Today in Madonna History: January 15, 1993

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On January 15 1993, Body of Evidence was released across North America. The erotic thriller was produced by Dino De Laurentiis and directed by Uli Edel.  The film starred Madonna and Willem Dafoe, with Joe Mantegna, Anne Archer, Julianne Moore and Jürgen Prochnow in supporting roles.

The theatrical release for the film received the rare NC-17 rating (“No Children Under 17 Admitted”).

Sex was a game to her. She got off on the control. She always used to tell me it had to be her way.

When was the last time you watched Body of Evidence? Thoughts?

Today in Madonna History: January 14, 1993

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On January 14 1993, Madonna was featured in a 2-part interview with Bryant Gumbel on NBC-TV’s Today to promote the film Body of Evidence.

Madonna seemed quite fond of Gumbel. If they were to get any closer she’d be sitting on his knee. And note the conspicuously missing gap between her teeth. Hmmm. On second thought, it may have had something to do with the filming of her next movie, Dangerous Game…what do you think?

Today in Madonna History: January 13, 2015

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On January 13 2015, Billboard revealed that Michael Keaton’ son, Sean Douglas, worked on Ghosttown, one of the songs to be featured on Madonna’s Rebel Heart album. The songwriter said that the track was written in three days, after Madonna had personally requested some studio time.

“Madonna liked ‘Talk Dirty,’ actually, and so they put me and [co-writers] Jason Evigan and Evan Bogart in with her and we had this great session. I was incredibly nervous for obvious reasons, but she showed up, was super personable and was ready to work. I basically checked it off my life bucket list.”

Douglas is a successful pop songwriter whose credits include Top 40 hits for Jason Derulo, Demi Lovato and Fifth Harmony, among many others.

Today in Madonna History: December 28, 1992

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On December 28 1992, Madonna was named one of the 25 Most Intriguing People In The World For 1992 by People magazine.

Here’s what People had to say about Madonna in 1992:

The Movies! The Album! The Naughty Pictures! Once Again Madonna Was Everywhere, Shouting, “Look at Me—Every Inch of Me!”

Intriguing: suggests an air of mystery. Madonna: does everything in public but floss her teeth.

Intriguing: wrapped in enigma. Madonna: not wrapped in anything.

Intriguing: means doesn’t appear on-camera in romantic encounters with Evian water bottles. Madonna: does.

OK—so what’s so intriguing about somebody who lets you know that her lovers require a five-cent deposit?

For one thing, she made ya look. Consider Sex, the photo book in which she had her picture taken doing everything but blushing. Besides proving that a naked Madonna could arch backward over a pinball machine without mussing her hair, it also pushed the envelope out to the size of a circus tent. And when the crowds came pouring in, there she was at center ring, cracking her whip.

It only served her purposes that Sex earned sniffy reviews like “The Empress Has No Clothes” and that it was banned in places such as Japan and Ireland. Coming on the heels of her summer film hit, A League of Their Own, the fuss over her book helped to launch her new album, Erotica, and primed the movie audience for her next assault on their sensibilities, Body of Evidence. Her success at getting the world to subsidize her sexual preoccupations—to say nothing of her mammoth self-absorption—is what makes her worth the $60 million deal she cut this year with Time Warner (the parent company of PEOPLE). Madonna is not the first star to find the bucks in buck nakedness. But no one before her has capitalized so well on human willingness to have our fears and desires repackaged and sold back to us.

Yet this most public of women still strains to be a mystery. This year she went through more faces than Lon Chaney—one minute in Baby Jane pigtails, a cupcake from hell; the next in sour milkmaid gear, Heidi with a mean streak. Her changing gallery of faces is one reason that she’s a sex symbol who inspires a lot of heavy breathing from intellectuals. One landmark of the 1992 publishing list—The Madonna Connection: Representational Politics, Sub-cultural Identities and Cultural Theory. You didn’t get this sort of thing for Petula Clark.

But does she really throw such a mysterious light on our culture? More likely it’s just the glinting gears of a giant publicity machine. Yet the sheer magnitude of her achievement in that regard is, well, intriguing. And the grinding of those gears is surely too loud to be ignored. “I’m a revolutionary,” she once sighed. “And yes. it’s a burden.”

Sometimes it’s a burden for her, we sigh in return, and sometimes for us.

Madonna was a busy woman in 1992! What did you enjoy most? A League Of Their Own? This Used To Be My Playground? Erotica? Sex? Body Of Evidence? 

Today in Madonna History: December 27, 2003

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On December 27 2003, Madonna’s Nothing Fails/Nobody Knows Me single hit #1 and her collaboration with Britney Spears, Me Against The Music hit #2 on Hot Dance Singles Sales chart in US: it was the first time an artist had occupied the top 2 positions on the Singles Sales chart since Puff Daddy in 1997.

Today in Madonna History: December 26, 2009

On December 26 2009, Revolver, the second and final single from Madonna’s career-spanning greatest hits collection, Celebration, peaked at #130 on the UK Singles chart. The second single received minimal promotion from Warner Bros. No music video was released. Only digital releases supported the single until CD and vinyl releases came out between the end of January to March (depending on country). By the time physical releases were put out, interest in the single had faded at radio and in general.

Today in Madonna History: December 25, 1989

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In the December 25, 1989 issue of People magazine, Madonna was named one of the 25 Most Intriguing People In The World.

Madonna and Warren. Madonna and Sean. Madonna and Sandra. Madonna and Pepsi. The Material Girl, the Boy Toy, Papa Don’t Preach, the stigmata debacle, a used bustier that sold at Sotheby’s for $3,750…   So what is it about this 31-year-old woman with a mole on her upper lip that aroused such curiosity, even among, for example, Belgians, who bought 62,656 copies of her Like a Prayer LP this year? Only one person can approach that question with both the authority and seriousness that it deserves, and that person, of course, is Dr. Joyce Brothers. “Madonna is a sexy person for our time,” says Brothers. “She’s independent and on her own two feet. Women like her because they don’t feel she’s a victim. Men like her because she’s sexy, but not straight out, like in Penthouse. She is childlike and innocent but at the same time naughty. Madonna,” concludes the good doctor, “is walking that line very successfully.”   Thank you, Dr. Brothers. And thank you, Madonna Louise Ciccone.