Today in Madonna History: November 7, 1998

On November 7 1998, The Power of Good-Bye advanced one position to #13 in what would be its final bulleted week on the Billboard Hot 100 in the U.S. The single would nonetheless manage to sneak its way up to #11 on November 28th, sans bullet. It is worth noting that one of the most significant changes to eligibility rules in the Hot 100’s history at the time took effect during the single’s initially rapid ascent, causing an immediate rush of non-commercially released radio hits to storm the chart and seemingly disrupt the ballad’s momentum.

A decision by Warner Bros. to withhold a maxi-single release for The Power Of Good-Bye in the U.S., compounded by the lack of any non-album content on the standard single despite earlier reports, suggests that the changes to the Hot 100 may have created a larger ripple than Warner had anticipated. Including the Oprah performance of Little Star, as previously reported in Billboard, or even the Dallas Austin remix of The Power Of Good-Bye on the b-side certainly would have given fans more incentive to pick up the 2-track single in the U.S.

It’s difficult to fully frown on Warner Bros.’s seemingly uncontainable enthusiasm for the brilliant remixes of Ray Of Light‘s fourth single, Nothing Really Matters, despite the highly unconventional timing of servicing them to clubs six months ahead of their commercial release.

Today in Madonna History: November 6, 2000

On November 6 2000, Madonna’s Music single entered its 9th consecutive week at #1 on the Canadian Top 100 Singles chart in the final issue of RPM magazine, which ceased publication after 36 years as the voice of the Canadian music industry.

Today in Madonna History: November 5, 1994

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On November 5 1994, Bedtime Stories entered the UK album charts at number-two. It was Madonna’s second consecutive studio album to miss the top position on the UK charts, but it would be her last until 2015’s Rebel Heart, which also topped out in the runner-up position.

Which album denied Bedtime Stories its shot at earning Madonna another number-one debut in the UK? A greatest hits collection by perennial favorite of hockey (or in this case – soccer) moms everywhere, apparently….Bon Jovi.

We welcome you to ease your disbelief with the soothing sounds of the underrated Bedtime Stories album cut, Love Tried To Welcome Me.

“Instead of spring, it’s always winter
And my heart has always been a lonely hunter.”

Today in Madonna History: November 4, 2001

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On November 4 2001, Madonna was named Britain’s highest-earning woman with an annual income of 30 million pounds ($43.8 million).  The Sunday Times newspaper placed Madonna above J.K. Rowling, creator of the Harry Potter books.  Rowling earned 24.8 million pounds ($36.2 million) in the year ending October 1 2001.  

Today in Madonna History: November 3, 2000

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On November 3 2000, Madonna guested on CBS-TV’s Late Show With David Letterman to promote the Music album. She performed an acoustic version of the album’s second single, Don’t Tell Me.

The performance featured several firsts for Madonna: her first live performance to promote the Music album; her first TV appearance following the birth of her son Rocco; her first performance on guitar since her pre-fame days in NYC band Emmy; her first unplugged/acoustic live performance; her first live performance with longtime guitarist Monte Pittman; and her first (and only) musical performance on the Late Show.

Despite being promoted as such, it was not, however, Madonna’s first time back to the Late Show after her infamously censored 1994 appearance. She had made a brief, unscheduled visit to the set to drop off a valentine for Letterman during a 1995 taping of the show.

Today in Madonna History: November 2, 1992

On November 2 1992, Madonna appeared on the cover of Newsweek magazine, with the headline: The Selling of Sex – The New Voyeurism.

Here’s a snippet of the article inside, written by John Leland:

What if Madonna gave a sexual bonfire and nobody came? In the quiet before the inevitable storm a few weeks back, NEWSWEEK asked Madonna about the possibility of failure or, more grievous, inconsequence. What if she released “Sex“—her explicit coffee-table book of erotic photos and writings, celebrating sadomasochism, homosexuality, exhibitionism and other pansexual delights-and the public merely yawned? “If everybody yawned,” she said, armed for this and other contingencies, “I’d say hooray. That means something happened.”

It was one of those neat identity makeovers for which Madonna is justly renowned: after coloring the last nine years with her determination to engage our attention at all costs, here she was, Florence Nightingale, dutiful erotic night nurse, content to slip into the shadows once her services were no longer needed, the patient cured. Now that’s what you call spin.

But for Madonna and for the rest of us, this was no lark. A deft little way to make some money and grab some spotlight, “Sex” also promised our first barometric reading of a turbulence boiling in American culture. Call it the new voyeurism: the middlebrow embrace, in the age of AIDS, of explicit erotic material for its own sake. From Mapplethorpe to MTV, from the Fox network to fashion advertising, looking at sex is creeping out of the private sphere and into the public, gentrified by artsy pretension and de-stigmatized out of viral necessity. Canny marketers exploit it; alarmed conservatives, joined by many feminists, are trying to shut it down. In many ways, as Pat Buchanan asserted at the Republican convention in August, there really is a cultural war going on. “Sex” stood to claim the battlefield. Advance cover stories on the book in Vanity Fair, Vogue and New York Magazine heralded hot like you’ve never seen before.

And from the looks of things last Wednesday morning, “Sex” measured up. Dismissive reviews, splashed across the tabloids like news of Pearl Harbor, couldn’t stop the ambush. Bookstores, record stores, anybody who carried it got swamped. Priced at $49.95 and packaged in a Mylar bag that warned ADULTs ONLY!, the book sold 150,000 copies on the first day, out of 500,000 printed for American distribution. Who says we’re in a recession? Laurence J. Kirshbaum, president of Warner Books, called it “review-proof.” Many stores pre-sold their shipments before they arrived. Others couldn’t restock fast enough to keep pace with demand.