?’ moment! That was the only time I met her. She was impressive to say the least. Very in charge. She absolutely knows her mind and insists on her music being true to her vision. She was very focused and a tad intimidating, but that’s not surprising given her amazing success over the years. I thought it was pretty cool that before agreeing to write Possessive Love for me to sing on my album she asked Pat Leonard if I was a nice person.”

Martin’s claim that the song was written specifically for her rather than being a leftover from one of Madonna’s album sessions is likely accurate, given the fact that Winding was never involved in songwriting sessions for any of Madonna’s albums. Winding’s involvement as a musician in the Who’s That Girl Tour suggests that the song may have been written at some point during the 1987 tour.

The sentiments expressed in Possessive Love appear to align with the issues Madonna was reportedly facing in her marriage to Sean Penn at the time, with reports of their initial separation dominating the tabloids in late 1987. Madonna would revisit and further elaborate on her marital woes on the Like A Prayer album track, Til Death Do Us Part, which was written later in 1988.