Today in Madonna History: April 17, 2015

On April 17 2015, Madonna tweeted about her long-lost friends, Andy Warhol and Keith Haring:

Andy and Keith had my back way back when! Miss being surrounded by artists that stuck together and defended one another! ❤#rebelhearts

Madonna spoke at length about Keith — here’s what she had to say about how they met and their journey together:

Keith’s work started in the street, and the first people who were interested in his art were the people who were interested in me. That is, the black and Hispanic community – I’d say people from lower income and background. His art appealed to the same people who liked my music. We were two odd birds in the same environment, and we were drawn to the same world – and inspired by it.

I watched Keith come up from that street base, which is where I came up from, and he managed to take something from what I call Street Art, which was an underground counter culture, and raise it to a Pop culture for mass consumption. And I did that too. The point is, we have an awful lot in common.

Another thing we have in common – and this happened quite early – was the envy and hostility coming from a lot of people who wanted us to stay small. Because we both became very commercial and started making a lot of money, people eliminated us from the realm of being artists. They said, “OK, if you’re going to be a mass-consumption commodity and a lot of people are going to buy your work – or buy into what you are – then you’re no good.” I know people thought that about Keith, and they obviously felt that about me too.

So Keith and I are sort of two sides of the same coin. And we were very supportive of each other in those early days. I remember Keith coming to watch my first shows. That was down at the Fun House, where “Jellybean,” with whom I was involved, was the disc jockey. I’d sing and dance and I’d choreograph these scenarios – and we had taped music and it was great, because this was a Hispanic club-and the atmosphere was just charged!

I don’t know what drew us to these exotic clubs – like the Fun House or Paradise Garage. Obviously, it was the sexuality and the animal-like magnetism of those people getting up and dancing with such abandon! They were all so beautiful! I’ve always been drawn to Hispanic culture – and so has Keith. It’s another thing we have in common.

So these were the people who bought my records in the first place – and they’re a great audience to perform for. Keith keyed into that too. He’d give these great parties, and I’d go to them and I’d give parties and he’d come to them. And we had such fun!

Another thing we have in common… we have the same taste in men! I remember a funny story about people saying that I stole one of Keith’s friends. What happened was that I had a New Year’s Eve party, and Keith arrived with this incredibly gorgeous guy. I remember Keith saying, “He’s yours, Madonna. He’s your New Year’s Eve present!” I said, “Oh, thank you!” And there was this really stunning guy – a great dancer – completely happy and a great positive spirit. And so he became my friend, too.

Anyway, I’ve always responded to Keith’s art. From the very beginning, there was lot of innocence and a joy that was coupled with a brutal awareness of the world. But it was all presented in a child-like way. The fact is, there’s a lot of irony in Keith’s work, just as there’s a lot of irony in my work. And that’s what attracts me to his stuff. I mean, you have these bold colors and those childlike figures and a lot of babies, but if you really look at those works closely, they’re really very powerful and really scary. And so often, his art deals with sexuality – and it’s a way to point up people’s sexual prejudices, their sexual phobias. In that way, Keith’s art is also very political.

What stays with me is that very early on, when Keith and I were just beginning to soar, our contemporaries and peers showed all this hostility. Well, the revenge was that, yes, there’s this small, elite group of artists who think we’re selling out. Meanwhile, the rest of the world is digging us! Of course, it’s what they want too! It’s so transparent! They’re just filled with jealousy and envy. And it certainly didn’t stop us, because Keith didn’t want to do his work just for the people of New York City – he wanted to do it for everybody, everywhere. I mean, an artist wants world recognition! He wants to make an impression on the world. He doesn’t just want a small, sophisticated, elitist group of people appreciating his work. The point of it all is that everybody is out there reaching for the stars, but only some of us get there!

When I think of Keith, I don’t feel alone. I don’t feel alone in my endeavors. I don’t feel alone in my celebration of what I’ve achieved. I don’t feel alone in the odds I’ve been up against. I feel so akin to Keith in so many ways! I really can’t compare myself to many people… and I don’t feel that many people can relate to where I’ve come from and to where I’ve landed. So when I think of Keith and his life and what he’s achieved… well, I feel that I’m not alone.

Today in Madonna History: July 9, 1985

On July 9 1985, Madonna appeared on the cover of the New York Post with one of her most famous quotes, “I’M NOT ASHAMED!

The quote was in response to the controversy swirling around the Playboy and Penthouse releases of nude photos that were taken of Madonna when she was a struggling model in her early days in New York.

Do you think Madonna should have been embarrassed of her early nude modelling work? 

 

Today in Madonna History: October 15, 1996

october-15-1996-ny-post

On October 15 1996, Madonna appeared on the cover of the New York Post, with the caption:

It’s a girl! Healthy 6lb. 9oz. BABY

Lourdes was born the previous day – you can read about that here.

Today in Madonna History: August 4, 2005

august-4-2005

On August 4 2005, Liz Smith talked about Madonna’s then-forthcoming Confession on a Dance Floor album in the New York Post:

Who are the happiest music executives in the land these days? The big guys at Warner Records. All who have heard Madonna’s coming CD, Confessions on a Dance Floor, have been blown away. (Including WR’s movie – star handsome CEO Tom Whalley.) Confessions is entirely a dance – driven pop disc. No message. No ballads. All fun. These days M seems serene as the chatelaine of an English manor, feeding the chickens, riding, tending to her children, etc. (She, her home and her kids are gorgeous in Vogue for August.) But the once – shocking icon can still get into the groove. And she wants her fans to know it. The album hits stores in November.

Do you remember the anticipation for this album? It was a very exciting time to be a Madonna fan!

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