
On September 12 1992, Shep Pettibone left the Soundworks Studio in New York with the completed master of Madonna’s forthcoming Erotica album in his hands.
What is your favourite Madonna / Shep Pettibone collaboration from Erotica?


On September 12 1992, Shep Pettibone left the Soundworks Studio in New York with the completed master of Madonna’s forthcoming Erotica album in his hands.
What is your favourite Madonna / Shep Pettibone collaboration from Erotica?

On September 4 1993, Madonna’s fifth single taken from her Erotica album, Rain, moved to #17 on the Billboard Hot 100 in the USA (after 7 weeks on the chart).
“Rain is a gorgeous romantic moment from Madonna’s sorely under-appreciated Erotica opus. A slow and seductive rhyme base surrounded by cascading, sparkling, synths inspires a sweet and charming vocal…A wonderfully constructed, memorable tune that deserves as much attention (and airplay) as it can garner.”
– Billboard Magazine
On June 21 1993, Madonna’s Rain video premiered on MTV. The video was directed by Mark Romanek, and filmed from May 16 – 19 at an airport hanger in Santa Monica, California. Romanek and Madonna set the video to look like Ryuichi Sakamoto was directing it, giving it a backstage feel. It was entirely shot in black and white and then hand-painted with blue tones.
It’s strange
I feel like I’ve known you before
I want to understand you
More and more
And more
When I’m with you
I feel like a magical child
Everything is strange
Everything is wild
On December 5 1992, Madonna’s Deeper and Deeper single was the week’s Hot Shot Debut entry on the Billboard Hot 100 in the U.S., bowing in at #38.
Pop radio had taken an immediate liking to Deeper and Deeper upon the album’s release, with some stations choosing to spin it in favor of the album’s darker lead single, well ahead of its official promotional launch. The support wasn’t unanimous, however, as Madonna was facing a severe public backlash following the release of her Sex book and the forthcoming release of the film Body Of Evidence.
The fact that Deeper and Deeper managed to climb to #7 on the Hot 100 amidst a tidal wave of contempt is a true testament to song’s irresistible appeal.

On November 2 1992, Madonna appeared on the cover of Newsweek magazine, with the headline: The Selling of Sex – The New Voyeurism.
Here’s a snippet of the article inside, written by John Leland:
What if Madonna gave a sexual bonfire and nobody came? In the quiet before the inevitable storm a few weeks back, NEWSWEEK asked Madonna about the possibility of failure or, more grievous, inconsequence. What if she released “Sex“—her explicit coffee-table book of erotic photos and writings, celebrating sadomasochism, homosexuality, exhibitionism and other pansexual delights-and the public merely yawned? “If everybody yawned,” she said, armed for this and other contingencies, “I’d say hooray. That means something happened.”
It was one of those neat identity makeovers for which Madonna is justly renowned: after coloring the last nine years with her determination to engage our attention at all costs, here she was, Florence Nightingale, dutiful erotic night nurse, content to slip into the shadows once her services were no longer needed, the patient cured. Now that’s what you call spin.
But for Madonna and for the rest of us, this was no lark. A deft little way to make some money and grab some spotlight, “Sex” also promised our first barometric reading of a turbulence boiling in American culture. Call it the new voyeurism: the middlebrow embrace, in the age of AIDS, of explicit erotic material for its own sake. From Mapplethorpe to MTV, from the Fox network to fashion advertising, looking at sex is creeping out of the private sphere and into the public, gentrified by artsy pretension and de-stigmatized out of viral necessity. Canny marketers exploit it; alarmed conservatives, joined by many feminists, are trying to shut it down. In many ways, as Pat Buchanan asserted at the Republican convention in August, there really is a cultural war going on. “Sex” stood to claim the battlefield. Advance cover stories on the book in Vanity Fair, Vogue and New York Magazine heralded hot like you’ve never seen before.
And from the looks of things last Wednesday morning, “Sex” measured up. Dismissive reviews, splashed across the tabloids like news of Pearl Harbor, couldn’t stop the ambush. Bookstores, record stores, anybody who carried it got swamped. Priced at $49.95 and packaged in a Mylar bag that warned ADULTs ONLY!, the book sold 150,000 copies on the first day, out of 500,000 printed for American distribution. Who says we’re in a recession? Laurence J. Kirshbaum, president of Warner Books, called it “review-proof.” Many stores pre-sold their shipments before they arrived. Others couldn’t restock fast enough to keep pace with demand.

On October 20 1992, Madonna’s fifth studio album, Erotica was released by Maverick Records.
Music critic Sal Cinquemani commented on the album’s impact:
By 1992, Madonna was an icon—untouchable, literally and figuratively—and Erotica was the first time the artist’s music took on a decidedly combative, even threatening tone, and most people didn’t want to hear it. Erotica’s irrefutable un-sexiness probably says more about the sex=death mentality of the early ’90s than any other musical document of its time. This is not Madonna at her creative zenith. This is Madonna at her most important, at her most relevant. No one else in the mainstream at that time dared to talk about sex, love, and death with such frankness and fearlessness.

On September 18 1993, Madonna’s Rain peaked at #2 on the Canadian Top 100 Singles Chart, matching Deeper & Deeper as the highest charting single in Canada from the Erotica album.
