Today in Madonna History: December 7, 1990

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On December 7 1990, Madonna’s Justify My Love was released as the first-ever video single, priced at $9.98.

The music video was considered too sexually explicit for MTV and was banned from the network. Madonna responded to the banning: “Why is it that people are willing to go and watch a movie about someone getting blown to bits for no reason at all, and nobody wants to see two girls kissing and two men snuggling?”

On December 3, 1990, ABC’s Nightline played the video in its entirety, then interviewed Madonna live about the video’s sexual content and censorship. When asked whether she stood to make more money selling the video than airing it on MTV, she appeared impatient and answered, “Yeah, so? Lucky me.” She also expressed during the interview that she did not understand why the video was banned, while videos containing violence and degradation to women continued to receive regular airplay. The video was then released on VHS, and became a bestselling “video single” of all time.

The Justify My Love maxi-single was an especially memorable one, featuring remixes by future songwriting collaborators William Orbit and Andre Betts, a Q-Sound mix, a remix by Madonna & Lenny Kravitz titled The Beast Within which featured Madonna reciting passages from the Book of Revelations, and a new Shep Pettibone remix of Express Yourself.

A second Justify My Love remix by Andre Betts, titled The English Mix, was sadly shelved but eventually surfaced on bootlegs and the internet, in varying degrees of quality.

Today in Madonna History: December 2, 2000

On December 2 2000, Madonna’s Don’t Tell Me single was reviewed by Chuck Taylor in Billboard magazine.

Don’t Tell Me was Madonna’s final single to be released on cassette in the U.S.  In the U.K., Warner Bros. issued Madonna’s next two singles in the format, with the last being 2002’s Die Another Day. In Canada – the first market to regularly issue Madonna’s singles on cassette (beginning with the cassette maxi-single for Angel in 1985) – her final cassette single was 1995’s Bedtime Story, while her final cassette maxi-single was 1994’s I’ll Remember.

Today in Madonna History: November 30, 1980

On November 30 1980, Madonna’s band, Emmy, recorded a four-song studio demo which was later distributed on TDK cassettes around New York City.

Band member and songwriting partner, Stephen Bray, was asked to describe what he remembered from these songs in a 1998 interview with Bruce Baron for Goldmine magazine, and he commented on each this way:

  • (I Like) Love For Tender – “Sort of our Byrds thing. Nice song, arrangement was too long though.”
  • No Time – “This was a giddy, up-tempo romp with drums and rhythm section stuff inspired by the fast playing Police and XTC attitude, but with a pop top.”
  • Bells Ringing – “Our most psychedelic number I recall, too long again. It had a definite Stones-ish attitude.”
  • Drowning – “The best tune of the moment, I always thought.”

Today in Madonna History: November 18, 2000

On November 18 2000, Madonna’s Music maxi-single spent its final week at #1 on Billboard’s Hot Dance Music Maxi-Single Sales chart in the U.S. following an amazing eleven consecutive week run at the top of the chart.

Today in Madonna History: November 15, 2005

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On November 15 2005, Madonna’s tenth studio album, Confessions On A Dance Floor, was released in North America by Warner Bros Records. The majority of the album was co-produced and co-written by Madonna & Stuart Price, with additional contributions by Mirwais, Bloodshy & Avant, Joe Henry and Anders Bagge & Peer Åström. It featured the singles Hung Up, Sorry, Get Together and Jump.

Madonna performed a small club show at Koko in London, UK on November 15th to celebrate the album’s release, with the set being streamed online to fans around the world. The live webcast was preceded by an exclusive mini-documentary titled Confessions…On A Promo Tour.

 

Today in Madonna History: November 14, 2004

On November 14 2004, Michael Colombier – the composer/arranger who produced the beautiful string arrangements for Madonna’s songs Die Another Day, Don’t Tell Me & Easy Ride, and composed the soundtrack for Swept Away (perhaps the film’s most memorable attribute) – passed away at age 65.

Colombier was one of the most prolific and versatile French musicians of his generation. Besides his career as a film composer scoring over 100 feature, cable and television films since the early 1960’s – Colombier was a prolific songwriter and arranger who worked with artists such as Joni Mitchell, Prince, Serge Gainsbourg, The Beach Boys, Herbie Hancock, Air, Barbra Streisand & Earth Wind And Fire.

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As a film composer, Michel Colombier scored many French and American films, including The Golden Child, Ruthless People, New Jack City, How Stella Got Her Groove Back and The Money Pit. His background in jazz was evident in the majority of his film scores, and his ability to compose original score music that merged seamlessly with pop songs made him the perfect composer for 1980’s films with song-heavy soundtracks, including White Nights, Against All Odds and Purple Rain (which won a Grammy Award as well as an Academy Award for Best Original Score).

Today in Madonna History: November 13, 1997

On November 13 1997, the Rolling Stone magazine Women of Rock issue, featuring Madonna, Tina Turner and Courtney Love on its cover was released.

The photoshoot took place on October 21, and according to Madonna, the ladies had fun figuring out what music to listen to during the shoot:

“There was a bit of a skirmish over who was going to play what. We finally agreed that every other CD was mine and every other CD was Courtney’s and we sort of went back and forth. But the ultimate song that we ended up dancing to all the time was the MC stereo remix of the Tricky song, which is a very good song to dance to.”

Tina had this to say about working with Madonna and Courtney:

“It was like working with kids. You know I’ve always had Ikettes for dancers, so they were pretending a few times that they were my dancers. They had all kinds of pretence going on, but it was always built around me being the mother of the two in some kind of way. In terms of ‘Tina is this and we are that,’ and I was laughing the whole time, honestly. If the photograph comes out with me really laughing seriously, it was because of their reaction to each other. It was wonderful.”

Madonna was introduced to longtime stylist, Arianne Phillips, at the photoshoot. Phillips had been working as Courtney Love’s personal stylist at the time and ended up styling both Courtney and Madonna during the shoot by photographer Peggy Sirota.