Today in Madonna History: January 29, 2012

On January 29 2012, Live Nation Entertainment and Interscope Records released a press release announcing Madonna’s Give Me All Your Luvin’ single:

Madonna will be releasing her new single Give Me All Your Luvin’ featuring Nicki Minaj & M.I.A. on February 3rd, three days before her highly anticipated Bridgestone Super Bowl halftime performance. Give Me All Your Luvin’ is the first single from Madonna’s upcoming album MDNA, her 12th studio album and follow up to 2008’s Hard Candy which debuted at No. 1 in 37 countries. The song was written by Madonna, Martin Solveig, Nicki Minaj and M.I.A, composed by Martin Solveig and Michael Tordjman and produced by Madonna and Martin Solveig.

Where does this single rank for you in the history of Madonna’s hit singles? Is it a favorite? Forgotten? Should she perform it again? 

Today in Madonna History: January 28, 1991

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On January 28, Madonna’s Vogue won Favorite Dance Single at the 18th annual American Music Awards at the Shrine Auditorium in Los Angeles, California.

Today in Madonna History: January 24, 2017

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On January 24 2017, Rhino re-released Madonna’s The Immaculate Collection (her first greatest hits collection) on double vinyl in the USA and Canada as part of their Start Your Ear Off Right campaign. The collection was released on blue/white and gold vinyl and limited to 6,500 copies.

The re-release included the following (same track listing as the original release):

Side A:

  • Holiday
  • Lucky Star
  • Borderline
  • Like A Virgin

Side B:

  • Material Girl
  • Crazy For You
  • Into The Groove
  • Live To Tell

Side C:

  • Papa Don’t Preach
  • Open Your Heart
  • La Isla Bonita
  • Like A Prayer

Side D:

  • Express Yourself
  • Cherish
  • Vogue
  • Justify My Love
  • Rescue Me

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Today in Madonna History: January 23, 1988

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On January 23 1988, Madonna’s You Can Dance remix album hit #14 (and peaked) on the Billboard 200 chart.

Here is Stephen Thomas Erlewine’s review (from AllMusic.com) of You Can Dance:

Released in 1987 as a stopgap, the remix album You Can Dance reworks material from Madonna’s first three albums. Actually, it keeps the spotlight on her first record, adding non-LP singles like “Into the Groove” for good measure, along with a bonus track of “Where’s the Party.” Since it’s a dance album, it doesn’t matter that “Holiday” and “Into the Groove” are here twice, once each in dub versions, because the essential grooves and music are quite different in each incarnation. It is true that some of this now sounds dated — these are quite clearly extended mixes from the mid-’80s — but that’s part of its charm, and it all holds together quite well. Not essential, but fun.

Today in Madonna History: January 22, 1983

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On January 22 1983, Madonna’s Everybody peaked on Billboard’s Bubbling Under singles chart in the U.S., spending the first of three consecutive weeks at #107. Although the song managed to bubble under for a total of eight weeks, it didn’t gain enough support from mainstream radio to break into the Hot 100.

Today in Madonna History: January 21, 2017

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On January 21 2017, Madonna participated in the Women’s March on Washington. In addition to delivering a powerful speech (watch the full video below), Madonna also performed Express Yourself and Human Nature.

Here is the full transcript of the speech Madonna delivered to over 500,000 people:

“Hello.

“Are you still awake out there?

“Are you sure about that?

“Can you hear me?

“Are you ready to shake up up the world?

“Welcome to the revolution of love. To the rebellion. To our refusal as women to accept this new age of tyranny. Where not just women are in danger but all marginalized people. Where people uniquely different might be considered a crime. It took us this darkness to wake us the fuck up.

“It seems as though we had all slipped into a false sense of comfort. That justice would prevail and that good would win in the end. Well, good did not win this election but good will win in the end. So what today means is that we are far from the end. Today marks the beginning, the beginning of our story. The revolution starts here. The fight for the right to be free, to be who we are, to be equal. Let’s march together through this darkness and with each step. Know that we are not afraid. That we are not alone, that we will not back down. That there is power in our unity and that no opposing force stands a chance in the face of true solidarity.

“And to our detractors that insist that this March will never add up to anything, fuck you. Fuck you. It is the beginning of much needed change. Change that will require sacrifice, people. Change that will require many of us to make different choices in our lives, but this is the hallmark of revolution. So my question to you today is are you ready? I said, are you ready? Say yes, we are ready. Say, yes we are ready. One more time: you’re ready.

“Yes, I’m angry. Yes, I am outraged. Yes, I have thought an awful lot of blowing up the White House, but I know that this won’t change anything. We cannot fall into despair. As the poet, W.H. Auden once wrote on the eve of World War II: We must love one another or die.

“I choose love. Are you with me? Say this with me: We choose love. We choose love. We choose love.”

Today in Madonna History: January 20, 1996

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On January 20 1996, Madonna’s You’ll See re-entered the Billboard Hot 100 Top 10 at #10.

The lead single from Madonna’s Something To Remember ballads collection debuted at #8 on December 8, peaked at #6 on December 16, and in the following weeks fell to #9, #11, #12, #11 and then climbed back to #10.

Larry Flick had this to say about You’ll See:

Foster’s flair for musical melodrama inspires Madonna to turn in what is easily her most assured and full-bodied vocal performance to date. Amid a swirl of strings and Spanish guitars, she spews the song’s declaration of romantic independence with a theatrical verve that perfectly matches the stagey, potentially overpowering tone of Foster’s arrangement without flying over the heads of her youthful top 40 following. A stunning effort that could easily become the ‘I Will Survive’ of this generation.

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