
On April 29 1996, Madonna appeared on the cover of People Magazine, with the headline: Maternal Girl: Madonna’s with child.


On April 29 1996, Madonna appeared on the cover of People Magazine, with the headline: Maternal Girl: Madonna’s with child.

On April 28 2003, Madonna graced the cover of People Magazine: Madonna’s Real Life
Here’s a snippet of the article that went with the cover:
Once a naughty material girl, the pop icon has turned into a doting mom and devoted wife. But she’s still making waves. Visitors to Madonna’s $6.5 million Beverly Hills mansion on a recent afternoon could stroll through and behold master-works by Picasso, Diego Rivera, Frida Kahlo and…resident artist Lourdes Leon, age 6. Alas, Lourdes belongs to the enfant terrible school of art, which has her famous mom clenching her teeth in frustration. “My daughter spilled black paint on the bedroom rug,” says a stressed Madonna. “We’re not really sure how it happened. She was left alone for two minutes, and, well, it’s not pretty.” So where is her husband, British film director Guy Ritchie? “He’s upstairs, working on a script,” she says. “I’m much more the disciplinarian of the house, although Guy is getting more involved.” Then, flashing a playful grin, she adds, “I’d have to fire him as a dad if he didn’t get more involved. I can’t be the hard one all the time.”

On April 26 1994, Madonna attended the Los Angeles premiere of the Alek Keshishian film, With Honors.
Madonna contributed I’ll Remember (the theme song) to the soundtrack which was distributed by Maverick Records.
On April 24 2015, the second single from Madonna’s Rebel Heart album, Ghosttown, was released as a 2-track single in Germany.
Digital Spy had this to say about the single:
If anyone will prove themselves indestructible come the apocalypse, then surely it will be the enduring might of Madonna that survives? According to her latest single Ghosttown, that’s exactly the case. “When it all falls, when it all falls down/ I’ll be your fire when the lights go out,” Madge promises her love on the haunting pop serenade, which gradually builds into a suitably theatrical finale ready for the Queen of Pop’s forthcoming world tour. It hears Madonna significantly more subdued and reflective compared to her handbag bangers of recent years, but by doing so it makes the biggest possible impact.