Today in Madonna History: June 5, 1993

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On June 5 1993, Just A Dream, written and produced by Madonna & Patrick Leonard and performed by Madonna’s long-time backing singer/dancer Donna De Lory, peaked at number-ten on Billboard’s Dance/Club chart. The song was released as the second single from De Lory’s self-titled 1992 album for MCA Records.

Just A Dream had originally been written and recorded during the Like A Prayer sessions. Although Madonna had clearly intended that the album move beyond the boundaries of pure dance/pop and crossover into other styles, she reportedly felt that including Just A Dream would have tipped the balance too far in the direction of rock. When De Lory approached Madonna a few years later about the possibility of providing a song for her first album, Madonna offered Just A Dream, sensing that the song’s rock-edge would be better suited to Donna’s vocal style than her own. Madonna did, however, allow the use of her own vocals on the track, which can be heard blending with Donna’s in the song’s chorus, bridge and, most prominently, during its fadeout.

While unconfirmed, it is assumed that no new production-work – aside from the addition of De Lory’s lead vocal – took place on the released album version of Just A Dream, with the the original Like A Prayer session tracks carried over to Donna’s version and Madonna’s original lead vocal being mixed down to background vocals. The original cut, featuring Madonna’s complete lead vocal track, has yet to surface.

Check out the video for Donna’s version of Just A Dream at the 13:00 minute mark in the following video interview compilation featuring Donna discussing our favorite topic – Madonna:

Today in Madonna History: June 4, 1983

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On June 4 1983, Burning Up/Physical Attraction spent its third and final week at its peak position of number-three on Billboard’s Hot Dance Music/Club Play chart in the U.S.

Available only on 12″ single in the U.S., the release charted as a double A-side single. Its run on the Dance/Club chart spanned a total of sixteen weeks, seven of which were spent in the top-five. In a rather strange marketing twist, a music video was produced for Burning Up while only Physical Attraction was promoted to radio – with a radio edit of the latter being featured on both sides of the rare 7″ promo.

To further confuse matters, the version of Burning Up that was featured on the 12″ was in actuality not a remix, but rather the original Reggie Lucas production of the song. Instead, the two distinct versions of the song that later turned up on different pressings of her debut album were in fact remixes by John “Jellybean” Benitez. Physical Attraction was also remixed by Benitez, with his mix appearing on both the 12″ single and the album. But in a further twist, the radio edit of Physical Attraction that appeared on the international & U.S. promo 7″, and later on the You Can Dance single edits promo-only release, is an edited version of the original Reggie Lucas productions rather than the Jellybean remix.

Today in Madonna History: May 24, 1998

On May 24 1998, the Ray of Light single made its debut on Australia’s ARIA Singles Chart at its peak position of #6. It was present for a total of seventeen weeks on the chart, and was certified Gold by the Australian Recording Industry Association (ARIA) for shipment of 35,000 copies of the single.

In ARIA’s year-end singles chart, Ray of Light ranked 57th for best-selling Australian single of 1998.

Today in Madonna History: April 28, 2001

On April 28 2001, Madonna’s What It Feels Like For A Girl was the Hot Shot Debut (highest new entry) at #38 on Billboard’s Dance/Club Play chart. What It Feels Like For A Girl eventually became Madonna’s 25th #1 Dance hit in the U.S.

Despite the club success of the remixes, some fans and critics were displeased with the use of the Above & Beyond remix in the music video, and with the dark nature of the Guy Ritchie-directed clip, preferring the more subtle and restrained attack of the album version. Others felt that the more aggressive and confrontational feel of the remix and video were natural extensions of the emotions and experiences that Madonna was exploring within the song; feelings that were left bubbling beneath surface of the deceptively gentle and subdued album mix.

Regardless of which side of the fence you’re on, in retrospect one thing is clear: when revisited through the lens of the current “Me Too” movement, the overarching themes that Madonna explored with the release of What It Feels Like For A Girl were ahead of the curve in terms of social discourse. Although the same could be said for so much of Madonna’s work.

 

Today in Madonna History: April 24, 1993

On April 24 1993, Fever/Bad Girl hit #1 on Billboard’s Hot Dance Music/Maxi-Singles Sales chart in America. It remained at #1 for two weeks.

Despite being marketed as Bad Girl, the release charted as Fever/Bad Girl on the Maxi-Singles Sales chart due to its b-side being the primary focus of the release in terms of content. Wisely, Bad Girl was left off of the accompanying promotional single that was serviced to clubs (on beautifully pressed transparent red vinyl), allowing it to top the Hot Dance/Club chart solely as Fever.

Today in Madonna History: April 22, 1995

On April 22 1995, Bedtime Story debuted at number 72 on the US Billboard Hot 100, on the issue dated April 22, 1995. One week later, the song peaked at number 42, becoming the first Madonna single since Burning Up (1983) to miss the top 40.

Today in Madonna History: April 20, 1991

On April 20 1991, Rescue Me peaked at #3 on the UK Singles Chart after making its debut at #4 the previous week. It slid to #5 in its third week before falling out of the Top 10.

Rescue Me was the third single release from The Immaculate Collection in the UK, where it was issued in between re-releases of Crazy For You and Holiday.

Because the photo on international pressings of Rescue Me had already graced the cover of the Crazy For You reissue, Warner UK chose to market the single using an alternate shot taken from Jean-Baptiste Mondino’s June 1990 spread in Harper’s Bazaar. Ironically, the international Rescue Me cover photo was snapped on the set of the Mondino-directed music video for Justify My Love, although not by Mondino himself. It was instead photographed by another (future) Madonna music video director, Stephane Sednaoui.