Today in Madonna History: July 2, 2005

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On July 2 2005, Madonna performed Like A Prayer, Ray Of Light and Music in front of an audience of over 200,000 during the Live 8 benefit concert at London’s Hyde Park. Part of a series of concerts, many of which were held simultaneously at various locations around the world, Live 8 was broadcast live on television and radio to an estimated global audience of two billion.

Madonna is one of only eight acts – and the only female artist – to have been a headlining performer at both 1985’s Live Aid and 2005’s Live 8. Other returning performers were U2, Paul McCartney, Elton John, Sting, The Who, George Michael, and organizer, Bob Geldof. It took a bit of arm twisting on Geldof’s part to win Madonna’s commitment the second time around, as Madonna explained to MTV’s John Norris in a backstage interview after her performance:

Bob Geldof sent me a letter asking ‘will you do Live 8?’ and he didn’t really tell me anything and I went ‘Oh common dude, you gotta do better than that! Prove to me that it’s gonna make a difference and I’ll be there for you.’ And he did!”

In what turned out to be one of the event’s most moving moments, Madonna was introduced to the stage by Geldof with Birhan Woldu – the starving African child featured in the CBC News report twenty years earlier who had prompted Geldof to organize Live Aid. When Geldof had asked Woldu which artist she would like to appear with on stage, she immediately selected Madonna for the simple reason that she was the only artist on the bill that she had ever heard of. In a later interview, Woldu recalled the experience:

The crowd seemed to stretch for miles, but I’d been telling myself not to be nervous. There was just a huge picture of me as a child on the screen. That photo still upsets me. It was taken 20 years ago, when both my mother and sister died. I knew I must be strong for them but when I walked on I could feel my body shaking. Then Madonna took my hand and looked into my eyes, the crowd roared and I realised the world wanted to help my continent. I felt myself grow stronger.”

Madonna’s memorable performance at Live 8 was largely praised by mainstream media and fans alike.

Today in Madonna History: June 28, 2005

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On June 28 2005, Madonna told Britain’s Grazia magazine:

“I am perfectly happy to muck around in a pair of drawstring pants and wellies. Sometimes my daughter gets angry because I go to school with her wearing my tracksuit and she say ‘Can’t you just wear normal clothes?’ I think she wants me to be a Yummy Mummy, but that’s not me.”

Today in Madonna History: June 11, 2005

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On June 11 2005, promo-only remixes of the American Life track Mother And Father peaked at # 9 on Billboard’s Hot Dance/Club Play chart in the U.S.

The chart placement was fueled by Peter Rauhofer’s “Re-Invention Remix” of the song, which was featured on his compilation album Live @ Roxy 4. His label *69 Records also issued a unsegued version of the remix on a scarce promo CD. Additional white-label remixes of Mother And Father by Johnny Rocks also surfaced, though it is unlikely that they had as much impact on the song’s chart placement.

It is believed that the remixes were initially commissioned for a proposed American Life remix album. The idea eventually devolved into the Remixed & Revisited EP, with no remixes of Mother And Father making the final cut.

Today in Madonna History: June 7, 2005

On June 7 2005, Madonna made a special appearance at the Borders Bookstore (Columbus Circle) to do a reading of her new children’s book Lotsa De Casha, for the children of PS 8 in Brooklyn.

Today in Madonna History: April 4, 2005

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On April 4 2005, Madonna was crowned the most searched celebrity on the Google search engine for the month of March 2005.

Madonna beat out other popular celebrities on Google including Britney Spears, Jennifer Lopez, Ozzy Osbourne, George Michael and Angelina Jolie.

Today in Madonna History: April 2, 2005

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On April 2 2005, Madonna was featured in Q magazine as one of the Five Essential Acts in Music, along with The Beatles, Bob Dylan, U2 and The Velvet Underground.

Q magazine listed Like A Prayer as her definitive album:

If you only buy one album….Like A Prayer. Always more interesting when not seeking novelty, Madonna hit artistic and commercial gold with Like A Prayer, her best and least contrived album. The title track, all swirling choruses and kitchen – sink production, remains her major statement, but Express Yourself was ferocious dance, while on the rarely lauded Dear Jessie she had never sounded so human.

Q magazine also listed what they considered to be Madonna’s essential singles:

Holiday, Borderline, Material Girl, Like A Virgin, Crazy For You, Into The Groove, Papa Don’t Preach, La Isla Bonita, Open Your Heart, Live To Tell, Who’s That Girl, Causing A Commotion, Vogue, Justify My Love, Ray Of Light, Frozen, Drowned World/Substitute For Love, Beautiful Stranger, Music, Hollywood.

Today in Madonna History: March 18, 2005

On March 18 2005, a resolution was reached in a UK copyright lawsuit (Coffey v Warner/Chappell Music Ltd. & Others) which alleged that elements of the Madonna & Patrick Leonard composition, Nothing Really Matters, had infringed on the copyright of claimant Elizabeth Coffey and her song, Forever After, performed by Peter Twomey.

The case took almost four years to reach the court and went under a considerable number of amendments by the plaintiff during that time. Coffey eventually alleged that the recording of Forever After included an original musical work, which consisted of the combination of vocal expression, pitch contour, and syncopation of or around the words “does it really matter,” but did not extend to the melody or lyrics surrounding those words.  She pleaded that the words “does it really matter” comprised the song’s lyrical hook and alleged that the copyright in Forever After was infringed by the defendants’ activities in relation to Nothing Really Matters.

In turn, the defendants moved to have the claim struck out as the method the plaintiff had identified the alleged copied elements was contrary to copyright law in general. Another defense offered was that, in any event, no copying had occurred.

The case was dismissed on the legal grounds that, in copyright, one cannot cherry pick the elements of the song that are the most similar in an attempt to build a stronger case. In his findings, the presiding Judge Blackburn, noted:
“The three somewhat elusive features identified by the claimant as her musical work cannot by any stretch of the imagination be said to be sufficiently separable from the remainder of the song as themselves to constitute a musical work. […] What the copyright work is in any given case is not governed by what the claimant alleging copyright infringement chooses to say that it is. Rather, it is a matter for objective determination by the court.”
A summary analysis and MIDI clip of the claimant’s song (which, incidentally, bears no perceivable resemblance to Nothing Really Matters) can be found here. The complete judgement in the lawsuit can be viewed here.