On July 4 1987, Madonna performed her Who’s That Girl show to a sold out crowd of 50,000 fans at the CNE Stadium in Toronto, Ontario.
Peter Goddard from the Toronto Star reviewed the concert and said:
“Madonna proved that she may be a lost girl in the roads of life, like her film, but she ain’t lost when she is singing. Especially during songs like ‘Papa Don’t Preach‘, her vocal prowess was substantially notable.”
On July 3 2006, Madonna performed her Confessions Tour at Madison Square Gardens.
It was the last of four SOLD OUT shows at the Gardens (June 28, 29 July 2 and 3). In total Madonna performed in front of 91,841 fans in New York, generating $16,507,855 in ticket sales.
On July 2 2005, Madonna performed Like A Prayer, Ray Of Light and Music in front of an audience of over 200,000 during the Live 8 benefit concert at London’s Hyde Park. Part of a series of concerts, many of which were held simultaneously at various locations around the world, Live 8 was broadcast live on television and radio to an estimated global audience of two billion.
Madonna is one of only eight acts – and the only female artist – to have been a headlining performer at both 1985’s Live Aid and 2005’s Live 8. Other returning performers were U2, Paul McCartney, Elton John, Sting, The Who, George Michael, and organizer, Bob Geldof. It took a bit of arm twisting on Geldof’s part to win Madonna’s commitment the second time around, as Madonna explained to MTV’s John Norris in a backstage interview after her performance:
Bob Geldof sent me a letter asking ‘will you do Live 8?’ and he didn’t really tell me anything and I went ‘Oh common dude, you gotta do better than that! Prove to me that it’s gonna make a difference and I’ll be there for you.’ And he did!”
In what turned out to be one of the event’s most moving moments, Madonna was introduced to the stage by Geldof with Birhan Woldu – the starving African child featured in the CBC News report twenty years earlier who had prompted Geldof to organize Live Aid. When Geldof had asked Woldu which artist she would like to appear with on stage, she immediately selected Madonna for the simple reason that she was the only artist on the bill that she had ever heard of. In a later interview, Woldu recalled the experience:
The crowd seemed to stretch for miles, but I’d been telling myself not to be nervous. There was just a huge picture of me as a child on the screen. That photo still upsets me. It was taken 20 years ago, when both my mother and sister died. I knew I must be strong for them but when I walked on I could feel my body shaking. Then Madonna took my hand and looked into my eyes, the crowd roared and I realised the world wanted to help my continent. I felt myself grow stronger.”
Madonna’s memorable performance at Live 8 was largely praised by mainstream media and fans alike.
On July 1 2019, Billboard’s Joe Lynch reported on Madonna’s performance at the World Pride festivities in New York City the previous night:
Madonna opened with her Harlem ballroom scene-indebted smash Vogue and the audience response was deafening. After that, the musical shapeshifter brought out a single it’s safe to say no one expected to hear as part of a limited-length set: American Life. That being said, while it’s not one of her, say, 20 most renowned songs, the message of American Life has only grown more timely in the 16 years since its release, and its strangely compelling melange of squelching synths, strings and folk had the crowd rapt — especially when she dove head-first into the “soy latte” rap (which reals Stans in the crowd parroted back to her perfectly).
Midway through her wind-whipped set, Madge spoke to the historicity of the moment and the significance to her life. “Fifty years, people,” Madonna said. “Fifty years of freedom fighting. Fifty years of putting up with discrimination, hatred and intemperance. Fifty years of blood, sweat and tears. Fifty years of not bowing down to fear. We have been on this journey together, and I am so proud and honored to share this historical evening with you.”
Before returning to performing, she shouted-out her early NYC days. “You really don’t know. Since I came to New York as a wee little girl, I have always been embraced by queer nation. I always felt like an outsider but you made me feel like an insider. You must know how much I love and appreciate everyone here tonight.”
After that, the cops busted in — well, at least the police-themed dancers Madonna employs. They helped her create a visually powerful live performance of her Madame X highlight God Control, replete with detailed choreography and a disco groove that had the crowd gyrating and shimmying. She closed with I Rise, a powerful anthem for both gun control and LGBTQ rights, after which fireworks exploded over Pride Island as starry-eyed attendees headed home.
Source: Billboard.com
On June 19 2012, Evita: 15th Anniversary Edition was released on Blu-ray, with the You Must Love Me music video included as a bonus feature.
The music video for You Must Love Me was directed by Alan Parker. Madonna was eight months pregnant (with Lourdes) when the video was shot. Madonna stood behind a piano to conceal her pregnancy during the video shoot.
On July 31 2009, Celebration – the lead single from Madonna’s third greatest hits album of the same name – was released to digital media outlets by Warner Bros. Records. The song was written by Madonna, Paul Oakenfold, Ian Green & Ciaran Gribbin and produced by Madonna & Oakenfold with additional production by Green.
Celebration was one of two new songs written with Oakenfold for the hits collection. The other new track, Broken, was left off the album but was later issued on 12-inch coloured vinyl as an exclusive gift to members of Madonna’s official fan club. Oakenfold also contributed new production to It’s So Cool, an outtake from Madonna’s 2003 album American Life which was used as a bonus track for the deluxe digital download edition of the Celebration album.
On July 30 2003, GAP premiered its latest commercial starring Madonna and Missy Elliot. The commercial, featured a mash-up of Madonna’s Into The Groove + Hollywood = Into The Hollywood Groove, featuring Missy Elliot.
Watch the short version here:
Please let us know if you have a link to a better version of this video (either version), thanks!
Today In Madonna History 