On December 24 1983, Madonna was named runner-up for Top Dance/Disco Artist Of The Year in Billboard magazine’s year-end issue, while Michael Jackson took top honors.
The double-sided club hit Holiday/Lucky Star peaked at #3 on the Top Dance/Disco Singles Of The Year tally, while Madonna’s second entry at #26 combined points from her first two single releases, Everybody and Burning Up/Physical Attraction.
On November 30 2002, Die Another Day (Remixes) spent the first of two weeks at number-one on the Hot Dance Music/Club Play chart in US. It was Madonna’s 28th single to top the dance charts.
On November 17 2001, the promo-only remixes for Impressive Instant by Peter Rauhofer climbed to number-one on the Billboard Hot Dance Club Play chart in the US. It remained in the top spot for the week of November 24th.
On September 24 1983, Madonna’s Holiday hit #1 on the Billboard Hot Dance Music/Club Play chart in the USA. Holiday was Madonna’s first #1 single on the dance charts.
On August 23 1986, Papa Don’t Preach spent the first of two weeks at #1 on Billboard’s Hot Maxi-Singles Sales chart.
Despite being more of a pop/rock song than a club-oriented cut – both in its original form and in Stephen Bray’s extended remix version – Papa Don’t Preach nevertheless managed to reach #4 on Billboard’s August 30th Hot Dance/Club Play chart due to the massive buzz surrounding the song and its undeniable crossover appeal.
On July 6 1985, Angel/Into The Groove reached #1 on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.
Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the U.S. club promo 12-inch contained Angel on both sides.
Despite her U.S. label’s apparent attempt to underexpose Into The Groove in order to keep the focus on her Like A Virgin album, its inclusion on the Angel commercial single unquestionably helped to propel the release to the top of the Dance chart. With the video in heavy rotation on MTV, radio DJ’s had to procure the commercial 12″ of Angel in order to appease heavy listener requests for Into The Groove, since radio promo pressings of Angel featured the Remix/Edit on the flip-side instead.
On June 11 1998, Ray of Light became Madonna’s highest debuting single, peaking at number-five in its first week on the Billboard Hot 100 in the U.S.
The title-track from her seventh studio album was present for a total of twenty weeks on the Hot 100, and placed at number seventy-five on the year-end chart. Much of its chart success was due to strong sales, receiving a boost from the inclusion of non-album track, Has To Be, on the b-side of the two-track single, as well as the commercially-released VHS video-single. On the Airplay chart, however, the song fizzled out at number twenty-six due to radio’s tepid support of the single’s unconventional sound. Meanwhile, there was nothing tepid about the response from club DJ’s, with the remixes earning Madonna another number-one on the Hot Dance/Club Play chart where it spent four weeks at the top and seven weeks in the top-five.
Outside the U.S., the Ray of Light single reached number-three in Canada, number-two in the UK, Italy and Finland, and number-one in Spain.
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