
For the week ending July 12 1997, the EVITA soundtrack enjoyed its final week on the Official UK Albums Chart. After 36 weeks on the chart the hit film soundtrack sold 640,000 copies in the UK.

For the week ending July 12 1997, the EVITA soundtrack enjoyed its final week on the Official UK Albums Chart. After 36 weeks on the chart the hit film soundtrack sold 640,000 copies in the UK.
On May 10 1997, Gary Barlow’s Love Won’t Wait hit #1 on the UK Singles chart. The track was the lead single from the former Take That singer’s debut solo album, Open Road.
The song was written by Madonna & Shep Pettibone during an early 1994 writing session for what would evolve into Madonna’s Bedtime Stories album.
After recording a handful of demos with Pettibone, Madonna decided to shift musical directions. While some of Madonna’s lyrics from the Pettibone sessions would be reworked into songs that would appear on Bedtime Stories, the excellent Love Won’t Wait remained shelved until it was submitted to Gary Barlow’s manager for consideration.
Strangely, Barlow’s single release credited only Shep Pettibone as the song’s writer, with no mention of Madonna or her publishing company, Webo Girl, Inc. This was subsequently corrected in the liner notes for Barlow’s album, Open Road, with both Madonna & Pettibone receiving credit.
Madonna’s soulfully delivered original demo version of Love Won’t Wait leaked online a few years after Barlow’s version was released.
On February 1 1997, Evita – The Complete Motion Picture Soundtrack peaked at #2 on the Billboard 200 album chart in the U.S. Meanwhile across the pond, the soundtrack simultaneously shot to the #1 position on the UK album chart. It had initially peaked at #6 in the U.S. and at #7 in the U.K. upon release in November, 1996.
The surge in sales was largely attributed to the film’s wide release in January and the heavy promotional push that accompanied it, along with the interest generated by the soundtrack’s second single, Don’t Cry For Me Argentina.
On October 27 1996, Madonna’s You Must Love Me (the lead single from Evita) was released.
Kathleen Guerdo’s review for Billboard:
“Madonna delivers what is by far one of the strongest vocal performances of her career, comfortably scaling to the song’s demanding soprano heights while infusing it with delicate, heart-rending emotion. This bodes well for the creative potency of the rest of the soundtrack, which is due Nov. 14. Prepare for wall-to-wall airplay of this flawless ballad on pop and AC radio.”
On August 26 1997, Madonna: Truth Or Dare was released on DVD in North America by Artisan/LIVE Entertainment.
The documentary’s international rights holder at the time, MGM Home Entertainment, was unfortunately much less quick on the draw. DVD editions of In Bed With Madonna (the film’s foreign title) were gradually issued in most international markets between 2002 and 2006.


On August 23 1997, Evita: Music from the Motion Picture (the highlights disc) debuted at #168 on the Billboard Top 200 Albums Chart in the USA.
The highlights disc included 19 tracks from the film, and was released on July 29 1997 in North America to help promote the home video release. The single disc was released in select markets around the world in 1996 at the same time as the double disc complete soundtrack, but not in North America.
Evita: The Motion Picture Music Soundtrack featured all 34 tracks from the film, and was released on November 12 1996.
The highlights disc didn’t perform very well in the late summer of 1997 because it was released a full 8 months after the original release. No single was released to radio to promote it, and most die-hard fans had already secured an imported version of the single disc soundtrack the previous year. Why it was released at all in July 1997 remains a mystery. Why the single-disc set wasn’t released in North America in November 1996 is a better question. Why not release the double-disc set (expensive) and the single disc set (average price of a CD at the time) and appeal to the largest possible group of consumers? That was the approach around the world, but not in North America, we can’t help but wonder why? – Jay