On September 30 2006, Madonna appeared on the cover of Madame Figaro (France) magazine. Madonna was dressed in Jean-Paul Gautier, with photos by Jean-Baptiste Mondino. You’ll recognize that she wore the costume for Future Lovers, from The Confessions Tour, for this photo shoot.
On September 21 1989, Madonna was featured on the cover of Rolling Stone magazine for the second time that year (she was also featured on the cover in March 1989).
Herb Ritts took some amazing shots of Madonna for the cover. We’ve shared a few of what we consider to be the best from that shoot. We can’t look at these photos without hearing Cherish in our heads!
On August 3 1991, Madonna was featured on the cover of TV Guide.
On July 24 1991, Madonna appeared on the cover of Just Seventeen (UK) magazine. We go Maddie mad!!
On July 8 1996, Madonna appeared on the cover of People magazine in a feature called, Bringing Up Babies: As Clocks Tick and Instincts Prevail, Stars Single and Married are Heeding the Nesting Urge.
What do you think Madonna’s career would be like if she hadn’t had children?
On May 26 1997, Madonna appeared on the cover of People magazine as part of the “New Sexy Moms” feature.
Here’s an excerpt from the article:
Even Madonna, who moved a month before Lourdes’s birth from her Hollywood Hills mansion to a more baby-friendly one-story spread in a quieter neighborhood, is becoming downright strait-laced. “TV is poison,” saying that she would forbid Lourdes to watch it. “To be plopped in front of a television instead of being read to or talked to or encouraged to interact with other human beings is a huge mistake.”
On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.
Here’s a snippet from the interview featured in the magazine:
Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…
“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.
Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”
Today In Madonna History 