Today in Madonna History: November 2, 1992

On November 2 1992, Madonna appeared on the cover of Newsweek magazine, with the headline: The Selling of Sex – The New Voyeurism.

Here’s a snippet of the article inside, written by John Leland:

What if Madonna gave a sexual bonfire and nobody came? In the quiet before the inevitable storm a few weeks back, NEWSWEEK asked Madonna about the possibility of failure or, more grievous, inconsequence. What if she released “Sex“—her explicit coffee-table book of erotic photos and writings, celebrating sadomasochism, homosexuality, exhibitionism and other pansexual delights-and the public merely yawned? “If everybody yawned,” she said, armed for this and other contingencies, “I’d say hooray. That means something happened.”

It was one of those neat identity makeovers for which Madonna is justly renowned: after coloring the last nine years with her determination to engage our attention at all costs, here she was, Florence Nightingale, dutiful erotic night nurse, content to slip into the shadows once her services were no longer needed, the patient cured. Now that’s what you call spin.

But for Madonna and for the rest of us, this was no lark. A deft little way to make some money and grab some spotlight, “Sex” also promised our first barometric reading of a turbulence boiling in American culture. Call it the new voyeurism: the middlebrow embrace, in the age of AIDS, of explicit erotic material for its own sake. From Mapplethorpe to MTV, from the Fox network to fashion advertising, looking at sex is creeping out of the private sphere and into the public, gentrified by artsy pretension and de-stigmatized out of viral necessity. Canny marketers exploit it; alarmed conservatives, joined by many feminists, are trying to shut it down. In many ways, as Pat Buchanan asserted at the Republican convention in August, there really is a cultural war going on. “Sex” stood to claim the battlefield. Advance cover stories on the book in Vanity Fair, Vogue and New York Magazine heralded hot like you’ve never seen before.

And from the looks of things last Wednesday morning, “Sex” measured up. Dismissive reviews, splashed across the tabloids like news of Pearl Harbor, couldn’t stop the ambush. Bookstores, record stores, anybody who carried it got swamped. Priced at $49.95 and packaged in a Mylar bag that warned ADULTs ONLY!, the book sold 150,000 copies on the first day, out of 500,000 printed for American distribution. Who says we’re in a recession? Laurence J. Kirshbaum, president of Warner Books, called it “review-proof.” Many stores pre-sold their shipments before they arrived. Others couldn’t restock fast enough to keep pace with demand.

Today in Madonna History: October 30, 2006

On October 30 2006, Madonna appeared on the cover of People magazine with the headline: Madonna’s Adoption Drama.

Here’s a snippet of the article:

Bringing Home David By Karen S. Schneider

As Madonna and Her Husband, Guy Ritchie Welcome Home Their New 13-Month-Old Son from Malawi, Local Human Rights Groups—and Some of the Boy’s Relatives—Raise Questions Over the Legality of the Adoption.

Madonna had only seen a snapshot of David Banda and had learned only basic information about him when she and her husband, Guy Ritchie flew to the African nation of Malawi on Oct. 3. But when the singer arrived at the Home of Hope Orphanage Centre and met the 13-month-old boy, says Madonna’s spokeswoman Liz Rosenberg, “It was love at first sight.” Adds a witness: “The look of pure joy on her face was beyond words, not unlike when her children [Lourdes, 10, and Rocco, 6] were born.”

About a week later—even as a storm of controversy was brewing over the planned adoption—Madonna’s happiness was echoed in a dimly lit room of the High Court in the Malawian capital of Lilongwe. The pop superstar, 48, and her director husband, 38, met, for the first time, with David’s dad, a farmer named Yohane Banda. Through a translator who spoke Banda’s Chichewa language, “she asked lots of questions,” says Banda, 32. “How old I am, what I do for a living, everything.”

Madonna also made promises—to provide Banda’s only child with a loving home, and to bring him back to Malawi to visit. For the singer, the face-to-face with Banda marked a turning point in an almost year-long effort to adopt a child from an impoverished nation where she helps fund six orphanages. (She has also pledged to sponsor improvements through the Millennium Promise program.) For Banda—who ekes out a living farming onions and cabbage, and placed David in the church-run Home of Hope when his wife died—it was a chance to give his son, he tells PEOPLE, “a brighter future.” Adds David’s grandmother Asineti Mwale, 56: “God has heard our prayer. May he bless this kindhearted woman abundantly.”

Today in Madonna History: October 18, 1986

On October 18 1986, Madonna appeared on the cover NO.1 magazine (UK), to promote Shanghai Surprise.

Today in Madonna History: October 10, 1987

On October 10 1987, Madonna appeared on the cover of Australia’s TV Week magazine.

We’re taking this opportunity to share most of the published Herb Ritts photos from this shoot. Enjoy!

Today in Madonna History: October 4, 1989

On October 4 1989, Madonna was featured on the cover of People magazine, with the headline, “20 Who Defined A Decade.

We’re taking this opportunity to show off some adorable photos from 1983 of Madonna, taken by Deborah Feingold in New York.

Today in Madonna History: September 30, 2006

On September 30 2006, Madonna appeared on the cover of Madame Figaro (France) magazine. Madonna was dressed in Jean-Paul Gautier, with photos by Jean-Baptiste Mondino. You’ll recognize that she wore the costume for Future Lovers, from The Confessions Tour, for this photo shoot.

Today in Madonna History: August 31, 2016

On August 31 2016, The New York Times profiled photographer Peter Lindbergh in which he recalled, among other works, his 1994 shoot with Madonna for Harper’s Bazaar magazine. Several outtakes from this stunningly beautiful session were featured along with the article.

“I worked only once with Madonna. What really struck me was her very strong motivation. We were doing a tribute to Martha Graham, her admired dance teacher. I discovered a dancer with a very rare talent: Madonna was moving in a very soulful and personal way, very touching and very much herself. At the same time, there was a feeling of perfection to everything she was doing. I was very interested in capturing some of this extraordinary contradiction, which I found absolutely stunning. Those images are as modern today as they were in 1994.”

– Peter Lindbergh, 2016.