On October 22 1990, Madonna was featured in a public service announcement on MTV’s Rock The Vote in which she was wrapped in the US flag and urged young people to register and vote; the ad caused a controversy with US Veterans of Foreign Wars who were enraged by Madonna’s provocative use of the American flag and said that it bordered on desecration.
On October 21 1992, Madonna’s Sex book was released by Warner Books, Maverick and Callaway Books.
The 128-page coffee table book of erotica and sexual fantasies was written by Madonna, with photographs taken by Steven Meisel and film frames shot by Fabien Baron. The book was edited by Glenn O’Brien.
The spiral-bound, metal-covered book was wrapped in a silver mylar bag and included a copy of the Erotic CD single (an exclusive version of the Erotica song). The package also included an 8-page comic book and it was priced at $49.95 US.
How old were you when you first bought or read through Madonna’s Sex book?
On October 20 1992, Madonna’s fifth studio album, Erotica was released by Maverick Records.
Music critic Sal Cinquemani commented on the album’s impact:
By 1992, Madonna was an icon—untouchable, literally and figuratively—and Erotica was the first time the artist’s music took on a decidedly combative, even threatening tone, and most people didn’t want to hear it. Erotica’s irrefutable un-sexiness probably says more about the sex=death mentality of the early ’90s than any other musical document of its time. This is not Madonna at her creative zenith. This is Madonna at her most important, at her most relevant. No one else in the mainstream at that time dared to talk about sex, love, and death with such frankness and fearlessness.
On October 19 1995, Madonna’s I Want You video was featured on the MTV documentary Inner City Blues: The Music Of Marvin Gaye. The documentary was assembled to promote the release of the accompanying tribute album.
On October 18 1996, Madonna’s greatest ballads collection, Something To Remember was certified 2x platinum (2 million units) in the USA.
On October 17 1987, Billboard magazine featured a two-page spread taken out by Madonna’s manager, Freddy DeMann, thanking everyone involved with Madonna’s massively successful Who’s That Girl World Tour, which had wrapped up in Europe the month before.
In the same issue of Billboard, Chart Beat columnist Paul Grein marked Madonna’s 13th consecutive top-5 hit as Causing A Commotion moved into the #5 position on the Hot 100. Speculating on how long Madonna’s winning streak could last, he warned of the dangers of over-exposure and artistic complacency. Without the benefit of hindsight, the back-handed compliment and slightly patronizing advice is not altogether unreasonable, and is certainly not unusual for the time.
Less reasonable, however, is his summation that the severity of Madonna’s potential fall from grace would be compounded by the abundance of female singers of the era who “sound like Madonna”.
Because you know, all female singers are only that – female singers. Even though you’re co-writing and co-producing your own songs and radio can’t get enough, neither can your audience or even your peers, you’re breaking records set by top male and female artists alike, you’re selling out stadiums around the world and earning high praise as a live performer – don’t think any of these things should afford you any respect. You may not have entered the business through the back door and you may have paid your dues and then some, but you’ve still just been lucky, that’s all. You couldn’t possibly possess the talent or the drive to evolve or the insight to be able to stay in the game once your luck runs out. Even though you are the one that everyone is copying – you’re still just another female singer, and they’re a dime a dozen.
While we no longer need hindsight to spot the glaring absurdity and blatant sexism of such an argument today, would it be as obvious if Madonna hadn’t stuck around to dispel it?
On October 16 1990, Madonna attended a fashion show by Thierry Mugler in Paris.
Today In Madonna History 